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1. The Guardian

Description: This heavily patinaed sculptural form consists of a rectangular base that supports an inverted trapezoidal form ornamented with three unique groupings of symbols where the longer sides of the trapezoid depict different images and the shorter sides depict the same images. In this contextual view from the north side, two of the four sides are visible. The longer side depicts an eye form in the center, surrouned by a fish form, what appears to be a beaver form, and a bird form. The shorter side presents an eye form with two hands below it., The Gaurdian; Mark Sponenburgh; east and north side; Veterinary Hosp. (OSU), "To Sponenburgh, art and nature glorify one another. Their relationship has marked his sculpture over the decades, in his animals and natural phenomena - the mounds of a cumulus cloud, the arc of a wave and the frosty dignity of an owl carved from Douglas fir - that some think will be his enduring legacy." (Data provided by Abby Haight at oregonlive.com.), For an article on this artist, please view: http://blog.oregonlive.com/oregonianspecial/2007/06/a_giant_of_a_sculptor_saves_hi.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/

2. Changes

Description: This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

3. Stamp Bird

Description: Multicolored lines populate the bottom of this print that presents what appears to be the profile of a yellow bird's head on a blue background. The bird's beak is slightly open and a red arrow and a blue arrow point away from it, toward the left., C.T. Chew; Stamp Bird; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

4. Untitled #8

Description: A painting featuring a small black vase containing numerous white flowers. The vase sits upon a gray/blue sheet. The sheet hangs off each side making a triangular-shaped creasing which protrudes in two perpendicular lines like a window pane., Lin Xia Jiang; Untitled #8; 1994; oil on canvas; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

5. Untitled

Description: A detail view of a large woven piece rendered in neutral colors. There are lines of colors, forming patterns throughout the piece., Judy Nylin; 1975; 3 part weaving; center, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html

6. Kinetic Totem

Description: A detail view of the top two layers of the totem pole. The top part has a yellow and white sun above a red heart. The layer below it features a beaver with large white teeth., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

7. Wander Wonder Window

Wander Wonder Window

Description: A rectangular art piece made out of multiple square tiles surrounded by rectangular tiles. In the middle is a four paned window with a blue sky and white clouds. The foreground of the window presents a tree with various objects hanging from its branches. Two little figures hold a giant strawberry to the left of the window pane., B. Wolfston; Viv Olumn; u of oregon; november 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

8. Our Sun's Family

Our Sun's Family

Description: This piece consists of painted ceramic tile that has been laid into the concrete of the courtyard in a wide spiral pattern., Betsy Wolfston; orchard ct 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

9. Our Sun's Family

Our Sun's Family

Description: This piece consists of painted ceramic tile that has been laid into the concrete of the courtyard in a wide spiral pattern., Betsy Wolfston; orchard ct 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

10. Birthday for Two

Birthday for Two

Description: A still life scene from a birthday dinner rendered entirely in colors from the warm range of the spectrum. Two chairs surround a table with a cake and candles, a plate of two fish, and wrapped presents. A polka-dot motif decorates the background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 x 22 inches, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

11. History of Air

Description: A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

12. The Moss Creek Aviary

The Moss Creek Aviary

Description: A realistic bronze rendering of a hummingbird., Hummingbird, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

13. The Moss Creek Aviary

The Moss Creek Aviary

Description: A realistic bronze rendering of a goldfinch., Goldfinch, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

14. The Moss Creek Aviary

The Moss Creek Aviary

Description: A realistic bronze rendering of a quail., Quail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

15. Royal with Baskets

Royal with Baskets

Description: A photo-realistic rendering of a can of Royal brand baking powder sitting next to a stack of wicker baskets on a black background., Royal with Baskets, The paintings of Sally Haley are much loved in the Northwest, partly at least because she often (but not always) has painted familiar domestic objects-bread, eggs, bottles, fruit, dishes, the simple, reassuring, eternal things. And she paints them with mastery so admirable that our response is a combination of delight and awe. They appear in a variety of settings and con-formations: a loaf of bread may almost fill its small canvas; a stemmed glass containing, quite surprisingly, five eggs, and standing alone, with mysterious iconic overtones, in a vast dark space; or a group assembled on a table in Haley's own subtle version of the still life. But there is a great deal more to her art than the masterly rendition of familiar objects. Many of her canvases, entirely bare of objects, are seen from, as one might say, a much wider angle; they are interiors divided into austere geometric shapes which suggest corridors, walls, windows, doors. This artist is certainly drawn by the basic architectural features of interiors, and to their meanings: the universal vertical and horizontal planes of wall and floor, the advance of corridors, the promise of doorways, the rectangles of sky disclosed by windows. She makes her own perspective, often puzzling, sometimes disquieting. In most of her painting there is…a sense of something, withheld or barely suggested, of questions unanswered, though: everything in the painting exists under the most unequivocally revealing light. Yet the surreal hovers near, is waiting in the wings, so to speak, and is sometimes evoked. At any rate, on feels , http://www.laurarusso.com/artists/haley.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

