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1. A House for Phineas Gage

A House for Phineas Gage

Description: This outdoor sculpture consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

2. A House for Phineas Gage

A House for Phineas Gage

Description: This view details the top portion of an outdoor sculpture that consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

3. A House for Phineas Gage

A House for Phineas Gage

Description: This outdoor sculpture consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga. From this view, there appears to be a bench for sitting included on the interior of the piece., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

4. A House for Phineas Gage

A House for Phineas Gage

Description: This outdoor sculpture consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga. From this view, there appears to be a bench for sitting included on the interior of the piece., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

5. A House for Phineas Gage

A House for Phineas Gage

Description: This view depicts a vantage point that looks up from inside this outdoor scupture. It consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

6. Akbar's Garden, University of Oregon (Eugene, Oregon)

Akbar's Garden, University of Oregon (Eugene, Oregon)

Description: Jordan Schnitzer donated this 17-ft. steel sculpture, created in 1984, to UO in 2002 to commemorate the success of The Oregon Campaign, a fundraising effort which raised $255 million from 1992-98. Mr. Schnitzer and his parents, Harold and Arlene, donated the work. It alludes to the garden of a 16th century Indian ruler. The sculpture was dedicated on June 12, 2002.

7. Alan Turing

Description: This sculpture presents a bust of Alan Turing., Wayne Chabre; Alan Turing Gargoyle; Computer Sciences U of O, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

8. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

9. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

10. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

11. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

12. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

13. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

14. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

15. Autzen Columns

Description: This piece consists of three cylindrical columns that present photographic images of University of Oregon football history. The images appear pixelated due to their application on the columns in ceramic tile., autzen columns; tile mosaic; 22x4.5 feet; Mike Mandel; university of oregon; eugene or 2004, mike@thecorner.net, http://www.palmdesertartistregistry.com/mike_mandel.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

16. Axes

Description: Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

17. Axes

Description: Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

18. Axes

Description: Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

19. Bay Leaf Arch (archway design)

Bay Leaf Arch (archway design)

Description: A stone arch with bay leaves incised in a relief pattern around the sweep of the form frames the entryway of the Knight Law Center., Bay Leaf; arch; cast stone; 1999, annestorrs@msn.com, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

20. Bay Leaf Arch (archway design)

Bay Leaf Arch (archway design)

Description: A stone arch with bay leaves incised in a relief pattern around the sweep of the form frames the entryway of the Knight Law Center., Bay Leaf; arch; cast stone; 1999, annestorrs@msn.com, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

21. Bear (Gargoyle)

Bear (Gargoyle)

Description: This piece depicts the head of a grizzly bear with a Kwakiutt Indian mask of a bear on top (OAC documentation, 1989)., Wayne Chabre; Bear Gargoyle; copper/patina; 5.5 x 5 x 4 feet; U of O Museum of Natural History; 1988, waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

22. Blue Stratus

Description: A heavily patinaed piece of metal work that hangs in relief from the wall. The turquoise sheet metal is cut into undulating pieces that when assembled and hung in relief on the wall resemble a representation of an archipelago from above. This piece relates to the untitled exterior piece also done by Lin Cook., Eutectica Design; Lin Cook; Grayson Hall, Cook, whose company is called Eutectica Design (Monroe, Ore.) completed Untitled as a Percent for Art commission in December, 2000. In reference to this work, Cook states "as a hint of the larger piece inside, a small element of the larger sculpture is installed to the left of the main entry door" (Percent for Art documentation). The larger piece inside is entitled, Blu Stratus. Cook received a B.S. (Liberal Arts, 1979) and B.F.A. (1980) degrees from the University of Oregon. (resource obtained 2007-08-22 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html)., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

23. Breccia

Description: This ceramic wall relief consists of three columns hung side-by-side and decorated with relief texture and Raku-fired glazes., Geoffrey Pagen; Breccia; 53 x 26 x 2 inches; wall relief; U of O Science Complex, http://www.laurarusso.com/artists/pagen.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

24. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

25. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

26. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

27. Cadenza, Calypso, Fandango

Cadenza, Calypso, Fandango

Description: Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations. He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts. His wife Penny Price Swanson, is an artist and art educator. Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/

