This piece is a quilted patchwork collage of photo-silkscreened imagery. It includes portions of a 1887 map of the state, engravings of county courthouses from Sheriff's letterheads, pieces of trademarks and labels, writing from an 1804 map of Lewis and Clark's route, a letter from the governor in 1869, and excerpts from a broadsheet offering a reward for the apprehension of men who deserted a schooner in 1846. The composition is suggestive of an old saloon stage with mounted photographs of recorded history dancing across a backdrop of the Oregon Territory. The stage is flanked by images of the trees, fish, and mountains that are so significant to this region. (information from OAC documentation), Machine and hand-piece silkscreened cottons; Photo by David Loveall; Archives, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
Detail view of a quilted patchwork collage of photo-silkscreened imagery. It includes portions of a 1887 map of the state, engravings of county courthouses from Sheriff's letterheads, pieces of trademarks and labels, writing from an 1804 map of Lewis and Clark's route, a letter from the governor in 1869, and excerpts from a broadsheet offering a reward for the apprehension of men who deserted a schooner in 1846. The composition is suggestive of an old saloon stage with mounted photographs of recorded history dancing across a backdrop of the Oregon Territory. The stage is flanked by images of the trees, fish, and mountains that are so significant to this region. (information from OAC documentation), Machine and hand-piece silkscreened cottons; Photo by David Loveall; Archives, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
One in a series of three tapestries that depict changing clouds in white and gray on a blue sky over a dark, rolling landscape., Pam Patrie; tapestry; wool; 1984; detail 1st panel; 44x108 inches, pampatriestudios@yahoo.com, http://revolution.3-cities.com/~abates/meanderings/Pam3.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Outrigger No. 2 juxtaposes natural elements (quills) with man-made elements (sails, kites) that represent flight. This view is a detail of the larger piece., Susanna Kuo; outrigger no. 2; 1980; 1980; state printing plant, in 1962, Kuo graduated from Lewis and Clark College in Portland, Oregon. She holds an M.A. in English literature from Mount Holyoke College and a Ph.D. in English literature and folklore from indiana University. Kuo is one of the authors of "Carved Paper: The Art of the Japanese Stencil," published in 1998., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A weaving that depicts a large black heart shape in the center with a smaller pink heart eclipsing it. The two hearts are surrounded by pinks, blues, and purples on the right and left, which gives way to orange, greee, and black on the top and bottom., That Sinking Feeling; Sheila Held; fiber; 55 x 50 inches, http://www.silverhawk5.com/held/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This colorful textile piece presents different swatches of foliage arranged over an oval intersecting a circle. The background consists of vibrant, linear patterning., Oregon Foliage of the Forest Ecosystem; 7 x 8.5 feet; 1999; J Poxson Fawkes, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This tapestry piece combines interlocking, triangular patterning and bright colors., Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/