Search Results | Oregon Digital

Search

You searched for: Start Over Institution Oregon Arts Commission Remove constraint Institution: Oregon Arts Commission Region The Valley Library >> Benton County >> Oregon >> United States Remove constraint Region: The Valley Library >> Benton County >> Oregon >> United States

« Previous | 1 - 100 of 284 | Next »

Search Results

1. Night Games

Description: An oil painting of a carnival during the night. The left side of the painting is of a very colorfully lighted ride with three different chairs that hold two people each. There is also a ferris wheel in the background, along with a target arcade game., #3 Night Games; oil; (36 x 48 inches); 1995, George Johanson attended and taught at the Museum Art School in Portland, Oregon. He divides his time between painting and printmaking. In 1992, he received the Governor's Award for the Arts. (Data provided at http://www.kpchr.org/public/sawardart/apps/Johanson.htm. Reviewed on 04/07/07., http://www.kpchr.org/public/sawardart/apps/Johanson.htm; http://www.hareinthegate.com/portfolio_pages/equivalents.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

2. Unclassified Reflections (title page)

Unclassified Reflections (title page)

Description: This black-and-white print presents a succession of alternating linear forms., Title Page, Unclassified Reflections, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

3. Heart

Description: A black and white photograph from inside a cave featuring different forms and patterns caused by erosion. There are also crystals growing up from the ground., Heart; 1995; [no.] 3, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

4. Dialogue

Description: An acrylic painting featuring three human figures set against a hand-made brown background with lines of color., Dialogue; [no.] 2; 1993, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

5. Salmon Prince

Description: A blue and white print of large trout-like fish underneath a human figure wearing a patterned toga, holding a pole with a fish at the top of it. Flying over the human figure are more fish., Salmon Prince; 1997; (mm 30 x 22 inches); Quartersaw Gallery; 528 NW 12th PDX 97209, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

6. Naga (1st of 2 pieces)

Naga (1st of 2 pieces)

Description: A tall steel sculpture with a round platform.The majority of the sculpture is rectangular shapped with an upsidedown moon shape at the top. The steel is covered in gold leaf., Naga; 1997; gold leaf over steel; (62.5 inches high, 2 parts); Elizabeth Leach Gallery, 207 SW Pine St., Portland, OR 97204, (503) 224-0521; fax: 224-0844, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

7. The Same But Different

The Same But Different

Description: This print divides the main picture plane from the surrounding decorative border of images geometrically. The main picture plane, a vertical rectangle, occupies the center of the piece, and it depicts a landscape scene over a body of water. Cliffs line either side of the water, while trees form a horizon line. A fisherman stands on one of the cliffs on the right side, and two fish and a dragon fly occupy the space above the water. Two horizontal rectangles flank the upper and lower sections of the piece, and the main picture plane is flanked by a series of squares and rectangles. The shapes that create the border around the main picture plane contain a conglomeration of natural and geometric forms., The Same But Different; linocut print; (46 x 22 inches(image)); edition of 20; 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

8. In France

Description: A colorful print of a long black and white vase containing red and pink flowers against a half orange/pink and half blue/green colored background. The vase is atop a green, yellow, white, and pink painting with a shadow of the vase pointing towards the lower left of the art piece., In France; 1995; monoprint; (30 x 22 inches); [no.] 9, http://www.augengallery.com/Artists/nebeker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

9. Saddle

Description: A black and white photograph from inside a cave. The photograph is of crystals growing on the walls, ground, and ceiling., Saddle; 1995; [no.] 2, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

10. September–The Call

September–The Call

Description: This painting depicts a woman with red hair, looking off to the left of the picture plane and wearing a blue sweater that appears to be pieced together over or with areas of blue sky. A total of nine colorful birds share the picture plane with her., September-The Call; Alkyd (oil); (34 x 46 inches ); from the series Saint Eve Book of Days, Katherine Ace was born in Chicago and received a degree in ceramics from Knox College in 1975. She is a self taught painter working in alkyd/oil on canvas. Her work hangs in private, corporate and public collections. Katherine has participated in numerous regional and national individual and group shows. (Unknown, 1995), kat@katherineace.com, http://www.katherineace.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

11. Unclassified Reflections "E"

Unclassified Reflections "E"

Description: This black and gray print on neutral paper presents a repetative, geometric pattern. Numbers and symbols emerge from the overall noise of the pattern., Unclassified Reflections E, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

12. Unclassified Reflections "A"

Unclassified Reflections "A"

Description: This black print on neutral paper presents a repetative, geometric pattern., Unclassified Reflections A, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

13. Basalt Clastics

Basalt Clastics

Description: A photograph of dark basalt rocks emersed in fast-paced water, or perhaps a small waterfall., Basalt Clastics, Ecola State Park; 1994; gelatin silver print; (24.75 x 18.75 inches); Elizabeth Leach Gallery, 207 SW Pine St., Portland, Oregon 97204; (503) 224-0521, http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

14. Fog Bank

Description: This painting depicts a coastal landscape scene in exaggerated tones of blue, turquoise, and ochre. Gentle waves moving toward the shore are outlined with white and thin lines of red., Fog Bank; oil; (24 x 36 inches), http://www.ramsterevents.com/PaulGunn.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

15. Symbiosis 1& 2

Description: This pair of paintings is united by elements of line, color, and design. They share a light yellow background that, in both paintings, supports bold black shapes and thin, energetic black lines. The piece on the left contains a large, black "C" with a bright yellow halo in the middle that is flanked on the top by a thick, horizontal black line with a blue halo and on the bottom by a horizontal row of black dots. Another shorter thick, vertical black line with a pink halo occupies the lower right hand corner. The piece on the right contains four thick, vertical black lines. The fattest of the four sits on the left side of the painting. Two slightly skinnier ones sit side by side toward the right. The skinniest one sits even farther to the right, and it is broken up by swatches of gray. Above the the vertical lines on the right, in the upper right corner, sits a grid of nine black dots. Linear washes of orange and green create contrast with the painting on the left while a small square of pink in the painting on the right unifies them., Symbiosis 1& 2; (29 x 35.5 x .5 ea.); 8-96; dry pigment, enamel, gold leaf, varnish on aluminum, Tom Anderson was born in 1951 in Salt Lake City, the son of a jazz musician. By the time the family settled in Vancouver, Washington, Anderson's formative years has been shaped by syncopated rhythm and life on the road (39 states by the age of four). He earned an Associate of Arts degree from Clark College in 1971. part of his education included three months of travel in Europe, where he studied firsthand the works of the great masters. In the autumn of 1971, he enrolled at The Evergreen State College in Olympia, Washington. There, in addition to his Asian art and Philosophy studies, Anderson made some meaningful contributions to the first years of the experimental college's development. He initiated the use of the 16mm animation facilities, helped to establish the FM Radio station KAOS, co-created the four-story library mural, and worked as an assistant graphic designer, developing the College's catalogs and visual identities. He graduated in 1973 with a Bachelor of Arts degree. That same year, Anderson co-founded Mansion Glass Studios in Olympia. This collaboration won recognition locally and nationally for their design and fabrication of Architectural Art Glass commissions, as well as for their restoration projects. Anderson first attended the highly esteemed Pilchuck Glass School in 1986, as a teaching assistant to Henry Halem. He returned in 1987, on a scholarship with Susan Stinsmuhlen-Amend, and again in 1988 and 1989 as a teaching assistant in the advanced graduate program, specializing on glass casting and enamel kiln firing. In 1990, Anderson established his own studio in Olympia. Over the past eight years he has continued his work painting, metal fabrication, mixed media constructions, and printmaking. He is represented by galleries in Oregon, Washington, Florida, New Mexico, and California. In addition to commissions, Anderson exhibits regularly and his work can be found in over 400 public and private collections including the Oregon Arts Commission, the Washington State Arts Commission, Delta Airlines, the city of Olympia, Hewlett Packard, and US Bank. (Uknown, 1995), artist402@comcast.net, http://www.thomasandersonart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

16. Unclassified Reflections "C"

Unclassified Reflections "C"