28. Clio

Description: This sculpture is comprised of a panel of glass that presents a hologram of a woman in a white robe who is looking down at the head of a classical sculpture that she cradles in her arms. Situated in front of her and held in place by a metal armiture is a green glass piece that resembles a spinal column surrounded by flowing water., Nancy Mee; 6202 37th Ave. NE Seattle, WA 98115; 206-525-1922; Clio; 1994; glass, steel, photo sandblast on glass; 82 x 40 x 24 inches, Nancy Mee was born in Oakland, California, eventually moving to Seattle where she received a B.F.A. from the University of Washington. In 1984 she was a resident at Pilchuck School and in 1988 won the Betty Bowen Memorial Award. Mee's unique sculpture is fabricated out of fused and slumped glass and incorporates forged and cut metals. Exhibitions include the Seattle Art Museum, Bellevue Art Museum, Brooklyn Museum, San Jose Museum of Art, and the Centre International d'Art Contemporain in Chateau Beychevelle, France. Collections include Safeco, Microsoft, the Seattle Art Museum, the Tacoma Art Museum, and the Musee des Arts Decoratives in Lausanne, Switzerland., http://dennisevans.net/index2.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

29. Comparative Literature

Comparative Literature

Description: Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

30. Curriculum Collection

Curriculum Collection

Description: Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

31. Deliberation

Description: Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

32. Deliberation

Description: Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

33. Deliberation

Description: Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

34. Deliberation

Description: Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

35. Della Robbia Blue

Della Robbia Blue

Description: An abstraction of line and form presented in relief sculptural form. This piece is comprised of six cutouts of light purple material whose shape references thick, sinuous line. These six shapes suggest a human form. Between what might be interpreted as arms and legs are another eight cutouts in dark purple material; three on the left side and five on the right. The pieces hang out slightly from the wall so their forms cast interesting shadows on the wall behind the sculpture., Barry Pelzner; della robbia blue; 1979; 78x78 inches, http://pnca.edu/programs/bfa/faculty.php, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

36. Double Modified Pouf

Double Modified Pouf

Description: Two crate-like tables formed together on eight short legs. Two half-circle, crate-like objects stick out from the middle of both sides., © Brian Swanson 98; , brian@BrianSwansonArts.com, http://www.brianswansonarts.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

37. Double Modified Pouf

Double Modified Pouf

Description: Two crate-like tables formed together on eight short legs. Two half-circle, crate-like objects stick out from the middle of both sides., brian@BrianSwansonArts.com, http://www.brianswansonarts.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

38. Double Modified Pouf

Double Modified Pouf

Description: Two crate-like tables formed together on eight short legs. Two half-circle, crate-like objects stick out from the middle of both sides., © Brian Swanson 1998; , brian@BrianSwansonArts.com, http://www.brianswansonarts.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

39. Double Modified Pouf

Double Modified Pouf

Description: Two crate-like tables formed together on eight short legs. Two half-circle, crate-like objects stick out from the middle of both sides., © Brian Swanson 1998; , brian@BrianSwansonArts.com, http://www.brianswansonarts.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

40. Douglas Listening Room

Douglas Listening Room

Description: Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

41. Drosophilia Fly Head

Drosophilia Fly Head

Description: This sculpture depicts a drosophilia (fruit) fly's head., Wayne Chabre; Fruit Fly; U of O Science Complex, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

42. Early Russian Manuscripts

Early Russian Manuscripts

Description: Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

43. Economic Studies

Economic Studies

Description: Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

44. Einstein Gargoyle

Einstein Gargoyle

Description: This sculpture presents a bust of a light-hearted Albert Einstein with his tongue sticking out., www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

45. Einstein Gargoyle

Einstein Gargoyle

Description: This sculpture presents a bust of a light-hearted Albert Einstein with his tongue sticking out., Wayne Chabre; Einstein Gargoyle; U. of O. Physics Bld.; copper/patina; 30 x 18 x 18 inches; 1986, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

46. Emergence

Description: Emergence is a cast bronze work depicting a woman with long hair flowing down to her right upper thigh. Her hair is parted on the side and covers both of her eyes. The sculpture is 68 inches in height and weighs approximately 130 pounds., Don Eckland; emergence; u of or college of ed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts

47. Emergence

Description: Side view of "Emergence," a cast bronze work depicting a woman with long hair flowing down to her right upper thigh. Her hair is parted on the side and covers both of her eyes. The sculpture is 68 inches in height and weighs approximately 130 pounds. She stands on a brick walkway and in front of a brick wall. You can see cars in a parking lot in the background., Don Eckland; emergence; u of o ed bldg, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

48. Encounter

Description: This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

49. Encounter

Description: This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

50. Encounter

Description: This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

51. Encounter

Description: This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

52. Encounter

Description: This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

53. Falconer, University of Oregon (Eugene, Oregon)

Falconer, University of Oregon (Eugene, Oregon)

Description: This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest., The Falconer was given by Jordan Schnitzer to the University of Oregon in 1973.

