A varied, neutral background supports a series of purple, pink, and black rectangles that occupy the middle of the piece toward the top third of the picture plane. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A series of five panel paintings depicting variations upon the theme of migratory waterfowl combined with cloud shapes and sweeping, arching lines., Untitled; John Jay Cruson; paintings; 1979; Pendelton State Office Building, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
This piece consists of a gold, inverted cornucopia shape that is suspended from the ceiling and a round, inlaid piece in the floor that relates to what appears to be representation of items that might be found in the cornucopia., Clark Wiegman; cornucopia, http://artifacture.org/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
An acrylic emulsion of a blue lake blocked by black slender twigs and branches., Hugh Webb; Savvie Island Sturgeon Lake; 22x30 inches; 1994; acrylic over gold leaf on paper, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A geometric composition that utilizes thick brush stokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, orange, yellow, blue, and purple. Predominant shapes include rectangles and irregularly shaped triangles., James B Thompson; 1992; A mystery desired and sought III, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This view represents a detailed section of the mixed media construction, Fence 36-323, that organizes discarded materials within a black grid pattern., detail #2 Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323, det. 2; fabric & mixed media; 1995, http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
An abstract, geometric composition that orchestrates red, orange, yellow, white, and greenish-gray., Clint Brown; Right side / left side series; OSU elec and Computer; 22 x 30; mixed media on paper, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Sandcarved glass mounted on a wooden door that presents wavy blue and brown vertical lines with thin, short black lines moving horizontally through them., Lonnie Feather; ""At Water's Edge""; 1998; 12""x12""; Conf. Room Door; sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This abstract glass piece adorns four panes adjacent to one of the entrances to the ERB Memorial Union. Blue, yellow, orange, and green blend together as they emerge on a diagonal from a clouded, white area., Lonnie Feather; ""At Water's Edge""; 1998; 114 inches x 66 inches; sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A pinkish-orange background, divided by a gray grid, supports a rectangle in the middle of the piece that is outlined in blue. Additional, multicolored squares are presented in the middle of the blue-outlined rectangle. Smudges of maroon congregate toward the bottom of the piece, and several sections of the grid pattern are filled in with blue, yellow, and pink. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Mixed media; 1979, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/