This painting presents a nude human figure with longish black hair in profile. The figure stands against a backdrop of three bands of color: white at the top, light blue in the middle, and dark blue at the bottom., Michele Russo; Horizon; oil on canvas; 69 x 60.5 inches; 1991, Michele Russo was born in Waterbury, Connecticut in 1909. In 1930, he enrolled at Yale University and received a B.F.A. degree in painting in 1934. During the depression years he was employed at a muralist through a Works Progress Administration project and in this capacity executed murals in several Connecticut schools. In 1937, Russo left Connecticut to accept a fellowship to study with Boardman Robinson and George Biddle at the Colorado Springs Fine Arts Center in Colorado Springs, Colorado for one year. During the next ten years he was a social activist and worked for the Federal Education project in Connecticut. In the fall of 1947, Russo moved to Portland and was hired by the Museum Art School the following year to teach painting and art history, remaining on the staff until he retired in 1974. During his tenure at the Museum Art School he became known as Portland's most articulate voice of artists' political, social and artistic rights. In the 1950's, along with friends, he started a co-op op professional artists called Artists Equity. In recent years Russo has been active in various organizations to make art a more visible part of the cultural life in the Northwest; he was one of the original founders of the Portland Center for the Visual Arts. In 1975, he was Chairman of the Oregon Committee for Art in Public Places. In 1977, he was appointed to the Metropolitan Arts Commission; the first artists so honored. (Unknown, 1995), http://www.aaa.si.edu/collections/oralhistories/transcripts/russo83.htm; http://www.laurarusso.com/artists/russo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An acrylic emulsion of a blue lake blocked by black slender twigs and branches., Hugh Webb; Savvie Island Sturgeon Lake; 22x30 inches; 1994; acrylic over gold leaf on paper, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom sections are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic; detail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom portions are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Blues, purples, greens, and oranges comprise this abstract composition of roughly geometric shapes. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.laurarusso.com/artists/bauer.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This abstracted scene presents a green human form dressed in a maroon hat, an orange shirt and light blue tie, and dark blue pants. The figures stands before a strange tree that emits black-and-white striped vines. The figure holds onto one of the vines. The context of the scene is rendered mostly in blue and green patterns with a varigated yellow sky., Dick Ibach; Daniel's Tree; acrylic on canvas; 36 x 48 inches, http://www.lorindaknight.com/artist_resume.asp?id=106, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This abstract piece combines contiguous, irregular forms rendered in blues, greens, oranges, and purples. Thin, red and purple lines create continuity across the composition., Frederick Heidel; Valley of Time; mixed media on paper; 47x37 inches; 1994; HeiF94092914, Former chairman of the art & architecture department and professor of art at Portland State University for over 25 years, Frederick Heidel is well known and respected for his work in glass and acrylic paintings. Throughout his career, Heidel has exhibited widely including major shows at the San Francisco Museum of Art, Portland Art Museum, University of Oregon Art Museum, Smith/Anderson Gallery, Palo Alto, CA and Glasgalene Kuhler, Amsterdam, Holland. The artist has also been awarded numerous commissions and is included in many public and private collections. A painter, Heidel began working in glass in 1967 after receiving a Chapelbrook Foundation Grant to work in the glass factories in Holland. Since that time, the artist has traveled to the studios of Glassobjekte Van Tetterode to execute glass sculpture from drawings he has prepared in his Portland studio. The exploration of this medium has lead Heidel to create sculpture of painted light and the nuances of the colorful laminated glass harkens to the painterly and fluid surfaces of his paintings. Heidel's works on paper reflect the translucent quality of his glass sculpture. (Unknown, 1991), http://www.laurarusso.com/artists/heidel.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An acrylic emulsion of a creek surrounded by tall trees. The trees and lake are in different shades of green. The mountains in the background are blue and purple., Hugh Webb; Slough Creek; 22x30 inches; 1994; acrylic over gold leaf on paper, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A photorealistic acrylic painting on wood of an open white door with open green shutters set against a bright yellow wall. There are two steps that ascend to the doorway from a cobblestone walkway., Tom Fawkes; porta giardino dei simplici; acrylic on wood; 49x70x3 inches; ohsu movable, A well-known Portland artist, Tom Fawkes, renders beautifully detailed photorealist landscape paintings and constructions in acrylic., watercolor and pastel. Through the use of Trompe L'Oeil painted shadows and constructed elements, Fawkes is able to translate the light, space and atmosphere of an environment in a way that is immediate and involving. Fawkes shows his work regularly in Seattle and Portland as well as numerous invitational exhibitions nationally. Public collections include: Safeco Corp., Seattle, Kaiser Foundation, Portland, Western Bank Corporation, Los Angeles, Seattle Art Museum, Portland Art Museum and the Phillip Morris Collection at Oregon Freeze Dry, Albany, Oregon. Tom Fawke's most recent work will reflect his continuing fascination with the Italian landscape and gardens. This interest was fostered after receiving the Rockefeller Foundation Grant in 1987 in which Fawkes was artist-in-residence at the Foundation Center in Bellagio, Italy. (Unknown, 1991), For more images from this artist, please visit: http://www.laurarusso.com/artists/fawkes_t.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An acrylic painting of a green and blue seascape, below a sky in various shades of brown., Kay French; Sea Change; acrylic on wood; 14x27 inches, Kay French grew up in the Midwest which perhaps explains her fascination with storms and flat land. She moved to Portland in 1977. Kay has a degree in art history from Kent State University and a degree in painting from the Pacific Northwest College of Art. Her work has been exhibited in various shows in regional galleries and museums. She was awarded a WESTAF/NEA Regional Fellowship for Visual Artists in Painting in 1994. She has also been represented by the Pulliam Deffenbaugh Gallery in Portland, OR. (Oregon Arts Commission), http://pulliamdeffenbaugh.com/Artist-Detail.cfm?ArtistsID=162, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture