This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A large, black-and-white photograph of young kids running down a hillside., Barbara Gilson; Untitled #12/15; 3 x 3 feet, (1991) Barbara Gilson received a BA in French Literature and in Film Studies from Dartmouth College in Hanover, New Hampshire. She has studied photography at the Visual Studies Workshop in Rochester, New York, where she coordinated the film program. During the tenure of her MFA Program in Photography at Arizona State University, she was a graduate research assistant to Mark Klett for the Photography Collaborative Facility, Visual Arts Research Institute. She also organized Editions and Additions: International Bookworks at Northlight Gallery. Awarded a Graduate Student Research Development Program Grant, Barbara and two colleagues have been involved in a collaborative project with the Navajo to document their sacred land and sites in northwestern New Mexico. The Arizona Commission on the Arts awarded this project, Hajiinei Dine'tah, a Visual Arts Travelling Exhibitions Grant. In addition to being selected as a recipient of the Contemporary Forum Artist's Material Fund, Phoenix Art Museum; a finalist in the Ferguson Grant Award, Friends of Photography; and awarded First place in the Tucson Weekly Annual Fiction and Photography Competition, Barbara has shown her work nationally in one person and in group exhibitions, and is represented in many public and private collections. She has also been a co-director of Blue Sky Gallery, Portland, Oregon, and is an Artist-in-Education in the greater Portland area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This naturalistic landscape painting depicts a view of a small pond amongst green trees., Antoinette Dewit; Bothy's Pasturelands; 14 x 18 inches; watercolor, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a detail of the right panel in the triptych, Constructing Layers of Time. It presents a group of stick figures on the top of a triangular form that bisects the rest of the picture plane in sections of red and yellow. Thin, black lines comprise several other peripheral forms., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This landscape scene depicts a meandering body of water amongst tall grasses and trees., Allan Stephenson; Estuary-Gearhart; 10 x 18 inches, Allan Stephenson is an artist who draws his inspiration from the natural landscape particularly that of his native British Isles and also that of the Pacific Northwest where he now makes his home. *I am always looking for and attempting to communicate with the viewer that special sense of place that infuses some areas of the natural world with meaning, wonder and beauty. I hope my work can provide some escape from the sometimes frenetic world we all live in. I am a traditionalist. I don't see the art I produce as breaking any kind of new ground but rather I apply myself to existing forms and attempt to inject perhaps fresh content. I am currently enjoying the medium of pastel for it's direct hands-on quality that allows me to blend and sculpt the pigment using my fingers and hands rather than the intermediary of a brush.* (excerpt from artist's exhibition list), http://www.allanstephenson.com/index.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This triptych presents a series of human forms, rendered in black line and complimented with red, green, blue, and yellow., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view details the wooden inlay on the front of the circulation desk in the Knight Library., Gerhard B. Pagenstecher; 7783 SW Capitol Hwy. Portland, OR 97219; 503-245-7002; Knight Library circulation desk detail; 1994; 34 x 196 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone relief is one of four that depicts caricatures of the seasons. This one represents fall., http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts the wooden inlay on the front of the circulation desk in context at the Knight Library., Gerhard B. Pagenstecher; 7783 SW Capitol Hwy. Portland, OR 97219; 503-245-7002; Knight Library circulation desk; 1994; 34 x 196 inches; cherry, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a detail near the top of the linear metal work that frames the exiting security sensors in the lobby of the library., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a detail near the top of the linear metal work that frames the exiting security sensors in the lobby of the library., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone relief is one of four that depicts caricatures of the seasons. This view details the leaf pattern below the caricature of fall., Storrs/Bales; detail of Fall; cast stone; each triangular block 13 inches on each side; Knight Library- UO, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view details the top of an open book that sits atop the plant form, rendered in cast-metal, that sit outside the Knight Library., http://www.waynechabre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone relief is one of four that depicts caricatures of the seasons. This view presents a detail of the caricature of spring., Storrs/Bales; 1992; detail of Spring; cast stone; head size @ 19 x 7 x 7 inches; Knight Library, U. of Oregon, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This black-and-white drawing depicts a young woman walking toward the viewer while holding what appears to be folded clothing or a blanket under her