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Description: A sculpture of a bronze drummer sitting upon a wooden base. The drummer has a small head compared to the rest of his body. The drum is large and round, resting on the figure's hand., Ahvakana; 11/94; Drummer in Relief; Bronze 1/12; 14x10x1 inches, http://www.stoningtongallery.com/artistselect.php?fn=Larry&ln=Ahvakana&artist=109&artType=0&topic=, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

Description: A portrait of a Native American, whose face is starkly divided in shadow, is rendered in periwinkle tones and contained in a square bordered by a cross-hatched pattern. Three black feathers with maroon arrows pointing downward extend from the bottom of the cross-hatch pattern., Fragment #5 - Medicine Crow; serigraph; Marilyn Higginson; commerce bldg, http://www.artharveststudiotour.org/2006/pages/artists/marilyn_higginson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A transformational image: color rendering of what appears to be a human with a buck's head., For Lillian/Frank; pastel and graphite on paper; 40 x 26, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

Description: This mixed media painting presents tribal symbolism renedered in red, purple, blue, orange, black, and white., Wheel of Fortune; Mixed Media; 1996; 12 inches x 12 inches, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: This view presents a detail of a quilted wall piece that depicts three sections of Native American symbolism within geometric patterning., Marilyn A. Fashbaugh; 2116 NW Pine Crest Way Waldport OR 97394, http://www.americanartco.com/page.aspx?cid=207&id=306, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: This quilted wall piece presents three sections of Native American symbolism within geometric patterning., Marilyn A. Fashbaugh; 2116 NW Pine Crest Way Waldport OR 97394; Buffalo Sing, http://www.americanartco.com/page.aspx?cid=207&id=306, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: This quilted wall piece presents three sections of Native American symbolism within geometric patterning., Marilyn A. Fashbaugh; 2116 NW Pine Crest Way Waldport OR 97394; Many Moons Ago, http://www.americanartco.com/page.aspx?cid=207&id=306, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/

Description: A woman wearing Native American clothing stands behind a collection of Native American baskets identified as belonging to Lee Moorhouse. Some of the baskets are beaded and many have geometric patterns or designs.

Description: A corner area of an interior room is covered with a net, from which is strung an assortment of Native American artifacts and decorations. There are baskets in many shapes and sizes; bags, woven and beaded; necklaces of beads or shells; antlers; some beadwork and leatherwork; woven mats and wall hangings; bow and arrows; two quivers with fringe; a pistol; a rope; drums; a miniature of a canoe decorated with a floral design; some portraits, one drawn in charcoal and several photographs; a carved wooden spoon; and other assorted objects. The interior of the room that is visible is wallpaper on the ceiling and upper wall area, a bench with cusions, and some ornate picture frames to the left and right of the display of goods.

Description: A Native-American woman lies on a bed, covered by a blanket. Her hair is in braids. The wall behind her is covered with baskets, bags, a model canoe, and artwork. On the floor around the bed are more baskets, antlers, a stone mortar with several pestles, and a pistol.

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