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Description: A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: An oil painting featuring a flower pot viewed from above. The flowers are white with a little bit of red in the middle. The flower pot is sitting on a beige table, with shadows from the flowers and green leaves to the left of the painting., Susan Lindsey; Opalescene; #6; oil; 23x30x3/4 inches; 7/93, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; jetty II; psu school of bus., http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: An oil painting of half a moon, against a light colored background. The moon is in shades of yellow and brown, with the curved end facing down., Pam Baker; Super Lunar; oil on canvas; 28x48 inches; 9-94, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

Description: A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; Jetty II; Professional Schools Building-PSU, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: This naturalistic landscape painting depicts a view of flatlands, a grove of deciduous trees fronted by a small pond, all under a colorful cloud-filled sky., http://www.victoriaadamsart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: A large, variegated, light yellow square bordered on the right and on the bottom by strips of a darker yellow and brown, respectively. A thin, white line intersects each edge of the piece and suggests a trapezoidal shape fully defined only outside the picture plane. Variations between duplicate images directly relate to original source materials., Oil, wax on canvas; 6 1/2 x 6', http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

Description: An abstract painting that is mostly blue, with a white thin tree trunk with branches in the middle. Below the blue paint is mostly black, and next to the blue paint is white and yellow paint., Jef Gunn; Chippewa River; 1993; 53 1/4x48 3/4; encaustic on wood, Jef Gunn is a painter, printmaker and sometimes sculptor, who has worked in Portland, Oregon. Gunn attends to the relationship between consciousness and the phenomenal world, expressed in simple large forms of Nature drawn from memory of experience in wilderness and urban environs, concentrated into shapes, text, pattern and signs. 'I don't know if I care much about self expression. In relation to the wilderness or the city, what is a self? Art is mind revealing mind.', info@jefgunn.com, http://www.jefgunn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

Description: An oil painting of a girl laying halfway on a rug and the wood of her bedroom floor. The view is premised from the ceiling. Around her are toys and balls on the floor. There is an unmade bed to her right, a dresser with a drawer open to her left, and a window behind her., Margaret Puckette; Madeline at Eight; oil on panel; march 1993; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

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