This naturalistic landscape painting depicts a view of a small pond amongst green trees., Antoinette Dewit; Bothy's Pasturelands; 14 x 18 inches; watercolor, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This piece depicts a woman with yellow hair, dressed in a yellow dress and a red hat and red shoes, sitting amongst a roomful of empty ice cream dishes. She holds a triple-scoop cone., Rene Rickabaugh; Triple Decker; '87; U of O Science Complex II, Rene Rickabaugh, a Portland painter, studied at the Pacific Northwest College of Art and has taught watercolor there as well as at the University of Oregon. His work is noteworthy for meticulous execution and details, and an almost surrealistic personal vision. In 'Triple Decker' a special treat is magnified to dreamlike proportions by the rows of sparkling glassware and accented detail. (Information provided by OAC documentation.), http://www.gailseverngallery.com/artists_details.cfm?ID=110, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece presents an intricate mixture of dots of color that work together to comprise an abstract, geometric picture plane. Colors used include pink, red, orange, green, blue, and white., Jack Portland; Sally; U of O Science Complex, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A painting depicting a view of the southern Willamete valley from atop Mount Pisgah near Eugene, Oregon., Grey Willamete, oil, 1984/85, Liepe, 41 x 55 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
This naturalistic landscape painting depicts a view of a river that flows through a hilly, vegetated area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This abstract painting appears to depict a city street scene obscured by the method of paint application. Colors used include yellow, red, blue, black, and shades of neutral tones., T. Prochaska; Starts and Stops; 24 x 32 inches; oil; 1993, Artist Thomas Prochaska grew up drawing and sketching in Illinois, and then earned a degree in Art Education from the University of Wisconsin. A full scholarship to the Pratt Institute in Brooklyn found him studying printmaking and painting. After a couple of years of teaching at Pratt Graphics Center and at the University of Georgia, he followed his love for printmaking — and his Swiss girlfriend — to Europe. “That’s where I learned the most about printmaking, doing it every day and doing it in a real practical manner… in Switzerland, in a tiny town, St.Prix.” When visa problems sent him back to the U.S., he taught at Wesleyan College in Macon, Georgia, visiting family in Oregon during the summers. “And so I fell in love with Portland,” he sighs with a smile. “I went from being a Department Chairman to being in the Saturday Market.” His woodcuts of trout and salmon — “I also came here for the fishing,” he adds — were eventually licensed for use on T-shirts. Popular ones. “That made me feel real happy because it was people’s art, art away from institutions,” Tom says. “In some ways, that was the most satisfying work I’ve ever done, because people wore them.” (excerpt from biography at http://www.pnca.edu/exposure/stories/28/tom-prochaska), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=223, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
A painting of Cannon Beach,Oregon rendered in cool and neutral color tones from the point of view that looks up the beach, out over the water. The right side of the art piece contains three different shades of greens that define what appear to be trees., Acrylic/Linen, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A man with wings interacts with different lifeforms contained in what appear to be beakers over the top of what appear to be collaged shreds of hand-written documents. The written text reads, "The philosopher's compare their secret stone to the salamander. It is fed by fire, lives in fire and is perfected by fire as the salamander is.", Salamander; mixed media; 1998, My recent works on paper are inspired by alchemical manuscripts. The alchemists documented their labors in enigmatic texts in which chemical procedures, cosmology and myths are woven together into fantastic allegories. Similarly in my paintings I use imagery of birds, beasts, plants and minerals as symbols of the process of transformation, As an artist I view alchemy as a metaphor for the creative process in which there is progressive transformation and refinement of materials, imagery and ultimately consciousness. In alchemy and art alike the creative imagination is the vital agent of change. The alchemists described their labors as an "art". Like the alchemist I attempt to use physical processes as a mirror of inner experience. The materials become "transmuted" from their initially inert state through creative and chaotic struggle into a new synthesis. In my painting I use physical processes of dissolution, evaporation, heat and gravity which remind me of the alchemist's use of the elements of water, air, fire and earth. Humor is an important element of my work. Likewise humor and paradox were not unknown to the alchemist. The texts abound with cryptic riddles meant to befuddle the literal-minded and catalyze intuitive insight. Hermes, the Greek god of wisdom, was the patron of alchemists and also the trickster who could lead his followers on a search to find "fools gold". Anyone who embarks on a potentially quixotic search to find the elixir of immortality should have plenty of humor and humility to sustain themselves! The homunculus, a human-like creature nurtured in a glass vessel was reputed to have been created in the alchemical laboratory. In the novel "Frankenstein" the renegade doctor studies the writings of Paracelsus, the swiss alchemist, before creating his monster. I see the homunculus as a metaphor for modem technology with all its wonders and potential horrors. The series of "Homunculus" sculptures which utilize remnants of household appliances and found objects explores this theme in a whimsical fashion. The alchemist searched for the "gold of the philosophers"-philosophical wisdom. In their pursuit of nature's secrets they combined scientific experimentation with a mystical quest for illumination. Their holistic view of the universe viewed matter and consciousness as a continuum, anticipating recent developments in physics. Alchemy is the ancestor of modem science; perhaps there is something that can be learned from its legacy? I am inspired artistically by the beauty of the texts and their insights into the mysteries of creation. Hopefully my own fanciful creations convey something of the spirit of that tradition. (Nez, 1998), http://www.augengallery.com/Artists/nez.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
This is one in a set of seven impressionistic oil paintings depicting various sports activities., dodge balls; 4 x 12 feet, bill@williampark.net, http://www.williampark.net/public.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This photorealistic acrylic painting depicts a view from directly above a still-life table setting. White flowers, a red-and-white plate, and a red-and-white saucer and teacup sit on an ornate neutral and black Victorian-patterned tablecloth. The silver surrounding the place setting consists of a knife, two spoons, and a red pipe wrench., Acrylic/Canvas; 24 x 36 inches, yes@lclark.edu, http://www.lclark.edu/~yes/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/