Description: This black print on neutral paper presents a repetative, geometric pattern that becomes increasingly complex with the addition of a grayscale within the defined pattern, which ascends from the bottom left toward the top right., Unclassified Reflections C, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

17. Naga (2nd of 2 pieces)

Naga (2nd of 2 pieces)

Description: A tall steel sculpture with a round platform.The majority of the sculpture is rectangular shapped with an round shapes and a three leaf clover shape at the top. The steel is covered in gold leaf., Naga; 1997; gold leaf over steel; (62.5 inches high, 2 parts); Elizabeth Leach Gallery, 207 SW Pine St., Portland, OR 97204, (503) 224-0521; fax: 224-0844, http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

18. Summertime II

Description: A stainless steel sculpture hanging on a wall. The sculpture looks to be in two long rectangular parts on top of one another. The sculpture is in neutral colors and curves in and out., Summertime II; 1994; (24 x 13 x 3 inches); press formed stainless, polished, burnished, heat, From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts

19. Equinox

Description: This painting depicts a scene of a person clad in yellow, carrying a yellow umbrella walking hunched over an architecturally ornamented bridge. Dark trees and a gray sky that suggests a city skyline occupy the background. A yellow streak runs through the foreground on the left., Equinox; Oil; (28 x 28 inches); 1996; [no.] 2, Kay Lamoreux Buckner's work has been included in exhibits at the University of Maryland; Seattle Art Museum; St. John's College, Annapolis; Eastern New Mexico University; New Orleans Art Association; Salisbury State University, Maryland; Mercyhurst College, Pennsylvania; University of Washington; Austin Peay State University, Tennessee; Marietta College, Ohio; and Seattle Center. She has had One-woman shows at the Frye Art Museum, Seattle; University of Oregon Museum of Art; University of Idaho; Rockford College, Illinois; and Oregon State University. Her work is in public collections throughout the Pacific Northwest. She has an MFA degree from Clarement Graduate School. (Oregon Art Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

20. Pink Hat

Description: This abstract piece depicts what appear to be yellow seed pods on a variegated red background. The upper left corner contains a collection of pink dots., Pink Hat; oil on birch; (24 x 24 inches); 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

21. Field Burn II

Description: This painting presents a variegated and textured red surface on the left three-quarters of the picture plane. The remaining quarter of the picture plane on the right presents a succession of vertical stripes of alternating red, ochre, and black., Field Burn II; O/C; (36 x 58 inches); [no.] 7, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

22. Untitled

Description: This print presents a gray monochrome abstraction that suggests a dynamic landscape., http://www.jameslavadour.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

23. Waldo Lake Reflected

Waldo Lake Reflected

Description: A colored photograph of a waterscape with rocks in the foreground, and island with trees in the middleground, and large hills of forests in the background. All the trees and hills of forests, along with the clouds are reflected perfectly in the blue lake., Waldo Lake Reflections; 1996 (yr), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

24. Wind Catcher

Description: A polished, metal sculpture that appears to mimic the shape of a sling shot. A bowed band of metal suggestion tension and movement between the arms of the "slingshot.", Wind Catcher; [no.] 7; 1988, http://www.wbblix.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

25. Hounding

Description: This charcoal drawing depicts a teeming pack of dogs. The drawing appears to reveal evidence of a motion study, where the forms have been sketched, erased, and then sketched again, emphasizing the dynamic energy of the subject matter., Hounding; Charcoal; (92 x 44 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

26. Unclassified Reflections "B"

Unclassified Reflections "B"

Description: This black print on neutral paper presents a repetative, geometric pattern that becomes increasing complex with the addition of a grayscale within the defined pattern. Different, irregular shapes begin to emerge from the pattern, which are connected through line., Unclassified Reflections B, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

27. Palimpsest Bones

Palimpsest Bones

Description: An irregularly shaped painting that divides the picture plane into two sections by way of color placement. The left side of the painting is comprised of a textured, neutral yellow that contains a column of five white squares and a portion of the outline of a blue circle. The right side of the piece is presented in a textured, deep blue that reveals some of the neutral yellow from the left side underneath. Also, a group of five, horizontally oriented red rectangles occupies the right side., Palimsest Bones; acrylic on paper; (46 x 32); [no.] 7, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