left arm. She wears tall, black boots and a long, tattered jacket. Her short hair is spiked and accented with yellow., http://www.markwoolley.com/Artist-Detail.cfm?ArtistsID=353, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece, rendered in a yellow and brown color scheme, depicts two men inspecting some sort of heavy machinery. One man wears an apron while the other props one knee up on a stool as he leans into his work., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This naturalistic landscape painting depicts a view of a river that flows through a hilly, vegetated area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone relief is one of four that depicts caricatures of the seasons. This one represents winter., http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print presents a collage of pattern and color to define at least four dark-haired women with smiles on their faces and engaged in interaction with one another. The bottom portion of the piece suggests the faces and hands of a many more women., Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., http://www.houstonscustomframing.com/gallery_yuji.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A contextual view of Frank Boyden's series, Changes, on the wall in the Knight Library, from the left., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This black-and-white drawing depicts a young male walking away from the viewer on a street accented with yellow. He wears a baggy sweatshirt and baggy pants., http://www.markwoolley.com/Artist-Detail.cfm?ArtistsID=353, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This abstract painting appears to depict a city street scene obscured by the method of paint application. Colors used include yellow, red, blue, black, and shades of neutral tones., T. Prochaska; Starts and Stops; 24 x 32 inches; oil; 1993, Artist Thomas Prochaska grew up drawing and sketching in Illinois, and then earned a degree in Art Education from the University of Wisconsin. A full scholarship to the Pratt Institute in Brooklyn found him studying printmaking and painting. After a couple of years of teaching at Pratt Graphics Center and at the University of Georgia, he followed his love for printmaking — and his Swiss girlfriend — to Europe. “That’s where I learned the most about printmaking, doing it every day and doing it in a real practical manner… in Switzerland, in a tiny town, St.Prix.” When visa problems sent him back to the U.S., he taught at Wesleyan College in Macon, Georgia, visiting family in Oregon during the summers. “And so I fell in love with Portland,” he sighs with a smile. “I went from being a Department Chairman to being in the Saturday Market.” His woodcuts of trout and salmon — “I also came here for the fishing,” he adds — were eventually licensed for use on T-shirts. Popular ones. “That made me feel real happy because it was people’s art, art away from institutions,” Tom says. “In some ways, that was the most satisfying work I’ve ever done, because people wore them.” (excerpt from biography at http://www.pnca.edu/exposure/stories/28/tom-prochaska), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=223, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone relief is one of four that depicts caricatures of the seasons. This one represents winter., Storrs/Bales; Winter panel from Knight Library- U of O; 7 feet x 4 feet x 7 inches; 1992; cast stone, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone sculpture presents a very smoothly rendered hawk perched atop a roughly textured rock. The hawk holds beads on a string and a feather in its claws., Devin Laurence Field; Hawk; Oregon sandstone, http://www.devinlaurencefield.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a plant form that flowers into an open book with pages for leaves. The form is rendered in cast metal and shown in context outside of the Knight Library., http://www.waynechabre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This black-and-white drawing depicts a two young men engaged with each other. The male on the left wears baggy, tattered clothing, a backwards baseball cap, and a wallet chain. The male on the right wears a dew rag and baggy clothing. He clenches his fist at his side as the male on the left holds onto him by the shoulders., http://www.markwoolley.com/Artist-Detail.cfm?ArtistsID=353, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This landscape scene depicts a grassy hill with a two-track on top, which recedes into the background toward a clump of trees. There appears to be a low mountain range and a body of water in the background as well., Allan Stephenson; On the Dike II; Knight, Allan Stephenson is an artist who draws his inspiration from the natural landscape particularly that of his native British Isles and also that of the Pacific Northwest where he now makes his home. *I am always looking for and attempting to communicate with the viewer that special sense of place that infuses some areas of the natural world with meaning, wonder and beauty. I hope my work can provide some escape from the sometimes frenetic world we all live in. I am a traditionalist. I don't see the art I produce as breaking any kind of new ground but rather I apply myself to existing forms and attempt to inject perhaps fresh content. I am currently enjoying the medium of pastel for it's direct hands-on quality that allows me to blend and sculpt the pigment using my fingers and hands rather than the intermediary of a brush.