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1. Within Reach
Description
Visual tale showing work in process from clay molds to glass sculptures of various sports figures--some with motion blurring relief lines., Norman Courtney; clay molds for glass windows; Autzen, U of O, norman@normancourtney.com, http://www.normancourtney.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
2. Let the Games Begin
Description
Green columns hold up a rail with athletic figures lining the top. Multiple flags surround the building. A circle (or "O") is featured in the middle of the glass windows with a triangular roof above., http://www.greenamyer.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
3. Just the Shaping of Letters
Just the Shaping of Letters
Description
Betsy Wolfston designed, fabricated and installed twenty-three stoneware wall boxes, each 12 x 12 x 3 inches, and a stoneware sculpture bust. This was a site-specific commsion based on the Latin alphabet inspired by drawings of Albrecht Durer. (Wolfston, 2003), http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
4. Bay Leaf Arch (archway design)
Bay Leaf Arch (archway design)
Description
A stone arch with bay leaves incised in a relief pattern around the sweep of the form frames the entryway of the Knight Law Center., Bay Leaf; arch; cast stone; 1999, annestorrs@msn.com, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
5. Bay Leaf Arch (archway design)
Bay Leaf Arch (archway design)
Description
A stone arch with bay leaves incised in a relief pattern around the sweep of the form frames the entryway of the Knight Law Center., Bay Leaf; arch; cast stone; 1999, annestorrs@msn.com, http://www.4culture.org/publicart/registry/parts/parts_artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
6. Deliberation
Deliberation
Description
Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
7. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
8. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
9. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
10. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
11. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
12. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
13. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
14. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
15. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
16. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
17. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
18. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
19. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
20. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
21. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
22. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
23. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
24. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
25. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
26. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
27. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
28. Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Script of Vine--A Trilogy of Prelude, Inventions and Fugue
Description
I was born in China and educated there. Since 1986 I have lived in US. The experience of living in completed different social environments gives me a unique opportunity to see things differently. My artworks explore the relationships between different cultural phenomenon and deal with the issue of interwoven social reality in present time. By using overlapping texts and images I try to reconstruct the parallel (displacement) exposition of today's cultural fabrication and social structure. I see the cultural differences as the structure of harmony and dissonance within a shared space. My art is about re-thinking visual elements in terms of displaced environment and mind in the context of today's world. The different formations of social structures of today and the past are the central issues in my thought process, as well as in my art form and media. I try to create multi-dimensional, interwoven visual or visual/audio structures that reveal the cultural phenomena of paralleling and simultaneity. --http://www.re-title.com/artists/Suikang-Zhao.asp, suikang@rocketmail.com, http://www.zhaosuikang.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
29. Cadenza, Calypso, Fandango
Cadenza, Calypso, Fandango
Description
Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations.  He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts.  His wife Penny Price Swanson, is an artist and art educator.  Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
30. Cadenza, Calypso, Fandango
Cadenza, Calypso, Fandango
Description
Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations.  He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts.  His wife Penny Price Swanson, is an artist and art educator.  Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
31. Cadenza, Calypso, Fandango
Cadenza, Calypso, Fandango
Description
Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations.  He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts.  His wife Penny Price Swanson, is an artist and art educator.  Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
32. Cadenza, Calypso, Fandango
Cadenza, Calypso, Fandango
Description
Richard Swanson maintains two studios--a pottery, for making utilitarian and sculptural vessels, and a warehouse space, where he works on multi-media sculpture for museum installations, landscape installations and dance collaborations.  He resides in Helena, Montana--a mountain town of much sunshine and an atmosphere of support and encouragement for the arts.  His wife Penny Price Swanson, is an artist and art educator.  Their son Alex is an artist for a small, innovative video game company in Eugene, Oregon. Richard’s first professional training was in psychobiology, a field dedicated to exploring the physical basis of memory. A casual pottery lesson from a friend led to an intense period of self-teaching and a career as a studio potter--later expanded to include ceramic sculpture. In 1974 he came to Helena, Montana as a resident at the Archie Bray Foundation, an internationally recognized ceramic center. An interest in working large scale with materials other than clay led him back to graduate school at the University of Montana--this time in art--where he undertook the first of several sculpture/dance collaborations with Amy Ragsdale, choreographer and art director of the Montana Transport Company. Since obtaining his MFA from the University of Montana in 1994, his work has been honored with several major grants and awards, including a Montana Art Council Individual Fellowship in Visual Art, Art Matters Foundation Individual Artist Fellowship, Helena Presents Individual Artist Grant and a New Forms: Regional Initiative Grant. His large scale works have found permanent homes in many locations in Montana--including the Engineering and Physical Sciences Building at Montana State University, Rocky Mountain College, Paris Gibson Museum of Art and the Holter Museum of Art--and in other states, including the Eiteljorg Museum in Indianapolis, Indiana and the Buffalo Bill Historical Center in Cody, Wyoming. His figurative clay vessels have homes in such prestigious institutions as the Los Angeles County Museum of Art and the Mansfield Center for Pacific Affairs in Washington, D.C., richardswanson@mt.net, http://richard.swanson.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
33. Axes
Axes
Description
Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
34. Axes
Axes
Description
Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
35. Axes
Axes
Description
Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts . You may view their website at http://www.racc.org/
36. Spring Run
Spring Run
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., Holman, a UO graduate, operated Mack Foundry in Drain, Oregon for many years. He later relocated his art gallery from Drain to Gardiner, Oregon, a coastal town located on the north bank of the Umpqua River. He teaches occasionally at Southwestern Oregon Community College. Holman was responsible for the restoration of the Knight Library north facade bronze doors, originally designed by O. B. Dawson. Spring Run was unveiled, and the Glen Starlin courtyard was dedicated on May 18, 2000, at the Museum of Natural History. (accessed on Dec 14, 2007 from http://libweb.uoregon.edu/guides/architecture/oregon/architects.html#holman), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
37. Isaac Newton Gargoyle
Isaac Newton Gargoyle
Description
This sculpture presents a relief of Sir Isaac Newton with long, flowing hair., Wayne Chabre; Sir Isaac Newton Gargoyle; Tower U. of O. Physics Bld.; copper/patina; 40 x 30 x 18 inches; 1987, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
38. Marie Curie Gargoyle
Marie Curie Gargoyle
Description
This sculpture presents a bust of Marie Curie., Wayne Chabre; Marie Curie Gargoyle; U of O Physics Bld.; 36 x 30 x 18 inches; copper/patina; 1989, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
39. Deliberation
Deliberation
Description
Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
40. Deliberation
Deliberation
Description
Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
41. Deliberation
Deliberation
Description
Relief sculpture, fashioned from bronze, depicting various human figures, a door and a chair that illustrate a synthesis of both negative and positive space, of two and three dimensions, and of light and shadow. The interplay of light and dark created by the juxtaposition of two-dimensional and three-dimensional shapes creates an illusion of discourse and discussion., 2006 YouTube interview with Montenegro: http://www.youtube.com/watch?v=1rJ_YcQeFi4, http://www.ernestmontenegro.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
42. Encounter
Encounter
Description
This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
43. Encounter
Encounter
Description
This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
44. Encounter
Encounter
Description
This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
45. Encounter
Encounter
Description
This large metal sculpture consists of two stacks of square forms stacked on top of each other. A long, thin pyramid shape connects them on a horizontal plane., http://www.brucebeasley.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
46. Lanterns
Lanterns
Description
Beyond what has been provided herein, we have no additional information regarding this artwork., kent.bloomer@yale.edu, http://www.bloomerstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
47. A House for Phineas Gage
A House for Phineas Gage
Description
This outdoor sculpture consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga. From this view, there appears to be a bench for sitting included on the interior of the piece., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
48. A House for Phineas Gage
A House for Phineas Gage
Description
This view depicts a vantage point that looks up from inside this outdoor scupture. It consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
49. A House for Phineas Gage
A House for Phineas Gage
Description
This outdoor sculpture consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga. From this view, there appears to be a bench for sitting included on the interior of the piece., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
50. A House for Phineas Gage
A House for Phineas Gage
Description
This outdoor sculpture consists of uniformly-cut, wooden boards sytematically stacked to create a shape that is both linear and curvilinear. The construction style resembles that of a game of Jenga., http://www.jamesmharrison.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
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