28. Leaf Branch

Description: This freestanding, stainless steel sculpture presents a vertical length of alternating leaves mounted on a pedestal., From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts

29. fourth floor artwork

fourth floor artwork

Description: map of fourth floor artwork, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

30. back cover

Description: back cover, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

31. 1995 Blix exhibition list

1995 Blix exhibition list

Description: 1 p. Weltzin Blix's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

32. Ejiri-Pines of Miho Bay

Ejiri-Pines of Miho Bay

Description: Ejiri lies across Shimizu Bay from Okitsu, home of the Japanese inn made famous by Oliver Statler's novel. The legendary pines of Miho now witness freighters entering and leaving the bay. Ejiri is the 19th station of the Tokaido., Tokaido Series: Ejiri-Miho; [no.] 6, During the summer of 1984, Walt Padgett bicycled and camped Japan's Tokaido, documenting the famous "53 Stations of the Tokaido" prints of Ando Hiroshige and Junichiro Sekino. Since that time Mr. Padgett has been producing his own series of woodblock prints from his travels on this historic highway. The Tokaido, literally the "eastern sea route" stretching 320 miles, has provided the main link between the cities of Kyoto and Edo (Tokyo) for a thousand years. Although many Japanese artists have produced work drawn from the Tokaido, its landscape, its people, its history, still provide a rich source of subject matter, especially to the foreign eye of an American. Mr. Padgett utilizes authentic Japanese handmade chisels, brushes, and paper, in the manufacture of his prints; the blocks are hand-carved, the prints hand-burnished by the artist, in the sosaku hanga tradition. (Oregon Arts Commission), http://www.padgettart.com/news.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

33. Fence 36-323

Description: A mixed media construction that organizes discarded materials within a black grid pattern., Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323; mixed media; 1995; unfr.: 51 x 51 in., http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

34. Contraction Fracture

Contraction Fracture

Description: A silver printed photograph of a vast, empty landscape. The ground is cracked, with a few tufts of plant material growing out of some of the cracks., Contraction Fracture, Malhuer Co., OR; 1994; gelatin silver print; Elizabeth Leach Gallery, 207 SW Pine St., Portland, Oregon 97204; (503) 224-0521, http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

35. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

36. 1995 Joyce exhibition list

1995 Joyce exhibition list

Description: 1 p. Kacey Joyce's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

37. A Private Integrity

A Private Integrity

Description: An acrylic painting featuring two human figures set against hand-made paper with small designs in a lighter color., A Private Integrity; [no.] 4; 1996, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

38. 1995 French exhibition list

1995 French exhibition list

Description: 1 p. Kay French's 1995 exhibition list., Kay French grew up in the Midwest which perhaps explains her fascination with storms and flat land. She moved to Portland in 1977. Kay has a degree in art history from Kent State University and a degree in painting from the Pacific Northwest College of Art. Her work has been exhibited in various shows in regional galleries and museums. She was awarded a WESTAF/NEA Regional Fellowship for Visual Artists in Painting in 1994. She has also been represented by the Pulliam Deffenbaugh Gallery in Portland, OR. (Oregon Arts Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

39. sixth floor

Description: sixth floor plan, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

40. fourth floor

Description: fourth floor plan, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

41. third floor

Description: third floor plan, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

42. Fence 36-323 (detail #1)

Fence 36-323 (detail #1)

Description: This view represents a detailed section of the mixed media construction, Fence 36-323, that organizes discarded materials within a black grid pattern., detail #1 Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323; fabric & mixed media; 1995, http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

43. Forsaken

Description: In this charcoal drawing, a skeleton clad in black robes holds a sickly man in his arms. Double-headed dogs circle the skeleton anxiously while a group of gray human figures with their backs turned to the audience form a background for the scene., Forsaken; Charcoal; (44 x 66 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