54. Fence

Description: A view of one of the sides of the steel fence in a play area. The steel fence reveals objects and animals such as trees and giraffes., Most of Edwards' work takes a humorous and delighted look at life. Edwards works in many media- glass, enamel on steel, iron- and has produced many private and public commissions. He was a National Endowment for the Arts Fellowship winner in 1981 (OAC documentation, 1990)., http://www.palmdesertartistregistry.com/garth_edwards.htm, The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

55. Fence

Description: A view of one of the sides of the steel fence in a play area. The steel fence reveals objects and animals such as trees, giraffes, cats and deer. The panels to the right have vertical, steel bars., Most of Edwards' work takes a humorous and delighted look at life. Edwards works in many media- glass, enamel on steel, iron- and has produced many private and public commissions. He was a National Endowment for the Arts Fellowship winner in 1981 (OAC documentation, 1990)., http://www.palmdesertartistregistry.com/garth_edwards.htm, The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

56. Fence

Description: A view of one of the sides of the steel fence in a play area. The steel fence reveals objects and animals such as trees, giraffes, cats and deer., Most of Edwards' work takes a humorous and delighted look at life. Edwards works in many media- glass, enamel on steel, iron- and has produced many private and public commissions. He was a National Endowment for the Arts Fellowship winner in 1981 (OAC documentation, 1990)., http://www.palmdesertartistregistry.com/garth_edwards.htm, The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

57. Fence

Description: A view of one of the sides of the steel fence in a play area. The steel fence reveals objects and animals such as trees and giraffes., Most of Edwards' work takes a humorous and delighted look at life. Edwards works in many media- glass, enamel on steel, iron- and has produced many private and public commissions. He was a National Endowment for the Arts Fellowship winner in 1981 (OAC documentation, 1990)., http://www.palmdesertartistregistry.com/garth_edwards.htm, The Oregon Arts Commission has ten Regional Arts Councils, each serving one or more counties, that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

58. Forward Pass

Description: Linear steel football players that are captured in football play stance., Forward Pass; William Disbro Studio; 75 Campbell Ave. Jamestown, NY 14701; 8 feet high; stainless steel; Univ. of Oregon; Eugene, Oregon; 1991, William S. Disbro has been a professor of art at Jamestown Community College, and has received a commission to create a sculpture for the University of Oregon campus in Eugene, Ore. The 8-foot high piece, titles 'Forward Pass' and fabricated in 1/4-inch stainless steel, will be located between the university's new Len Casanova Athletic Center and football stadium. Funds for the sculpture were provided by the Oregon Arts Commission's Arts in Public Places program. A member of the JCC faculty since 1970, Disbro earned bachelor's and master's degrees from Kent State University. He was awarded a state University of New York Research Foundation Grant in 1976. A 1987 recipient of the JCC Faculty Award for Excellence in Teaching, Disbro is a member of the College Art Association and the National Council on Education for Ceramic Arts. (Unknown author 1991 materials from Oregon Arts Commission Binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

59. Forward Pass

Description: Linear steel football players that are captured in football play stance., William Disbro Studio; 75 Campbell Avenue, Jamestown, NY 14701; Forward Pass; 8 feet high; 1991; Stainless Steel; Univ. of Oregon, Eugene, Oregon, William S. Disbro has been a professor of art at Jamestown Community College, and has received a commission to create a sculpture for the University of Oregon campus in Eugene, Ore. The 8-foot high piece, titles 'Forward Pass' and fabricated in 1/4-inch stainless steel, will be located between the university's new Len Casanova Athletic Center and football stadium. Funds for the sculpture were provided by the Oregon Arts Commission's Arts in Public Places program. A member of the JCC faculty since 1970, Disbro earned bachelor's and master's degrees from Kent State University. He was awarded a state University of New York Research Foundation Grant in 1976. A 1987 recipient of the JCC Faculty Award for Excellence in Teaching, Disbro is a member of the College Art Association and the National Council on Education for Ceramic Arts. (Unknown author 1991 materials from Oregon Arts Commission Binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

60. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

61. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

62. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

63. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

64. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

65. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

66. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

67. Game Plan

Description: This sculpture appears to consist of stone, featuring two rows of large X's and O's. The X's are black while the O's are white., 5721 Utah Avenue NW, Washington DC studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

68. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2389; 2009 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

69. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2399; 2008 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

70. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2394; 2005 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

71. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2393; 2010 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

72. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2398; 2007 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

73. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., 2004 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

74. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., 2004 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

75. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., ENTRANCE OVERALL ; 2012 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

76. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., 2004 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

77. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2395; 2006 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

78. Glass Screen Project

Glass Screen Project

Description: This architectural glass piece consists of colored panes of glass that present a succession of geometric shapes, which form a pattern of altenating footballs and down-marking flags., DSCN2407; 2011 John Rogers; autzen stadium; solar tints glass, john@johnrogersart.com, http://www.johnrogersart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

79. Hawk

Description: This stone sculpture presents a very smoothly rendered hawk perched atop a roughly textured rock. The hawk holds beads on a string and a feather in its claws., Devin Laurence Field; Hawk; Oregon sandstone, http://www.devinlaurencefield.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

80. Hawk

Description: This stone sculpture presents a very smoothly rendered hawk perched atop a roughly textured rock. The hawk holds beads on a string and a feather in its claws., http://www.devinlaurencefield.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

81. Isaac Newton Gargoyle

Isaac Newton Gargoyle

Description: This sculpture presents a relief of Sir Isaac Newton with long, flowing hair., Chabre; Sir Isaac Newton, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

82. Isaac Newton Gargoyle

Isaac Newton Gargoyle

Description: This sculpture presents a relief of Sir Isaac Newton with long, flowing hair., Wayne Chabre; Sir Isaac Newton Gargoyle; Tower U. of O. Physics Bld.; copper/patina; 40 x 30 x 18 inches; 1987, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

83. John Von Neumann

John Von Neumann

Description: This sculpture presents a bust of John von Neumann with his tie curled upward and tethered by a tie clip., www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

84. Just the Shaping of Letters

Just the Shaping of Letters

Description: Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), Betsy Wolfston; 2000; U of O Law Library; I, S, K, M, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

85. Just the Shaping of Letters

Just the Shaping of Letters

Description: Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

86. Just the Shaping of Letters

Just the Shaping of Letters

Description: Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), Betsy Wolfston; 2000; U of O Law Library; Y, T, Q, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

87. Just the Shaping of Letters

Just the Shaping of Letters

Description: Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), Betsy Wolfston; 2000; U of O Law Library; X, R, H, E, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

88. Just the Shaping of Letters

Just the Shaping of Letters

Description: Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), Betsy Wolfston; 2000; U of O Law Library, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

89. Just the Shaping of Letters

Just the Shaping of Letters

Description: Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), Betsy Wolfston; 2000; U of O Law Library; B, P, C, G, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

90. Kinetic Totem

Description: A detail view of the top two layers of the totem pole. The top part has a yellow and white sun above a red heart. The layer below it features a beaver with large white teeth., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

91. Kinetic Totem

Description: A detail view of the top two layers of the totem pole. The top section has a white moon and stars on it. The layer below it has a large bird with two fish next to it., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

92. Kinetic Totem

Description: A tall totem pole surrounded by grass, rocks and trees. The totem pole has four layers. The bottom layer has a snake and lizard on it; the layer above that has a large frog; above that is a bird; and the top features a moon and stars., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

93. Kinetic Totem

Description: Contextual view of a tall totem pole with four layers. The bottom layer depicts a centipede; the layer above it displays a large frog; above that is a bird and fish; and the top has a moon, stars and other patterns., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

94. Lanterns

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., kent.bloomer@yale.edu, http://www.bloomerstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

95. Let the Games Begin

Let the Games Begin

Description: Front view of a building sculpture with a short wall curving around the building. Green columns hold up a rail with athletic figures lining the top. Multiple flags surround the building. A circle (or "O") is featured in the middle of the glass windows with a triangular roof above., Greenamyer; UO Casanova, http://www.greenamyer.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

96. Let the Games Begin

Let the Games Begin

Description: Back view of the green columns with athletic figures on top., Greenamyer; UO Casanova, http://www.greenamyer.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

97. Let the Games Begin

Description: Green columns hold up a rail with athletic figures lining the top. Multiple flags surround the building. A circle (or "O") is featured in the middle of the glass windows with a triangular roof above., http://www.greenamyer.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

98. Library Patrons

Library Patrons

Description: Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/

99. Marie Curie Gargoyle

Marie Curie Gargoyle

Description: This sculpture presents a bust of Marie Curie., Wayne Chabre; Marie Curie Gargoyle; U of O Physics Bld.; 36 x 30 x 18 inches; copper/patina; 1989, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

100. Marie Curie Gargoyle

Marie Curie Gargoyle

Description: This sculpture presents a bust of Marie Curie., Wayne Chabre; Marie Curie Gargoyle; U of O Physics Bld.; 36 x 30 x 18 inches; copper/patina; 1989, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/