A still-life scene that depicts three glass inkwells holding a hodge podge of blooms, including a rose, a daffodil, several purple buds, and a white one with an orange center. They sit on a striped lilac tablecloth against a black background., Glass Garden; Carol Riley; lithograph with handcoloring; 17 x 17 inches; 1988, http://www.carolriley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This impressionistic painting presents a large, dark rock against a deep blue, tumultuous sky., Cie Goulet; North Rock; monotype; 30 x 40 inches; U of O Science Complex, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
An abstract rectangular print utilizing black, brown hues and off-white colors. There is an orange fishlike shape in the center, with a diagonal piece cut out of the middle. Black zig-zag lines surround the orange shape and linear lines dissect the form., Breaking the Impasse & Loving the Devil; 21 x 42 inches; monotype; 1989., myrnaburks@earthlink.net, http://www.myrnaburksfineart.com/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A black and white print of the process of a salmon's life cycle. To the left of the print is a man fishing for salmon, with what looks like a net. Below the man is a salmon egg enclosed in a black rectangle. To the right of the egg is a salmon jumping upstream, and above that is an open-mouthed salmon's head., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
This piece presents a table setting brimming with food and spirits. The background is composed of various blocks of patterned color., Still Life with Red Chair; K.C. Joyce; linoleum cut; 17 x 22 inches, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Mixed media, still life piece of two lemons on a plate, a blue and yellow vase with leaves coming out of it, and part of an architectural structure on the left side. The plate of lemons appears to be set on a black and white striped tablecloth., Monotype; 24x31; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
An watercolor print primarily utilizing blue/green coloring with some white, red, and brown. The two large birds, which may be cranes, are the only images colored brown. There are also fish, a praying mantis, and various plants, in tones of white, some of which are painted in red., Dyann Alkire; Venezia; justice, I like etching because I like to draw. Things such as deep sea life, insects, birds, fish, and architectural structures appeal to me, and I combine them in my compositions. Each piece has a certain theme that just evolves as I work on the plate, rather than having a set idea from the beginning. (Alkire, 1987), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A jumble of rectangular shapes rendered in black, white, red, purple, yellow, and turquoise imply the action of this piece. In addition, fiberous strands that appear to be hair or string or yarn are scattered across the picture plane., Judy Cooke; Site #3; Revenue, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A very dark print featuring a black crow facing towards the right with a red outlining. The crow has a white 'x' scratched in the middle of it. Above the crow's head is a large 'x' enclosed in a black circle.There are many lines which intersect each other in varying shades of black and red., The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html
A screenprint of a face rendered from the buildup of tiny triangular pieces. The shades of the triangular pieces vary in tonality from white to aqua to black. The lighter pieces highlight the features of the face while the darker ones recede into the background., Screenprint; 18 x 18 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/