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1. Opalescence
Opalescence
Description
An oil painting featuring a flower pot viewed from above. The flowers are white with a little bit of red in the middle. The flower pot is sitting on a beige table, with shadows from the flowers and green leaves to the left of the painting., Susan Lindsey; Opalescene; #6; oil; 23x30x3/4 inches; 7/93, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
2. Super Lunar
Super Lunar
Description
An oil painting of half a moon, against a light colored background. The moon is in shades of yellow and brown, with the curved end facing down., Pam Baker; Super Lunar; oil on canvas; 28x48 inches; 9-94, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
3. Lowlands #5
Lowlands #5
Description
This naturalistic landscape painting depicts a view of flatlands, a grove of deciduous trees fronted by a small pond, all under a colorful cloud-filled sky., http://www.victoriaadamsart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
4. Chippewa River
Chippewa River
Description
An abstract painting that is mostly blue, with a white thin tree trunk with branches in the middle. Below the blue paint is mostly black, and next to the blue paint is white and yellow paint., Jef Gunn; Chippewa River; 1993; 53 1/4x48 3/4; encaustic on wood, Jef Gunn is a painter, printmaker and sometimes sculptor, who has worked in Portland, Oregon. Gunn attends to the relationship between consciousness and the phenomenal world, expressed in simple large forms of Nature drawn from memory of experience in wilderness and urban environs, concentrated into shapes, text, pattern and signs. 'I don't know if I care much about self expression. In relation to the wilderness or the city, what is a self? Art is mind revealing mind.', info@jefgunn.com, http://www.jefgunn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
5. Madeline at Eight
Madeline at Eight
Description
An oil painting of a girl laying halfway on a rug and the wood of her bedroom floor. The view is premised from the ceiling. Around her are toys and balls on the floor. There is an unmade bed to her right, a dresser with a drawer open to her left, and a window behind her., Margaret Puckette; Madeline at Eight; oil on panel; march 1993; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
6. Cat Tails & Pussy Willows
Cat Tails & Pussy Willows
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
7. Language Series #77
Language Series #77
Description
A mixed media art piece of what looks like collaged pieces of paper and material glued or taped together. There are black letterings of which some appear to be backwards., Jerry Iverson; 1993; 36x40 inches; mm on board; sold ohsu; language series #77, http://www.pulliamdeffenbaugh.com/Artist-Detail.cfm?ArtistsID=163, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
8. Sunflowers with Visitiors
Sunflowers with Visitiors
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
9. Card House #5
Card House #5
Description
A still-life oil painting of a deck of cards stacked upon each other and scattered around. There are egg shells around the cards. The left side of the composition presents a heavy, blue cloth., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
10. Cannon Beach
Cannon Beach
Description
A painting of Cannon Beach,Oregon rendered in cool and neutral color tones from the point of view that looks up the beach, out over the water. The right side of the art piece contains three different shades of greens that define what appear to be trees., Acrylic/Linen, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
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