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1. Prince Hill Series #3

Prince Hill Series #3

Description: Humberto Gonzalez lives and paints near his favorite viewpoints of the Willamette Valley. Born in Tamaulipas, Mexico, his family later immigrated to Texas. Gonzales received an MA in secondary education in 1968. In 1971 he moved to Oregon to accept a teaching position at Lebanon Union High School where he taught Spanish, painting, and drawing until his retirement., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

2. Prince Hill Series #1

Prince Hill Series #1

Description: Humberto Gonzalez lives and paints near his favorite viewpoints of the Willamette Valley. Born in Tamaulipas, Mexico, his family later immigrated to Texas. Gonzales received an MA in secondary education in 1968. In 1971 he moved to Oregon to accept a teaching position at Lebanon Union High School where he taught Spanish, painting, and drawing until his retirement., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

3. Robin

Description: Triptych, Macca’s work concerns the emotional and psychological connections we all make to colors., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

4. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

5. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

6. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

7. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

8. Script of Vine--A Trilogy of Prelude, Inventions and Fugue Conservation Record

Script of Vine--A Trilogy of Prelude, Inventions and Fugue Conservation Record

Description: Fabrication, installation and conservation statement for the work Script of Vine, I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

9. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

10. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

11. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

12. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

13. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

14. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

15. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

16. Cadenza, Calypso, Fandango Conservation Record

Cadenza, Calypso, Fandango Conservation Record

Description: Fabrication, installation and conservation statement for the works Cadenza, Calypso and Fandango, Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

17. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

18. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

19. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

20. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

21. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

22. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

23. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

24. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

25. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

26. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

27. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

28. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

29. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

30. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

31. Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Script of Vine--A Trilogy of Prelude, Inventions and Fugue

Description: I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

32. Prince Hill Series #1 and #3 Conservation Record

Prince Hill Series #1 and #3 Conservation Record

Description: Fabrication, installation and conservation statement for the works Prince Hill Series #1 and Prince Hill Series #3, Humberto Gonzalez lives and paints near his favorite viewpoints of the Willamette Valley. Born in Tamaulipas, Mexico, his family later immigrated to Texas. Gonzales received an MA in secondary education in 1968. In 1971 he moved to Oregon to accept a teaching position at Lebanon Union High School where he taught Spanish, painting, and drawing until his retirement., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

33. Robin Conservation Record

Robin Conservation Record

Description: Fabrication, installation and conservation statement for the work Robin, Macca’s work concerns the emotional and psychological connections we all make to colors., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

34. Colere

Description: Ted Sawyer is a glass artist and director of research and education for Bullseye Glass, a Portland-based glass production, fabrication, and research facility., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

35. Colere

Description: Ted Sawyer is a glass artist and director of research and education for Bullseye Glass, a Portland-based glass production, fabrication, and research facility., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

36. Earth Conservation Record

Earth Conservation Record

Description: Fabrication, installation and conservation statement for the work Earth, Jef Gunn is a painter, printmaker and sometimes sculptor, who has worked in Portland, Oregon. Gunn attends to the relationship between consciousness and the phenomenal world, expressed in simple large forms of Nature drawn from memory of experience in wilderness and urban environs, concentrated into shapes, text, pattern and signs. 'I don't know if I care much about self expression. In relation to the wilderness or the city, what is a self? Art is mind revealing mind.', info@jefgunn.com, http://www.jefgunn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

37. A House for Phineas Gage Letter of Agreement for Removal

A House for Phineas Gage Letter of Agreement for Removal

Description: Letter describing the conditions under which the work A House for Phineas Gage can be removed from exhibition, http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

38. Terbium (Tb)

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

39. A House for Phineas Gage Statement on Chemical Treatments, Fire Marshal's Statement and engineering documents

A House for Phineas Gage Statement on Chemical Treatments, Fire Marshal's Statement and engineering documents

Description: Correspondance relating to the safety of the temporary work A House for Phineas Gage, http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

40. Science Walk Re-Creation Conservation Record

Science Walk Re-Creation Conservation Record

Description: Fabrication, installation and conservation statement for the work Science Walk Re-Creation, Scott W. Wylie (born 1946) is a Springfield, Oregon, designer who specializes in functional art and landscape works. For more information on this work and other Scott Wylie Designs, please see the artist's website., wylieaerie@att.net, http://wylieaerie.home.att.net/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

41. Glass Screen Project Schematic Design Proposal

Glass Screen Project Schematic Design Proposal

Description: Diagram and letter describing the proposed work Glass Screen Project, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Oregon Coast Council for the Arts. You may view their website at http://www.lanearts.org/

42. Axes

Description: Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

43. Axes

Description: Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

44. Scandium (Sc)

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

45. Osmium (Os)

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

46. Axes

Description: Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

47. Earth

Description: Jef Gunn is a painter, printmaker and sometimes sculptor, who has worked in Portland, Oregon. Gunn attends to the relationship between consciousness and the phenomenal world, expressed in simple large forms of Nature drawn from memory of experience in wilderness and urban environs, concentrated into shapes, text, pattern and signs. 'I don't know if I care much about self expression. In relation to the wilderness or the city, what is a self? Art is mind revealing mind.', info@jefgunn.com, http://www.jefgunn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/