This print presents a vibrantly abstracted view of a lumber mill near a body of water with numerous logs floating on the surface., Monoprint; 30 x 36 inches 1991, Nelson Sandgren (1918-2006) was born in Manitoba, Canada. Sandgren moved to Portland with his parents during the Great Depression, and taught art/painting at Oregon State College for thirty-nine years., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This print depicts a red-breasted crow adorned with linear accents. A swatch of light blue near the crow's head creates visual interest and directs the viewer's attention to a mirror-image of the word "crow" near the top of the image., Rick Bartow; wounded crow; monoprint with mixed media; 44.25x30 inches; 1991; BARR91 (inv. 1029), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This painting depicts what appears to be crowded items on exhibition in a museum or gallery space. Items in the painting include a sculptural representation of a human head adorned with jewelry and a headdress as well as three vases that appear to be Classic Mediterranean in nature., Monotype; 24x32; 1991, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
Three women are connected through the action of red lines extending from their mouths. One woman holds a snake wrapped around a stick while another holds a sprig of flowers., Yuji Hiratsuka was born in Osaka, Japan. In 1985 he moved to the United States. He started teaching printmaking at Oregon State University in 1992. His graphic work has been exhibited in the United States, Europe and Asia and has received numerous awards in national and international competitions. Some of his works are exhibited in The British Museum, Tokyo Central Museum, Museum of Modern Art in New York, and the New York Public Library., http://www.artelino.com/articles/yuji_hiratsuka.asp, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
A still life etching of three different vases with colorful flowers in them all set against a black background. The vases are situated on a table with a blue tablecloth, a floral printed tablecloth, and a red, white and gray striped tablecloth., S.Wolf; Still life with canterburg bells; etch; 23.5x35.5 inches image; 36x46 inches fr; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A still-life rendering of a square, glass vase containing at least eight red tulips, which rests on a table covered with two different cloths. A black cloth with a red and green floral pattern is gathered around the vase that sits on the table, and it gives way to reveal a gray-and-white striped cloth underneath. What appears to be a photography or a postcard of woman also rests on the table, slightly obscured between the two cloths., S. Wolf; Tulips in Vase; etch; 40x32 inches; 1990; ohsu movable, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An impressionistic oil painting of a white boat sitting on a beach amongst twisted palm trees. A blue sky with white clouds hovers above the water in the background., Cie Goulet; Moon Boat II; 243; monotype; 22x30 inches; ohsu movable, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), For more images of this artist, please visit: http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A screenprinted landscape depicting mountains in Eastern Oregon. There is snow on the ground and in some of the trees, and clouds hang low over the mountains., Screenprint; 28.5 x 17.75 inches; 1990, elizabeth@ebrinton.com, http://www.ebrinton.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece presents an enigmatic portrait of a human form rendered in a combination of white, yellow, pink, and red. The form wears what appears to be a purple and red stylized cowboy hat. The background is comprised of blue, purple, and orange., Rick Bartow; Hen Hat on Mask; mixed media; 36 x 26 inches, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/