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161. Trout Quintet
Trout Quintet
Description
The Trout Quintet depicts five trout playing various musical instruments., Sarah Chamberlain; The Trout Quintet; 37/50; 8 1/4x8 1/4 inches; color etching; ohsc nurses unit remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
162. Paper Roses 6/25
Paper Roses 6/25
Description
Paper Roses depicts a loose bundle of roses with the wrapping papers in the background and a card attached to a string. The dark outlines on the roses suggest chaos rather than romance., Susan Comerford; Paper Roses; 6/25 etching; 24x18 inches; ohsc nurses unit remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
163. The Village
The Village
Description
The Village provides a profile view of a stairway and hints of factories in the background. The use of straight lines throughout gives a systematic and cold industrial feel., Jayne Cookson; the Village; 1987; 4/15; 18x24 1/4 inches; lino reduction; ohsc nurses unit remodel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
164. Piece for Wind
Piece for Wind
Description
Black scratchings on white paper., Michael Sumner; piece for wind; state capital vol III, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
165. Hen on Hat Mask
Hen on Hat Mask
Description
This piece presents an enigmatic portrait of a human form rendered in a combination of white, yellow, pink, and red. The form wears what appears to be a purple and red stylized cowboy hat. The background is comprised of blue, purple, and orange., Rick Bartow; Hen Hat on Mask; mixed media; 36 x 26 inches, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
166. Metallic Entry
Metallic Entry
Description
An abstract collection of sed in three distinct sections. A tan area with black markings extends from the top of the piece and encloses a blue area that is contained on the bottom by a collection of lumpy black shapes., Craig Spilman; metalic entry; state capital vol III, http://www.bkpix.com/writing/spilman.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
167. Face
Face
Description
A screenprint of a face rendered from the buildup of tiny triangular pieces. The shades of the triangular pieces vary in tonality from white to aqua to black. The lighter pieces highlight the features of the face while the darker ones recede into the background., Screenprint; 18 x 18 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
168. Segmented Landscape
Segmented Landscape
Description
Segmented Landscape depicts a surreal landscape using vibrant turquoise against whites and darks (blacks and dark greens). The piece plays with geometrical shapes and depicts a fragmented landscape view., L. Matoush; segmented landscape; intaglio; sosc siskiyou center, Internet resources on Lyle Matoush: Mail Tribune Online (4/28/00 issue) http://archive.mailtribune.com/archive/2000/april/042800n4.htm <br>Southern Oregon University: http://emeritus.sou.edu/News.asp?NewsID=26, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
169. Rose Matrix #5
Rose Matrix #5
Description
A stylized, geometric background in cool colors supports a rectangle containing a light pink renering of a rose. The rose is offset by a collection of pink and blue geometric grid patterns presented below the rose inside the main rectangle as well as below the rectangle., David Haidle; 1979; lithograph 26x33 inches; rose matrix #5, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
170. Red Passage
Red Passage
Description
Red Passage depicts various life forms, human and non-human, in a grid of seventy-seven square images. The progression of color change from orange to red goes in a diagnal from the bottom left to the upper right corner., Jack McLarty; red passage; 1978; color linocut; 15x23 in, Jack McLarty has lived most of his life in Portland, Oregon. His family moved to Portland from Seattle in 1921. After attending the Museum Art School, he left Portland in 1940 to study at the American Artists School in New York. At the end of two years, McLarty decided New York did not suit him as a permanent home and returned to Portland. By 1945 he had reconnected with the Museum Art School accepting a teaching fellowship in lithography. He joined the regular faculty in 1947. McLarty and his wife, Barbara, opened the Image Gallery in 1961. (online biography obtained from Preservation of Oregon's Artistic Heritage–A Production of the Salem Art Association.) Other biography information available at http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, http://www.poahonline.org/bio_mclarty.html <br> http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Council of Southern Oregon. You may view their website at http://www.artscouncilso.org/
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