16. Untitled: Kids Running Down Hill

Untitled: Kids Running Down Hill

Description: A large, black-and-white photograph of young kids running down a hillside., Barbara Gilson; Untitled #12/15; 3 x 3 feet, (1991) Barbara Gilson received a BA in French Literature and in Film Studies from Dartmouth College in Hanover, New Hampshire. She has studied photography at the Visual Studies Workshop in Rochester, New York, where she coordinated the film program. During the tenure of her MFA Program in Photography at Arizona State University, she was a graduate research assistant to Mark Klett for the Photography Collaborative Facility, Visual Arts Research Institute. She also organized Editions and Additions: International Bookworks at Northlight Gallery. Awarded a Graduate Student Research Development Program Grant, Barbara and two colleagues have been involved in a collaborative project with the Navajo to document their sacred land and sites in northwestern New Mexico. The Arizona Commission on the Arts awarded this project, Hajiinei Dine'tah, a Visual Arts Travelling Exhibitions Grant. In addition to being selected as a recipient of the Contemporary Forum Artist's Material Fund, Phoenix Art Museum; a finalist in the Ferguson Grant Award, Friends of Photography; and awarded First place in the Tucson Weekly Annual Fiction and Photography Competition, Barbara has shown her work nationally in one person and in group exhibitions, and is represented in many public and private collections. She has also been a co-director of Blue Sky Gallery, Portland, Oregon, and is an Artist-in-Education in the greater Portland area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

17. Untitled (8 kite windvanes)

Untitled (8 kite windvanes)

Description: A close-up view of a kite sculpture with a wavy tail. The kite isgreen with blue shapes and yellow and red triangles. The kite is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

18. Untitled (8 kite windvanes)

Untitled (8 kite windvanes)

Description: A view of a kite sculpture with a wavy tail. The sculpture is held up by a long pole on top of a building., Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

19. Untitled reception desk (Helzer)

Untitled reception desk (Helzer)

Description: Five whimsical bronze sculptures positioned at two different areas. On the bottom curved wooden wall, topped with a green formica countertop, contains a frog, mouse, and another unidentified animal. Each have their hands placed on the top of the table. Positioned at the top desk are two larger sculptures of what may be a cat and a dog., Helzer; Reception Desk, phelzer@earthlink.net, http://www.petehelzer.com/, The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

20. Untitled (Carpenter)

Untitled (Carpenter)

Description: A round, stained glass piece. The center of the circle is divided into a pattern of squares and rectangles, some of which contain smaller circles and a free-form pattern that unites discreet sections. The squares in the design are a rusty, orange color, which breaks up the otherwise black, gray, or clear glass., Ed Carpenter; State Capitol, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

21. Untitled (Muller)

Untitled (Muller)

Description: Variously colored and extensively cut and worked wood pieces fitted together in irregular shapes atop a wooden banister area comprise this large sculpture., Richard Muller; to R of screen; psu prof. School, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

22. Night Games

Description: An oil painting of a carnival during the night. The left side of the painting is of a very colorfully lighted ride with three different chairs that hold two people each. There is also a ferris wheel in the background, along with a target arcade game., #3 Night Games; oil; (36 x 48 inches); 1995, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

23. Moon Shadow

Description: An abstract collage of cutout horizontal, vertical and diagonal sets of unique colors ranging between purple, blue, orange, white, and black. There are two oval shapes and several rectangular shapes. This piece looks like it has many layers collaged on top of each other., Moonshadow; John Stahl; E.O.C.I.; 48 x 91.5 inches; acrylic painting, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/

24. The Moss Creek Aviary

The Moss Creek Aviary

Description: A realistic bronze rendering of a Stellar's jay., Stellar's Jay, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

25. Red Leaf

Description: An abstract painting of a cup-shaped bordered in black with a dark red heart-shaped leaf above the cup. There is also a dark shape to the left of the leaf, round on one side with curves on the other side., Marlene Bauer; Red Leaf; acrylic on paper; 19x21 inches; 1993; BauM000005, http://www.laurarusso.com/artists/bauer.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

26. Unclassified Reflections (title page)

Unclassified Reflections (title page)

Description: This black-and-white print presents a succession of alternating linear forms., Title Page, Unclassified Reflections, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