44. 1996-#7

Description: An oil crayon drawing of the outdoors with a large river as the lower portion of the art piece. In the water are two islands, on both the left and right side of the piece with multiple trees growing on the islands. Where the river ends at the side, are more trees, which may be a forest, in front of a mountainous scape. The rest of the piece, which is most of it, contains the blue sky and white clouds., # 7; 1996; oil crayon on paper; (9 x 12 inches); Inv. #16, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

45. Fire

Description: This painting depicts a ground fire in the understory of a green forest., Fire; oil on canvas; (65 x 70 inches); '95; BroM95090508; [no.] 6, Artist Michael Brophy's "regal, decaying landscapes and portraits of jagged tree stumps spotlight the confluence of humanity and nature. Often enormous in scale and rippling with undercurrents of humor and social commentary, his paintings are included in the collections of Portland Art Museum, Tacoma Art Museum, Microsoft, and other important institutions." (see online biography at http://www.pnca.edu/exposure/stories/26/michael-brophy), http://www.laurarusso.com/artists/brophy.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

46. Revel

Description: An abstract art piece composed from numerous colored dots to form various shapes, mostly abstract. There are two defined horn shapes in an orange and black coloring with the back curves facing each other., Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

47. Unclassified Reflections "D"

Unclassified Reflections "D"

Description: This black and gray print on neutral paper presents a repetative, geometric pattern superimposed with large, curvy lines., Unclassified Reflections D, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

48. Crease (detail)

Crease (detail)

Description: A close-up view of a female figure with short dark hair working on what looks to be a sewing machine. The piece is in all neutral colors., Crease (detail); tapestry; 1997, http://www.americantapestryalliance.org/AP/ArtistBio/SocolofskyS.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

49. Cul De Sac

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., Mark Abrahamson was born in Seattle, Washington in 1944. He received a BA degree in chemistry from Whitman College, Walla Walla, WA. in 1966 and a DDS degree from the University of Washington in 1970. In 1987 he received a grant from the Seattle Arts Commission, in 1991 and 1995 he was awarded GAP Grants from Artists Trusts, and also in 1995 a Washington State China Relations Council Travel Grant. (Unknown, 1995), http://www7.nationalacademies.org/arts/Mark_Abrahamson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

50. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

51. 1995 Cain exhibition list

1995 Cain exhibition list

Description: 1 p. Sean Cain's 1995 exhibition list., Sean Cain received a B.F.A. from the Pacific Northwest College of Art in 1994 after studying for two years at the School of the Art Institute of Chicago. He has shown in Oregon at the Laura Russo Gallery as well as the Art Gym, Maryhurst College, the Corvallis Art Center, and Artquake 1994, Portland. As a promising emerging artist, Sean Cain has caught the eye of the public and has warranted reviews in Willamette Week, Artweek, the Oregonian, and Reflex. He works in a classical tradition rendering the figure in statuesque poses depicted in rather stark light that allows for a beautiful chiaroscuro. Using the paint thinly, layering like washes, he paints colors which enhance the atmospheric other-worldliness of his work. Cain combines surrealism, humor, and a high level of craftsmanship to attain a compelling and heroic narrative. (Oregon Arts Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

52. second floor

Description: second floor plan, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts

53. By the Edge of the Sea

By the Edge of the Sea

Description: An oil painting of a man placed in what appears to be a tropical setting, playing a gold colored flute. Only his hands and head are visible. Surrounding the figure are large green leaves with two red cardinals sitting in the tree., http://www.maryjosephson.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

54. Home Creek Canyon

Home Creek Canyon

Description: This piece is based on a wilderness study area in the areas of Steens Mountain southeastern Oregon. The particular site of this photograph depicts the remnants of a homestead from the heyday of dryland farming. All that remains is evidence of the root cellar and some trees that are not native to the geographic region of this site. Many of the named plants have disappeared from this location and others like where at one time they were abundant. (Warpinski), Home Creek Canyon . . . Detail'; mixed media collage; 1997; [no.] 2, Terri Warpinski has been a professor of art at the University of Oregon since 1984, where she also served in administrative positions such as Vice Provost of Academic Affairs and Community Engagement. Warpinski's images reflect her reverence for the Western Landscape and her interest in the traces of human connection with this landscape. Warpinski invests her images with a strong belief in the environmental movement: "Art, literature and Theater can gather people around an issue in an uplifting way. It's not being irresponsible or ignoring the seriousness of things. Neither is it preaching to the converted. In my experience art can reach the spirit of people in a deeper way than a purely analytical approach..." Warpinski's projects include a series on aboriginal rock art in Australia, works inspired by her field notebooks, hand-colored black and white photographs, and large-format collages which include the Fragments series images that are now a part of this collection., http://www.uoregon.edu/~tlw/; http://www.terriwarpinski.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

