Search

You searched for: Start Over Decade 1980-1989 Remove constraint Decade: 1980-1989 Topic photography (discipline) Remove constraint Topic: photography (discipline)

Search Results

51. The Consequence of Rift
The Consequence of Rift
Description
This color photograph presents a close-up detail of scratched and rusted paint., Allan Bruce Zee; The Consequence of Rift; 1986; cibachrome; Datsun pickup; Bandon, OR, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a stairc, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
52. Untitled (Douglas)
Untitled (Douglas)
Description
A black and white photographic documentation of water meeting land., Douglas Frank; veteran's affairs, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
53. Northern Lights
Northern Lights
Description
A close-up color photograph of the paint-chipped surface of an old Ford truck., All Rights Reserved By Allan Bruce Zee © Northern Lights, photo #1376, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985), Allan Bruce Zee Photography 2240 S. E. 24th Avenue Portland Oregon 97214, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
54. Tonic for the Soul
Tonic for the Soul
Description
A color photograph depicting a view from behind a red bench, in front of a concrete wall that separates it from the beach., Tonic for the Soul; color photograph, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
55. Boarding Up the Door
Boarding Up the Door
Description
This mixed media photo installation presents a photographic representation of an overall-clad man attached to a ladder. The man intereacts with a photographic representation of a boarded door with white, peeling paint that is attached to the wall. To the left of the man and the door, another photographic representation of a window fleshes out the illusion of space implied by the installation., David Joyce; Boarding Up the Door; © 1986, http://www.bkpix.com/writing/joyce2.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
56. LaVerne Krause
LaVerne Krause
Description
A black and white portrait of LaVerne Krause. Krause has her hair up in a bun, with bangs across her forehead, and thick-rimmed oval glasses atop her nose., black & white photo; 16 x 20 inches, 1981, paulneevel@poetworld.net, http://www.paulneevel.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
57. Sea of Snow
Sea of Snow
Description
A color photograph of a snowy landscape. The snow shadows and what may be tuffs of grass amidst the mounds of snow look like sea waves. In the background are the silhouettes of trees, along with dark ominous clouds., Deborah De Wit; Sea of Snow; photograph; justice, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
58. The Place
The Place
Description
A colored photograph of showing a pathway covered by orange and brown fall leaves. The path is surrounded by tall deciduous trees on both sides. To the path's right sits a wooden bench, grayed with time and the elements. A few leaves rest on the darkened bench, highlighting the contrast between the bright orange of fall and the black of winter. Behind the bench is a paved road, with a short wooden fence seen further in the background. The entire landscape is grayed with fog., The Place; Deborah Dewit; photograph; 23 x 30 images; Eastern Oregon Correctional Institution, Deborah DeWit was born in 1956 in Portland. Oregon. Four weeks after her birth, her mother returned with her to South America to re-join the rest of the family. She grew up traveling with her family and living in such places as the Philippines, New York, Minnesota, South Carolina, Florida, El Salvador, Colorado, Scotland and finally ended up in Portland in 1979. Photography was never a career choice and she entered Cornell University as an Agronomy major. After two years she decided to give her hobby, photography, more serious attention and moved to Colorado where her parents were living at the time. In order to finance her endeavors, she cheffed in restaurants for two years and in her spare time roamed the mountains outside Denver looking and experimenting with her camera. In 1978 she left for Scotland, where she worked on a farm, driving tractors, hoeing turnips and moving cattle from field to field. It was here that her real passion developed. The skies and the hills and the wildnes, Deborahdewitmarchant@verizon.net, http://www.dewit-marchant.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
59. Untitled (Douglas)
Untitled (Douglas)
Description
A black and white photographic documentation of an oddly triangular-shaped rock along the coastline., Douglas Frank; veteran's affairs, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
60. Sidewalk Landscape #2
Sidewalk Landscape #2
Description
This photograph of a section of sidewalk incorporates drawn elements that aid in the translation of sidewalk as landscape., Andrea Benson; Sidewalk Landscape #2; '88; State Office Building- Portland (Geology Dept.), http://www.andreabenson.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Oregon State University Libraries University of Oregon Libraries