27. Heart

Description: A black and white photograph from inside a cave featuring different forms and patterns caused by erosion. There are also crystals growing up from the ground., Heart; 1995; [no.] 3, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

28. Untitled (Salmon)

Untitled (Salmon)

Description: This view depicts a series of red, translucent fabric fish hung from the ceiling near the windows., Salmon, robertm@lanecc.edu, http://www.marilynrobert.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/

29. Untitled (Pacific Whiting)

Untitled (Pacific Whiting)

Description: This view depicts black-and-white fabric fish hanging from the ceiling., Pacific Whiting, robertm@lanecc.edu, http://www.marilynrobert.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/

30. Bothy's Pasturelands

Bothy's Pasturelands

Description: This naturalistic landscape painting depicts a view of a small pond amongst green trees., Antoinette Dewit; Bothy's Pasturelands; 14 x 18 inches; watercolor, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

31. Douglas Listening Room

Douglas Listening Room

Description: Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

32. Luminous Glass Floor

Luminous Glass Floor

Description: The Casey Eye Institute building is situated on a steep, inclined site above the City of Portland. The main entrance of the building is inset below and behind a white, metal panel facade that appears to float in front of the primary building facade. The Glass Floor serves as the boundary separation between the main building and the extended portion of the two storey high entry atrium above the main entrance. The Glass Floor, in conjunction with vertical glass side windows and an overhead clear skylight, define a wrapping boundary of light and transparency. The floor panels consist of two fully tempered sheets of 1/2" glass, a chemically strengthened sheet of solar collecting glass and multiple colored interlayers which comprise a 1-3/8" thick panel of essentially bullet resistant glass to withstand the structural requirements of the site. In particular, the Glass Floor distinguishes itself by respecting the simplicity of the architecture and establishing a bold color to the otherwise monochromatic setting. The use of one color, a rich luminescent aquamarine blue, reflects and transmits its hue both into the atrium and down onto the. main entry. The floor changes at different times of the day and night depending upon the angle of the sum and upon the use of artificial lighting. This aspect of changing qualities of color and luminosity is further enhanced by seeing from below the movement of people across the translucent floor. As viewed and experienced from the interior, the floor provides a sense of depth with muted shadows and highlights of the ground below. A brightness and translucency of surface is enhanced by the use of a textured, light collecting glass. The Glass Floor is a plane that subtly mediates between the exterior and interior of the building. It is a surface which has a life on its own through ever changing levels of transparency, translucency and luminosity. The. Glass Floor is a work which brings life, animation and color to the Casey Eye Institute. Project Completion: 1991 Design Team: James Carpenter Janet Fink Neil Logan Modelmakers: Erika Hinrichs Richard Kress Structural Engineering: Guy Nordenson Ove Arup & Partners, NY Component Engineering: Tim Eliassen TriPyramid Structures, James Carpenter; 1989-91 ©; LUMINOUS GLASS JOIST FLOOR; Oregon Health Sciences U.; Arch: Richard Meier & Part; Casey Eye Institute; OHSU-Portland, http://findarticles.com/p/articles/mi_m1571/is_n13_v11/ai_16720960, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

33. Desperate Doubles

Desperate Doubles

Description: This abstract piece consists of two separate paintings whose geometric subject matter converges when placed together. The painting on the left occupies a vertically oriented, rectangular canvas, while the one on the right occupies a horizontally oriented, rectangular canvas. They are presented flush together. The warm color palette on the left offsets the black and gray tones used on the right. Thin accent lines in bright colors connect the two., Desperate Doubles; S.T. Sonniksen; 79 x 55 inches; 1982; acrylic on canvas, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

34. Dialogue

Description: An acrylic painting featuring three human figures set against a hand-made brown background with lines of color., Dialogue; [no.] 2; 1993, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

35. Emergence

Description: Emergence is a cast bronze work depicting a woman with long hair flowing down to her right upper thigh. Her hair is parted on the side and covers both of her eyes. The sculpture is 68 inches in height and weighs approximately 130 pounds., Don Eckland; emergence; u of or college of ed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts

36. Rachel Griffin

Description: A black-and-white portrait of Rachel Griffin leaning agaist a bookcase that sits in front of a large drawing of a figure sitting in a chair., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

37. Lighthouse in Fog

Lighthouse in Fog

Description: An impressionistic view of a lighthouse rendered mostly in shades of gray and blue and accented with browns., John Rock (1919–1993) taught art at Oregon State University from 1957 to 1989 and was widely regarded as a master printmaker., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

38. Salmon Prince

Description: A blue and white print of large trout-like fish underneath a human figure wearing a patterned toga, holding a pole with a fish at the top of it. Flying over the human figure are more fish., Salmon Prince; 1997; (mm 30 x 22 inches); Quartersaw Gallery; 528 NW 12th PDX 97209, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