55. Cobra Tea Set

Description: A still life acrylic painting from an aerial view. Three tea kettles and two bowls encircle a glass vase with orange flowers, green stems, and yellow buds protruding out of the vase. The whole still life is laid out on a white sheet., Cobra Tea set; 1996; oil on canvas; (24 x 36 inches), A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts

56. Matinee Idol (rear view)

Matinee Idol (rear view)

Description: An abstracted bronze sculpture with the base being a large 'x' with five red squares surrounding the right leg of the 'x'. Above that are more bronze shapes and plates with a yellow and purple object in the middle. It is as if this bronze sculpture is holding this yellow and purple object, maybe as a shield., Untitled; [no.] 6; rear view, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

57. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

58. 1995 Weller exhibition list

1995 Weller exhibition list

Description: 2 p. Robert Weller's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

59. first floor artwork

first floor artwork

Description: map of first floor artwork, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

60. third floor artwork

third floor artwork

Description: map of third floor artwork, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

61. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

62. page 2

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

63. Matinee Idol (front view)

Matinee Idol (front view)

Description: An abstracted bronze sculpture with the base being a large 'x' with five red squares surrounding the right leg of the 'x'. Above that are more bronze shapes and plates with a yellow and purple object in the middle. It is as if this bronze sculpture is holding this yellow and purple object, maybe as a shield., Untitled; [no.] 2; front view, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

64. Careful What You Wish For

Careful What You Wish For

Description: A black and white etching of a female figure with short black hair and bangs. She is holding a cigarette, with her elbow propped on a table. Her other hand is resting on the table, with a teacup and plate in front of her arm and a napkin with utensils next to her curled up fingers., Becare What You Wish For 1997; M. Walker; etching 7 x 73/4 inches, http://www.augengallery.com/Artists/walker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

65. Strawberry Field #5

Strawberry Field #5

Description: This aerial, color photograph presents an abstraction of the landscape that opens the door to endless possibilities for interpretation., Strawberry field #5; [no.] 6;1993, Mark Abrahamson was born in Seattle, Washington in 1944. He received a BA degree in chemistry from Whitman College, Walla Walla, WA. in 1966 and a DDS degree from the University of Washington in 1970. In 1987 he received a grant from the Seattle Arts Commission, in 1991 and 1995 he was awarded GAP Grants from Artists Trusts, and also in 1995 a Washington State China Relations Council Travel Grant. (Unknown, 1995), http://www7.nationalacademies.org/arts/Mark_Abrahamson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

66. Sweet Delicata

Description: Still life oil painting that includes a large glass vase with a handle, holding multiple red flowers and stems. Surrounding the vase are pumpkins and gourds, some on a plate. There are also four green apples located near the bottom of the painting., Sweet Delicata; o/c '96; (48 x 60 inches), Shelly Jordon, a native New Yorker, moved to Oregon in 1986 to accept a teaching position in the Art Department at Oregon State University where she is currently an Associate Professor of Art. A recent recipient of an Oregon Art's Commission "Individual Artist Fellowship in Painting" award, she was chosen to be a Visiting Artist at the American Academy in Rome in 1994, where she spent three months living and painting. Her work has been exhibited in museums and galleries across the country including the Adam Baumgold Gallery in New York City, the William Sawyer Gallery in San Francisco, the Maryhill Museum of Art in Goldendale, WA, the Linda Hodges Gallery in Seattle, WA and the Augen Gallery in Portland. Her work is included in numerous public and private collections nationally. She is currently working towards a one-person exhibition at the Frye Museum of Art in Seattle, WA and at the Holter Museum of Art in Helena, Montana., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