* (excerpt from artist's exhibition list), http://www.allanstephenson.com/index.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts a series of fish, defined in red, white, and blue, that are vertically oriented on a black background. Four horizontal sections of patterned and torn paper intersects the fish and creates the illusion that the fish have wings., Aki Sogabe; The Fish; paper cutting; 30 x 24 inches, http://www.thelivinggallery.com/as01.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This metal sculpture consists of an arrow-shaped form whose tip is decorated with circles. Four undulating linear forms pass over the form and extend from it., Keith Jellum; Pegasus; bronze; 1992, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view details a book lying face down at the base of one of the plant forms that flowers into books. The inscription reads, "Pluck the fruit that grows therein. Gather the roses, the spice, and the myrr.", http://www.waynechabre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
7 p. Yuji Hiratsuka's 1995 resume and exhibition list., Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A black-and-white landscape photograph that depicts an arid environment under a tempestuous sky., Edward Vliek; Alvord Desert- Steens Mts.; 30 x 40 inches, Born: Decatur, Michigan 1949 Education: Western Michigan University 1967-1972 Photography: Self Taught, My interest in photography began on my 10th birthday when my parents gave me a Kodak Brownie camera. I took pictures of family and friends through high, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This black-and-white print depicts a wooden bridge that strectches over a body of water and leads to a forested area where a man stands with a plank in his hands. The scene is inset with three rectangles that present what appears to be black cat and fish-related imagery., Dennis Cunningham; Footbridge No. Two; linocut; 1990; 29 x 29 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view groups together Debra Beers' four pieces that comprise her Homeless Street Youth Series., http://www.markwoolley.com/Artist-Detail.cfm?ArtistsID=353, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts a black vase of orange flowers sitting on a table covered with a linen decorated in a black and pink pattern. The background in split into two distinct areas: the area on the left presents a yellow, circular pattern while the area on the right is black., E. Brinton; Orange Flowers; Knight, http://www.ebrinton.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a plant form that flowers into an open book with pages for leaves. The form is rendered in cast metal and shown in context outside of the Knight Library., http://www.waynechabre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view details the top of an open book that sits atop the plant form, rendered in cast-metal, that sit outside the Knight Library. The inscription is a quote from R.L. Stevenson., http://www.waynechabre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
In this piece, a crow emerges from an abstract build-up of color. The crow looks over its shoulder toward the right side of the picture plane, where there is a yellow circular form and what appears to be an inscription of the number four., Rick Bartow; A Crow; 1994; 19 x 25 inches, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts a person in a graduation cap, viewed through what appears to be a window.The space surrounding the figure is rendered in light green, while the space behind the figure is rendered in yellow., Adam Grosowsky; The Scholar; 1995; 18 x 24 inches, http://www.bkpix.com/writing/grosowsky.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This abstract painting presents three distinct sections of blue, reddish-orange, and green obscured by a white wash., A.B. Cox; Pompei; marble dust, oil on paper; 1994; 30 x 42 inches, (1996 press release from Oregon Economic Development Department, Salem, OR)Allen's Cox's canvases are abstract allegoies...Cox has exhibited in solo and invitational exhibitions throughout Oregon, Washington, California and Pennsylvania... cox has been represented by the Patricia Williams Gallery (Gleneden Beach, OR)., http://bennettgalleriesnashville.com/allencox.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view details the top of an open book that sits atop the plant form, rendered in cast-metal, that sit outside the Knight Library. The inscription is a quote from Lord Chesterfield., http://www.waynechabre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This sculpture combines blonde wood and light green metal to execute a curved, jointed construction intersected near the top by a disc shape., William Moore; Samothrace; spun bronze, mpl burl; 1994; 23 x 12.75 x 11 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This sculpture combines blonde wood and light green metal to execute a curved, jointed construction intersected near the top by a disc shape., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a plant form that flowers into an open book with pages for leaves. The form is rendered in cast metal and shown in context outside of the Knight Library., http://www.waynechabre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden; Changes IV; 9.5 x 11 inches; lithograph, Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone relief is one of four that depicts caricatures of the seasons. This one represents spring., http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone relief is one of four that depicts caricatures of the four seasons. This view details the caricature of winter., Storrs; approx. 19 x 7 x 7 inches; Knight Library, U. of Oregon, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This linear, metal sculpture piece frames the exiting security sensors in the lobby of the library., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