39. Tillamook Forest II

Tillamook Forest II

Description: This piece presents a preliminary study of a stand of trees and a burnt-out snag done in preparation for the mural painting, Kilchis River., Tillamook Forest II; Henk Pander; conte, charcoal; 24 x 20 inches; 2002, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/

40. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

41. At Water's Edge

At Water's Edge

Description: A contextual view of sandcarved glass mounted on a wooden door that presents wavy blue and brown vertical lines with thin, short black lines moving horizontally through them., Lonnie Feather; ""At Water's Edge""; 1998; 12""x12""; Conf. Room Door; sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

42. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2389; 2009 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

43. O Just Eating Rogert

O Just Eating Rogert

Description: A highly ornate and complex painting that combines color and pattern to construct narrative meaning.Variations between duplicate images directly relate to original source materials., Mixed media on paper; 32 x 24 inches, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

44. Untitled (Von Roenn)

Untitled (Von Roenn)

Description: A detail view of the rectangular panes of glass in the upper portions of the Colloquim Room doors. Each pane bears an identical pattern of alternating etched and non-etched squares and rectangles that comprise a cross form that bisects the vertical, rectangular panes of the doors., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

45. Anna Paploski -- woman of adventure -- outfitted and ready to go

Anna Paploski -- woman of adventure -- outfitted and ready to go

Description: A whimsical set of drawings that reflect the spirit of sports and sportsmanship., Adams; Anna Paploski- woman of adventure- outfitted and ready to go; Mar./18/05, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

46. Untitled

Description: A detail view of a large woven piece rendered in neutral colors. There are lines of colors, forming patterns throughout the piece., Judy Nylin; 1975; 3 part weaving; right, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html

47. Paper Square with Red Dotted Line and Wall Marks #3

Paper Square with Red Dotted Line and Wall Marks #3

Description: The background of this piece is divided in half. The top portion is light brown and the bottom portion is an off-white. A rendering of a crumpled and torn piece of paper occupies the top two-thirds of the picture plane, and the bottom of the paper interects the division between brown space and off-white space slightly. The paper contains a dotted, red outline of a square and an indiscernable, shadey-gray shape. Below the crumpled and torn paper, in the off-white space, there is a sweeping line of what appears to be a blue paint dribble that rests above a horizontally oriented, skinny rectangle that is broken down into alternating squares of black and yellow., Paper Square; Scott McIntire; graphite on paper; Pendelton State Office Building, http://www.scottmcintire.com, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/

48. Three, Three and Two

Three, Three and Two

Description: A mostly green background supports three irregularly shaped black objects that are stacked one on top of the other in the center of this piece. Additional irregular shapes in blues and oranges float around the three main shapes along with several squiggly lines. The number two occupies the left-hand side of the picture plane in dark green.Variations between duplicate images directly relate to original source materials., Oil on canvas; 72 x 48 inches, http://www.blackfish.com/Artist-Detail.cfm?ArtistsID=24, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

49. Drifting

Description: A very vivid black and white print with muted colors of yellow and light red. Exhibited are flowers, butterflies, a unicorn with a canoe on it's back, a piano, and more, all on top of a wavy ocean. This art piece looks like it would be from a dream or a daydream., Sheryl Funkhouser; Drifting; 24x36 inches; etching; 1992; corrections print project, http://www.luciadouglas.com/artists/artists_list/funkhouser.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

50. Untitled (Huether)

Untitled (Huether)

Description: This glass piece combines a grid of concave indentations with a wave-like pattern in translucent glass that serves as a spatial division., Architectural Glass Design; 101 S. Coombs St., Suite X; Napa, CA 94559, www.inner-lite.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

51. Naga (1st of 2 pieces)

Naga (1st of 2 pieces)

Description: A tall steel sculpture with a round platform.The majority of the sculpture is rectangular shapped with an upsidedown moon shape at the top. The steel is covered in gold leaf., Naga; 1997; gold leaf over steel; (62.5 inches high, 2 parts); Elizabeth Leach Gallery, 207 SW Pine St., Portland, OR 97204, (503) 224-0521; fax: 224-0844, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

52. Huddle: Together in Unity to Plan for Success

Huddle: Together in Unity to Plan for Success

Description: This highly shiny silver sculpture consists of three, very tall spires that each bend outward at the middle. They are arranged as though around a circle, and the tappers at the top of each form coverge toward each other., James@RussellSculpture.com, http://www.russellsculpture.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

53. Constructing Layers of Time (Triptych)

Constructing Layers of Time (Triptych)