67. Matinee Idol (detail)

Matinee Idol (detail)

Description: An abstracted bronze sculpture with the base being a large 'x' with five red squares surrounding the right leg of the 'x'. Above that are more bronze shapes and plates with a yellow and purple object in the middle. It is as if this bronze sculpture is holding this yellow and purple object, maybe as a shield., Untitled; [no.] 4; 3/4 front, Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989., tmorandi@comcast.net; tmorandi@oregonstate.edu, http://www.tommorandi.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

68. Sulawesi I

Description: A steel sculpture hanging on a dark blue wall. The sculpture loops around itself, making it look sort of like a vine. The sculpture is covered in silver leaf., Sulawesi I; 1997; Silver leaf over steel; (70 x 36 x 7 inches), http://www.pnca.edu/exposure/stories/19/lee-kelly-59, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=129, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

69. The Source

Description: An oil painting of three human figures; the tallest one wearing a dark blue robe. The figure to the viewer's right is only visible by the face, and the one kneeling down is wearing a red robe with a red hood. There is a teardrop-like shape with geometrical shapes to form human faces., The Source; 1980; oil on canvas; (34 x 48 inches); 735 NW 28th Corvallis, OR, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

70. Unclassified Reflections "F"

Unclassified Reflections "F"

Description: This black and gray print on neutral paper presents a repetative, geometric pattern superimposed with large, curvy lines., Unclassified Reflections F, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

71. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

72. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

73. AM Transport

Description: This painting depicts a nighttime scene on a blue, fortified bridge. A man in a black hat is inserted into the expanse of the bridge form, toward the left of the picture plane. The background is made up of what appears to be a dark hill with sporadic lights across it., A.M. Transport; Oil; (39 x 51 inches); 1993; [no.] 7, Kay Lamoreux Buckner's work has been included in exhibits at the University of Maryland; Seattle Art Museum; St. John's College, Annapolis; Eastern New Mexico University; New Orleans Art Association; Salisbury State University, Maryland; Mercyhurst College, Pennsylvania; University of Washington; Austin Peay State University, Tennessee; Marietta College, Ohio; and Seattle Center. She has had One-woman shows at the Frye Art Museum, Seattle; University of Oregon Museum of Art; University of Idaho; Rockford College, Illinois; and Oregon State University. Her work is in public collections throughout the Pacific Northwest. She has an MFA degree from Clarement Graduate School. (Oregon Art Commission), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

74. Trout Needs Trees

Trout Needs Trees

Description: This print divides the main picture plane from the surrounding decorative border of images geometrically. The main picture plane, a vertical rectangle, occupies the center of the piece, and it depicts a man standing at the edge of the water with a fishing pole. Beneath the surface of the water, several fish swim amongst a downed tree.Two horizontal rectangles flank the upper and lower sections of the piece, and the main picture plane is flanked by a series of squares and rectangles. The shapes that create the border around the main picture plane contain a conglomeration of fishing equipment, geometric shapes, and landscape elements., Trout Need Trees; linocut print; (46 x 22 inches(image)); edition of 20; 1996, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

75. page 2

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

76. second floor artwork

second floor artwork

Description: map of second floor artwork, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

77. page 2

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

78. Grazing

Description: This impressionistic painting combines reds, oranges, and blues to create an atmosphere for two forms walking toward each other. The three-quarter view of another individual is visible in the bottom, right corner., http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=243, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

79. Toccata

Description: An abstract acrylic painting of what appears to be a large leaf floating atop water painted in blue, green, and yellow., Toccata; acrylic on canvas; (49 x 45 inches); '96; ParL96032601, Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.arcticrefugeart.org/parker/par_vita.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

80. Cardinal Lobelia

Cardinal Lobelia

Description: A dark platinum printed photograph of a cardinal lobelia plant against a black background., Cardinal Lobelia; platinum print; (4.5 x 3.5 inches); '93, http://www.seubertfineart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

81. Range

Description: A black and white photograph of an inside of a cave with crystals growing upwards from the ground., Range; 1996; [no.] 5, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

82. page 2

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

83. page 6

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

84. fifth floor artwork

fifth floor artwork

Description: map of fifth floor artwork, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

85. page 1

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

86. Ile Gorie

Description: An oil painting of a dark human figure playing a stringed instrument with a bow, riding a large horse with a red and green tussle hanging from each side of it's mouth. Behind the human figure is a large orange leopard-like cat with large teeth on top of the horse as well., Ile Goree; (54 x 72 inches); oil/canvas; 1997, “Most of my art, in some way or another, tries to answer the question, ‘Who am I?’” says Smith, looking at a particularly aggressive piece that he painted in 2006 called “The Lower 9th.” The large oil-on-canvas features a pastiche of what he calls “derogatory caricatures” (including Aunt Jemima and “black-face” characters) surrounded by images of forgotten souls swept away in Hurricane Katrina. “I’d hate to think that my history began with slavery,” says Smith. “To me, that is a lie. But the remnants still exist today, especially in the way we have been depicted in culture. This is what I try to explore in my work.” (excerpt from online biography at http://www.pnca.edu/exposure/stories/216/arvie-smith), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

87. fifth floor

Description: fifth floor artwork location ID nos. 109-117, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

88. first floor

Description: first floor artwork location ID nos. 9, 10, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

89. page 2

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

90. first floor

Description: first floor plan (of 6 floors), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

91. 1995 Thorsnes exhibition list

1995 Thorsnes exhibition list

Description: 1 p. Melinda Thorsness' 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

92. Pediophobia

Description: A platinum printed photograph of a dark-haired doll with two braids against a black background. The doll is shirtless but is wering some sort of bottom material. One of the dolls arms extends out farther than the other., Pediophobia; 1996; platinum print; (13 x 10 inches); Inv. #58, http://www.seubertfineart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

93. Power Station

Description: A water color painting of a power station amongst brown and green patches on the ground. In the background are mountaneous structures below a cloudy sky., Transformer, Oregon Desert; [no.] 8; '93; watercolour; (40 x 60 inches), http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

94. Variations on the Square

Variations on the Square

Description: Unfortunately, we currently do not have an image of this artwork. The Oregon State University Valley Library, building site for the piece, offers a website where it can be viewed, along with Gilkey's artist statement. http://osulibrary.orst.edu/libraries_and_collection The print presents irregular shapes in red, blue, and neutral tones scattered across a light background. Superimposed on top of the shapes is a transparent-white pattern of square grids in varying sizes and differing degrees of overlap with each other., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

95. first floor

Description: first floor artwork location ID nos. 1-8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

96. page 2

Description: The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

97. Marquesian Memory

Marquesian Memory

Description: An acrylic painting of what appears to be three surfboards, each featuring a different color pallet and in various sizes., Marqusian Memory; 1989; acrylic on canvas; (73 x 80.5 inches), http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

98. Good Ol’ Boys

Description: An oil painting featuring six men, who appear to be celebrating. There is an American flag in the background., Good Ol' Boys; 1995; oil on canvas; Inv. #07, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

99. Pothole Erosion

Pothole Erosion

Description: A silver printed photograph of what looks to be inside a cave with rocks and water, looking out. The sides of the photograph look to be rocks eroded by perhaps water. The rock extends all the way up the right of the photograph and curves around the top. There looks to be a human figure standing on the ground rocks., Pothole Erosion, ID; 1995; gelatin silver print; Elizabeth Leach Gallery, 207 SW Pine St., Portland, Oregon 97204; (503) 224-0521, http://www.historycooperative.org/journals/ohq/105.3/toedtemeier.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/

100. Fence 36-323 (detail #2)

Fence 36-323 (detail #2)

Description: This view represents a detailed section of the mixed media construction, Fence 36-323, that organizes discarded materials within a black grid pattern., detail #2 Fence; Francine Seders Gallery, Seattle, (206) 782-0355; 36-323, det. 2; fabric & mixed media; 1995, http://www.sedersgallery.com/Artists/036/36-000.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/