1 p. Allen Cox's 1995 artist statement., (1996 press release from Oregon Economic Development Department, Salem, OR)Allen's Cox's canvases are abstract allegoies...Cox has exhibited in solo and invitational exhibitions throughout Oregon, Washington, California and Pennsylvania... cox has been represented by the Patricia Williams Gallery (Gleneden Beach, OR)., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
2 p. Yuji Hiratsuka's 1995 artist statement., Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This black-and-white drawing depicts a young woman with short hair walking away from the viewer on a street accented with yellow. She wears tattered clothing, a plaid flannel tied around her waist, and tall, black boots. Her bra strap is highlighted in red., http://www.markwoolley.com/Artist-Detail.cfm?ArtistsID=353, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view presents Keith Jellum's Pegasus sculpture in context atop the Knight Library roof., Keith Jellum; Pegasus; bronze; 1992, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This metal sculpture consists of an arrow-shaped form whose tip is decorated with circles. Four undulating linear forms pass over the form and extend from it., Keith Jellum; Pegasus; bronze; 1992; h- 93 inches, w- 94 inches; d- 18 inches, http://keithjellum.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This stone sculpture presents a very smoothly rendered hawk perched atop a roughly textured rock. The hawk holds beads on a string and a feather in its claws., http://www.devinlaurencefield.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts two men wearing what appears to be medieval garb and wielding an ax and a sickle amogst a green field filled with branched forms lacking leaves. Two trees and a blue sky occupy the background., http://www.aronpacker.com/stotik/stotik.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This sculpture is comprised of a panel of glass that presents a hologram of a woman in a white robe who cradles a bouquet of flowers in her arms. Situated in front of her and held in place by a metal armiture is a green glass piece that resembles a spinal column surrounded by flowing water., Nancy Mee; 6202 37th Ave. NE Seattle, WA 98115; 206-525-1922; Melpomene; 1994; glass, steel, photo sandblast on glass; 82 x 40 x 24 inches, Nancy Mee was born in Oakland, California, eventually moving to Seattle where she received a B.F.A. from the University of Washington. In 1984 she was a resident at Pilchuck School and in 1988 won the Betty Bowen Memorial Award. Mee's unique sculpture is fabricated out of fused and slumped glass and incorporates forged and cut metals. Exhibitions include the Seattle Art Museum, Bellevue Art Museum, Brooklyn Museum, San Jose Museum of Art, and the Centre International d'Art Contemporain in Chateau Beychevelle, France. Collections include Safeco, Microsoft, the Seattle Art Museum, the Tacoma Art Museum, and the Musee des Arts Decoratives in Lausanne, Switzerland., http://dennisevans.net/index2.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
1 p. Anne Storrs' and David Bales' 1995 artist statement., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
1 p. Donna R. Steger's 1995 artist statement., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This view depicts a detail of the left panel in the triptych, Constructing Layers of Time. It presents a minimalist human figure rendered in black line atop a wedge of red. Thin, vertical black lines define an amorphous form directly behind the human form, and additional thin, black lines define other peripheral forms in the red section., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This impressionistic landscape print depicts several trees in the foreground in front of blue, rocky cliffs., Cie Goulet; Yellow Light #575; 41 x 53 inches, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This ceramic tile piece depicts a grouping of women and children villagers engaged in their daily activities, rendered in color. The grouping is bordered by black-and-white outlines of animals, fish, and people., Baba Wague Diakite; image from Soni Cengi; 38 x 52 inches; 1994; set of 35 ceramic tile, Baba Wague Diakité is a West African artist; he was born in Bamako, Mali., http://www.africancraft.com/artist.php?sid=42132141658580101321960056855383&id=wague&pg=portfolio, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts two flower vases side by side. The one on the left is yellow with a black-and-white leaf pattern, and it holds red plant matter in front of a green background. The one on the right is blue with a black-and-red leaf pattern, and it has a handle and a pour spout. Blue blooms float around it on a yellow background. The entire piece is bordered by a linear pattern derived from the colors used in the piece., Kacey Joyce; Red Leaves and Pitcher; reduction linocut; 1994, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/