Description: This view depicts a detail of the right panel in the triptych, Constructing Layers of Time. It presents a group of stick figures on the top of a triangular form that bisects the rest of the picture plane in sections of red and yellow. Thin, black lines comprise several other peripheral forms., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

54. The House

Description: This tapestry presents a realistic scene of a white house in a green meadow against a backdrop of dark trees and a light gray sky., Cecilia Blomberg; The House; tapestry; General Services; © Woodrow Blettel, http://www.ceciliablomberg.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html

55. Hawthorne/Book

Description: A long beige hat-shaped piece of wood with an orange rectangle on the right side, with an open book in the middle. The right side of the orange rectangle is a shape painted in black., Judy Cooke; Hawthorne/Book; 1994; Alkyd, wax, oil, wood; 10x31x2 inches; Elizabeth Leach Gallery; 207 S.W. Pine Street Portland Oregon 97204; 503-224-0521, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

56. Estuary at Gearhart

Estuary at Gearhart

Description: This landscape scene depicts a meandering body of water amongst tall grasses and trees., Allan Stephenson; Estuary-Gearhart; 10 x 18 inches, Allan Stephenson is an artist who draws his inspiration from the natural landscape particularly that of his native British Isles and also that of the Pacific Northwest where he now makes his home. *I am always looking for and attempting to communicate with the viewer that special sense of place that infuses some areas of the natural world with meaning, wonder and beauty. I hope my work can provide some escape from the sometimes frenetic world we all live in. I am a traditionalist. I don't see the art I produce as breaking any kind of new ground but rather I apply myself to existing forms and attempt to inject perhaps fresh content. I am currently enjoying the medium of pastel for it's direct hands-on quality that allows me to blend and sculpt the pigment using my fingers and hands rather than the intermediary of a brush.* (excerpt from artist's exhibition list), http://www.allanstephenson.com/index.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

57. Untitled

Description: A detail view of a large woven piece rendered in neutral colors. There are lines of colors, forming patterns throughout the piece., Judy Nylin; 1975; 3 part weaving; left, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html

58. Untitled

Description: A detail view of a large woven piece rendered in neutral colors. There are lines of colors, forming patterns throughout the piece., Judy Nylin; 1975; 3 part weaving; center, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html

59. Casting the Pacific

Casting the Pacific

Description: This view details a section of fish that are part of Jeff Whyman's outdoor sculpture, Casting the Pacific., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/

60. Noah indulges in a little psycletherapy

Noah indulges in a little psycletherapy

Description: A whimsical set of drawings that reflect the spirit of sports and sportsmanship., Adams; Noah indulges in a little psycletherapy; Mar./18/05, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

61. Bart prepares for his morning workout

Bart prepares for his morning workout

Description: A whimsical set of drawings that reflect the spirit of sports and sportsmanship., Adams; Bart prepares for his monrning workout; Mar./18/05, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

62. Life in the pump house

Life in the pump house

Description: A whimsical set of drawings that reflect the spirit of sports and sportsmanship., Adams; Life in the pump house; Mar./18/05, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

63. Oregon Fallen Firefighters' Memorial

Oregon Fallen Firefighters' Memorial

Description: Murase Studio was selected by the Oregon Fire Service and the Oregon Arts Commission to design and develop a statewide memorial that honors firefighters who have made the ultimate sacrifice and given their lives in the line of duty. Located in the new Oregon Public Safety Academy, the memorial is designed to evoke solace and inspiration to those who continue to serve and also to the public it protects. The design incorporates a granite wall with a bronze Maltese cross that lists the names of those fallen and a black granite stripe in the plaza with the inscription, "In the Line of Duty." (Murase Studio, 2005), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

64. Just the Shaping of Letters

Just the Shaping of Letters

Description: Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), Betsy Wolfston; 2000; U of O Law Library; I, S, K, M, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

65. Blind Man & Loon

Blind Man & Loon

Description: A bronze sculpture of a loon bird in a diving pose with black with gold spots on it's wings and around it's neck. There is a small totemic man hunched over, riding the loon's back., Blind Man & the Loon; Bronze by Jacque & Mary Regat; 1992, artsales@regatstudio.com, http://www.regatstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

66. Inside Job

Description: A detailed view of various pieces of patterned fabric stitched together to form an abstract piece., Sally A. Sellers; Inside Job; detail; fiber; 1993; 3919 Wauna Vista Dr. Vancouver, WA, 98661; 206-693-4160, selsub@comcast.net, http://www.sallysellers.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

67. Decker

Description: This piece is comprised of rectangular sections of flat, perhaps ceramic material that has been painted in deep blue, red, turquoise, and black. A pattern seems to emerge from their painted surfaces. Pieces vary in height, and they are arranged in such a way that they resemble a xylophone that stretches a significant length down the curved wall upon which they are mounted., http://www.laurarusso.com/artists/pagen.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts and Culture. You may view their website at http://www.racc.org/

68. 1982 Edwards exhibition list

1982 Edwards exhibition list

Description: 1p. 1982 Garth Edward's exhibition list., Most of Edwards' work takes a humorous and delighted look at life. Edwards works in many media- glass, enamel on steel, iron- and has produced many private and public commissions. He was a National Endowment for the Arts Fellowship winner in 1981 (OAC documentation, 1990)., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

69. March Precipitation

March Precipitation

Description: Diagonal and horizontal lines with a thick border. Various colors of blues, reds, yellows, and reds. The diagonal lines start thick at the corners, but thin out as they get to the middle., Judy Fawkes; mental health; © Woodrow Blettel, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

70. NASA's Deception

NASA's Deception

Description: A close-up color photograph of the paint-chipped surface of an old Ford truck., All Rights Reserved By Allan Bruce Zee © Nasa's Deception, photo #1381, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985), Allan Bruce Zee Photography 2240 S. E. 24th Avenue Portland Oregon 97214, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

71. The Same But Different

The Same But Different

Description: This print divides the main picture plane from the surrounding decorative border of images geometrically. The main picture plane, a vertical rectangle, occupies the center of the piece, and it depicts a landscape scene over a body of water. Cliffs line either side of the water, while trees form a horizon line. A fisherman stands on one of the cliffs on the right side, and two fish and a dragon fly occupy the space above the water. Two horizontal rectangles flank the upper and lower sections of the piece, and the main picture plane is flanked by a series of squares and rectangles. The shapes that create the border around the main picture plane contain a conglomeration of natural and geometric forms., The Same But Different; linocut print; (46 x 22 inches(image)); edition of 20; 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

72. 1992 Burchard biography and exhibition list

1992 Burchard biography and exhibition list

Description: 1 p. Christian 1992 Burchard's biography & exhibition list., Born in Hamburg, Germany in 1955, Christian has been living in the United States since 1978. Building on a foundation laid by a furniture makers apprenticeship in Germany in the middle seventies, he studied sculpture and drawing first at the Museum School in Boston and then at the Emily Carr College of Art and Design in Vancouver BC. In 1982 he and his wife, Micheline, opened Cold Mountain Studio in Southern Oregon. His early focus was on furniture and interiors, but gradually shifted to woodturning and sculpture, moving between vessel oriented forms and sculptural turning. His work has been included in most of the major turning related exhibits of the last ten years and is exhibited widely throughout the US. His pieces are part of many public and private collections. He is also sought after as a teacher and demonstrator at craft schools and conferences and related turning events. (information obtained from http://www.burchardstudio.com/bio.html -- viewed 2007-02-22), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

73. Personal Letter

Personal Letter

Description: An abstract mixed media art piece of different shapes and patterns in a collage set on a white background., Margot voorhies Thompson; Personal Letter; drawing, print collage; 35 1/2x46 inches; 1993; ThoM93110108, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

74. King's Crown #2

King's Crown #2

Description: Crayon and pastel hues distintly segment corrugated cardboard., Bonnie Bronson; King's Crown #2; crayon, pastel on cardboard; 20 x 22 inches; 1979, Bonnie Bronson was born in Portland, Oregon in 1940. She attended the University of Oregon and the Pacific Northwest College of Art. She received an Oregon Arts Commission Fellowship in 1978. She was one of the first artists to develop an industrial enamel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

75. Color Modification

Color Modification

Description: A vertical, yellow line divides this piece in half, and vertical lines in pink, white, and green are mirrored around the axis of the yellow line. Three overlapping trapezoidal shapes emerge from the vertical lines., Color Modification; Glen Alps; State Capitol, Glen Alps was born in Loveland, Colorado in 1914. He died in Seattle, Washington in 1996., http://members.aol.com/cdparent/glenalps.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html

76. A Falling of Dreams

A Falling of Dreams

Description: A black and white rendering where the linear action and tonal values are contained on the top and the bottom by solid black space., Ron Summer; a falling of dreams; state capital; vol III, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

77. Menagerie

Description: A black and white rendering of a group of at least eight human faces., Menagerie; Dennis L. Cox; State Capitol, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

78. Luminous Glass Floor

Luminous Glass Floor

Description: The Casey Eye Institute building is situated on a steep, inclined site above the City of Portland. The main entrance of the building is inset below and behind a white, metal panel facade that appears to float in front of the primary building facade. The Glass Floor serves as the boundary separation between the main building and the extended portion of the two storey high entry atrium above the main entrance. The Glass Floor, in conjunction with vertical glass side windows and an overhead clear skylight, define a wrapping boundary of light and transparency. The floor panels consist of two fully tempered sheets of 1/2" glass, a chemically strengthened sheet of solar collecting glass and multiple colored interlayers which comprise a 1-3/8" thick panel of essentially bullet resistant glass to withstand the structural requirements of the site. In particular, the Glass Floor distinguishes itself by respecting the simplicity of the architecture and establishing a bold color to the otherwise monochromatic setting. The use of one color, a rich luminescent aquamarine blue, reflects and transmits its hue both into the atrium and down onto the. main entry. The floor changes at different times of the day and night depending upon the angle of the sum and upon the use of artificial lighting. This aspect of changing qualities of color and luminosity is further enhanced by seeing from below the movement of people across the translucent floor. As viewed and experienced from the interior, the floor provides a sense of depth with muted shadows and highlights of the ground below. A brightness and translucency of surface is enhanced by the use of a textured, light collecting glass. The Glass Floor is a plane that subtly mediates between the exterior and interior of the building. It is a surface which has a life on its own through ever changing levels of transparency, translucency and luminosity. The. Glass Floor is a work which brings life, animation and color to the Casey Eye Institute. Project Completion: 1991 Design Team: James Carpenter Janet Fink Neil Logan Modelmakers: Erika Hinrichs Richard Kress Structural Engineering: Guy Nordenson Ove Arup & Partners, NY Component Engineering: Tim Eliassen TriPyramid Structures, James Carpenter; 1989-91©; LUMINOUS GLASS JOIST FLOOR; Oregon Health Sciences U.; Arch: Richard meier & part; View from upper level shows light projecting through glass and steel floor from level below; Casey eye institute; OHSU-Portland, http://findarticles.com/p/articles/mi_m1571/is_n13_v11/ai_16720960, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

79. Sculpture with Steel, Glass, and Slate with a Fire Component

Sculpture with Steel, Glass, and Slate with a Fire Component

Description: A detail view of the top of the sculpture. The sculpture has three pillars of steel, with green glass at the top part of it. The three pillars are all connected by steel triangular sheets with circles cut out of the middle. Between all three triangles is a steel bowl, containing fire., Spirit U/O 8/98; Now/Kath Meehan, KathleenMeehan@gmail.com; howard@hkmeehan.com, http://kathleenmeehan.com/; http://www.hkmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

80. Untitled (Huether)

Untitled (Huether)

Description: This glass piece combines a grid of concave indentations with a wave-like pattern in translucent glass that serves as a spatial division., Architectural Glass Design; 101 S. Coombs St., Suite X; Napa, CA 94559, www.inner-lite.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

81. Garden Wall

Description: Three, free-standing ceramic forms constructed separately, yet tied together by stylistic considerations regarding form and surface treatment. Each form is comprised of two stacked blocks with a series of rounded blobs placed on the surface of the blocks. Surfaces are glazed in intentionally haphazard earthtones that create a dripped, stripe pattern., Garden Wall; Betty Feves; State Capitol, http://www.feves.com/betty/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

82. Garden Wall

Description: Three, free-standing ceramic forms constructed separately, yet tied together by stylistic considerations regarding form and surface treatment. Each form is comprised of two stacked blocks with a series of rounded blobs placed on the surface of the blocks. Surfaces are glazed in intentionally haphazard earthtones that create a dripped, stripe pattern., Garden Wall; Betty Feves; State Capitol, http://www.feves.com/betty/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

83. Rose Matrix IX

Description: A pink rose contained in a black box hovers over a collection of geometic, patterned shapes., David Haidle; Rose Matrix #9; Lithograph; Revenue Bldg; 1981; 26x33 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts

84. In France

Description: A colorful print of a long black and white vase containing red and pink flowers against a half orange/pink and half blue/green colored background. The vase is atop a green, yellow, white, and pink painting with a shadow of the vase pointing towards the lower left of the art piece., In France; 1995; monoprint; (30 x 22 inches); [no.] 9, http://www.augengallery.com/Artists/nebeker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

85. Saddle

Description: A black and white photograph from inside a cave. The photograph is of crystals growing on the walls, ground, and ceiling., Saddle; 1995; [no.] 2, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

86. Tillamook Forest III

Tillamook Forest III

Description: This piece presents a preliminary study of a stand of trees and a burnt-out snag done in preparation for the mural painting, Kilchis River., Tillamook Forest III; Henk Pander; conte, charcoal; 24 x 20 inches; 2002, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/

87. Cow

Description: A black and white print featuring hideously whimsical creatures. There is a black cow with white spots, sticking it's tongue out as if it's eating, and there may be grass sticking out of the cow's mouth. Underneath the cow's tongue is a worm and a few flowers. Underneath the cow's stomach is a weird insect with very pronounced teeth, and above the cow are two birds, one standing on the cow's back. There are four flys flying around the cow's tail and a disgruntled sun in between the cow's tail and the bird. Your imagination is the best description of this piece., Cow; woodblock print; 11.25 x 17.5 inches; 1981-85, A welder by trade with a master's degree in printmaking from the San Francisco Art Institute, Bulwinkle tickles us with his outrageous characters. Dogs and cats, suns and moons, birds, boats, worms, fish, people come to life in the most zany of situations. (OAC documentation, 1990), markbul@sonic.net, http://www.markbulwinkle.com/Welcome.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Mid-Valley Arts. You may view their website at http://www.oregonlink.com/arts/index.html

88. September–The Call

September–The Call

Description: This painting depicts a woman with red hair, looking off to the left of the picture plane and wearing a blue sweater that appears to be pieced together over or with areas of blue sky. A total of nine colorful birds share the picture plane with her., September-The Call; Alkyd (oil); (34 x 46 inches ); from the series Saint Eve Book of Days, Katherine Ace was born in Chicago and received a degree in ceramics from Knox College in 1975. She is a self taught painter working in alkyd/oil on canvas. Her work hangs in private, corporate and public collections. Katherine has participated in numerous regional and national individual and group shows. (Unknown, 1995), kat@katherineace.com, http://www.katherineace.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

89. Five Parts in Search of a Circle

Five Parts in Search of a Circle

Description: A grouping of five bronze pieces that resemble rough stones on the surface. However, the forms curve toward one another, and several of them rest on narrow points., Hilda Morris; state capital; five parts in search of a circle, Born in New York in 1911, sculptor Hilda Morris studied at the Cooper Union School of Art and the Art Students League. Moving to Portland in 1941 with her husband, Carl Morris, she continued her 3-dimensional work and developed a personal style of calligr, http://web.pam.org/asp/special_exhibitions/exhibitions.asp?exhibitionID=47, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

90. The Moss Creek Aviary

The Moss Creek Aviary

Description: Bronze renderings of two fish forms, presented on curved metal accents off the side of what appears to be an enclosed walkway., Swale Waves, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

91. Unclassified Reflections "E"

Unclassified Reflections "E"

Description: This black and gray print on neutral paper presents a repetative, geometric pattern. Numbers and symbols emerge from the overall noise of the pattern., Unclassified Reflections E, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

92. Unclassified Reflections "A"

Unclassified Reflections "A"

Description: This black print on neutral paper presents a repetative, geometric pattern., Unclassified Reflections A, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

93. View of Roseburg

View of Roseburg

Description: A brightly colored, impressionistic landscape that exposes city dwellings in the middle ground., View of Roseburg; oil on c (sic), janette.hopper@uncp.edu, http://www.uncp.edu/art/hopper/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

94. Untitled diptych

Untitled diptych

Description: A gray monochrome expression of linear pattern. Shown in context at the State Capitol., Untited diptych; Bill Hoppe; portland, whoppe@cocc.edu, http://whoppe.cocc.edu/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

95. Afternoon Stroll

Afternoon Stroll

Description: A mixed media art piece of a landscape featuring various sized trees. The leaves of the tress as well as the grass vary in color., Afternoon Stroll; mixed; 28x20x2 inches; Kucha; 1994, http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

96. Butterfly World and Gates

Butterfly World and Gates

Description: A concrete and ceramic plaque that presents a bee surrounded by several other insect forms and the sun., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

97. Tecotosh

Description: This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

98. New Mexico

Description: An abstraction of the landscape represented in blue, green, and yellow., La Verne Krause; New Mexico Mountains; Revenue, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

99. Mythic Herd

Description: This piece consists of three shiny, red buck mounts, stylized with Pacific Northwest Native American design, that sit atop large stumps that have been cleaned, shaped, and banded together with metal stripping., Mythic Herd; E.M. Brownice; Baker Co. Corrections, Brownlee moved to Oahu from Oregon to work on his Masters in Art at the University of Hawaii. While there he carved tiki idols for restaurant and hotel developments in Waikiki, and went on to do many tikis for the International Market Place. In later years he returned to Neahkahnie Beach in Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/

100. The Moss Creek Aviary

The Moss Creek Aviary

Description: An inlaid pattern on the floor of the walkway to the Moss Street Child Center., Jefferey Weitzel; moss creek aviary; inlay; bronze 2005; 116x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/