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1. History of Air

Description: A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

2. Opalescence

Description: An oil painting featuring a flower pot viewed from above. The flowers are white with a little bit of red in the middle. The flower pot is sitting on a beige table, with shadows from the flowers and green leaves to the left of the painting., Susan Lindsey; Opalescene; #6; oil; 23x30x3/4 inches; 7/93, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

3. Jetty II

Description: A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; jetty II; psu school of bus., http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

4. Super Lunar

Description: An oil painting of half a moon, against a light colored background. The moon is in shades of yellow and brown, with the curved end facing down., Pam Baker; Super Lunar; oil on canvas; 28x48 inches; 9-94, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

5. Jetty II

Description: A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; Jetty II; Professional Schools Building-PSU, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

6. Lowlands #5

Description: This naturalistic landscape painting depicts a view of flatlands, a grove of deciduous trees fronted by a small pond, all under a colorful cloud-filled sky., http://www.victoriaadamsart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

7. Euphro

Description: A large, variegated, light yellow square bordered on the right and on the bottom by strips of a darker yellow and brown, respectively. A thin, white line intersects each edge of the piece and suggests a trapezoidal shape fully defined only outside the picture plane. Variations between duplicate images directly relate to original source materials., Oil, wax on canvas; 6 1/2 x 6', http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

8. Chippewa River

Description: An abstract painting that is mostly blue, with a white thin tree trunk with branches in the middle. Below the blue paint is mostly black, and next to the blue paint is white and yellow paint., Jef Gunn; Chippewa River; 1993; 53 1/4x48 3/4; encaustic on wood, Jef Gunn is a painter, printmaker and sometimes sculptor, who has worked in Portland, Oregon. Gunn attends to the relationship between consciousness and the phenomenal world, expressed in simple large forms of Nature drawn from memory of experience in wilderness and urban environs, concentrated into shapes, text, pattern and signs. 'I don't know if I care much about self expression. In relation to the wilderness or the city, what is a self? Art is mind revealing mind.', info@jefgunn.com, http://www.jefgunn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

9. Madeline at Eight

Madeline at Eight

Description: An oil painting of a girl laying halfway on a rug and the wood of her bedroom floor. The view is premised from the ceiling. Around her are toys and balls on the floor. There is an unmade bed to her right, a dresser with a drawer open to her left, and a window behind her., Margaret Puckette; Madeline at Eight; oil on panel; march 1993; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

10. Cat Tails & Pussy Willows

Cat Tails & Pussy Willows

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

11. Sunflowers with Visitiors

Sunflowers with Visitiors

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

12. Nubian

Description: Several black shapes on a variegated white background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 60 x 48 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

13. Two Lips F-89

Description: This long, rectangular painting, horizontally oriented, presents a succession of rectangular color blocks, including black, blue, and red. Several color blocks also present what appear to be floral arrangements. The blue section farthest to the right contains an inset of alternating blue and green stripes., Cody Bustamante; F-89 Two Lips; 1989; oil on plywood; 15x92 3/4 inches; ohsu movable, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

14. A Day in Eugene

A Day in Eugene

Description: This abstract piece presents a conglomeration of predominantly blue, white, green, and orange forms that suggest mood and location., Robert E. Dozono; A Day in Eugene, October 23; oil,collage/canvas; 48 x 48 inches, http://www.blackfish.com/Artist-Detail.cfm?ArtistsID=10, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

15. Fear Not

Description: An oil painting of three different panels. The left manel is blue with stars made out of gold leaf. The right upper panel is a lion red lion on top of a gold leaf sun, with the words "be just and fear not" at the top and two houses at the bottom of the panel. The lower panel is completely black., Anne Connell; Fear Not; 1995; OHSU; oil & gold leaf on wood panel; 28 1/2x28 1/2 inches framed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

16. Four Games

Description: An abstract painting rendered mostly in dots of varying shades of green, blue, pink, and brown. Dominant shapes in the piece include a vertical horn form; linear, rectuangular forms intersected by decorative swatches of color; and circular shapes., Jack Portland; 1989; Four Games; oil on canvas; 27x21 inches; ohsu movable, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, For more images by this artist, please visit: http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

17. View #2

Description: Monochromatic tonal variation in the warm color range define rectangular sections in this painting. The middle rectangle contains further tonal gradation through what appears to be a stippling technique. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 54 x40 inches; 1972, http://www.artcyclopedia.com/artists/bunce_louis.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

18. Spring Poetic

Description: An impressionistic landscape rendering composed in greens, purples, and blues arranged in an organized chaos. The ground plane is separated from the clouded skyline by a solid, thick blue line across the horizon. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 44x48; 1979, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

19. Spring Poetic

Description: An impressionistic landscape rendering composed in greens, purples, and blues arranged in an organized chaos. The ground plane is separated from the clouded skyline by a solid, thick blue line across the horizon. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 44x48; 1979, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

20. Little Italy

Description: A geometric composition of rectangular blocks of color. A horizontally oriented, green rectangle covers the bottom fourth of the picture plane. A vertically oriented, black rectangle occupies the left third of the picture plane. A yellow and green line separates the black rectangle from the remaining three sections, which consist of a vertically oriented, purple rectangle as well as a purple-pink rectangle. These two sections are capped off by a horizontally oriented, blue rectangle. Variations between duplicate images directly relate to original source materials., Oil on canvas; 70x60; 1979, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=374; http://www.searspeyton.com/html/artistresults.asp?artist=364&testing=true, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

21. Aspen Grove

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts & Culture. You may view their website at http://www.racc.org/

22. Jill Feeding Natasha

Jill Feeding Natasha

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

23. History of Air

Description: A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

24. Euphro

Description: A large, variegated, light yellow square bordered on the right and on the bottom by strips of a darker yellow and brown, respectively. A thin, white line intersects each edge of the piece and suggests a trapezoidal shape fully defined only outside the picture plane. Variations between duplicate images directly relate to original source materials., Oil, wax on canvas; 6 1/2 x 6', http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

25. Nubian

Description: Several black shapes on a variegated white background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 60 x 48 inches; July 1978, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

26. Moon Boat II (#243)

Moon Boat II (#243)

Description: An impressionistic oil painting of a white boat sitting on a beach amongst twisted palm trees. A blue sky with white clouds hovers above the water in the background., Cie Goulet; Moon Boat II; 243; monotype; 22x30 inches; ohsu movable, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), For more images of this artist, please visit: http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

27. Little Italy

Description: A geometric composition of rectangular blocks of color. A horizontally oriented, green rectangle covers the bottom fourth of the picture plane. A vertically oriented, black rectangle occupies the left third of the picture plane. A yellow and green line separates the black rectangle from the remaining three sections, which consist of a vertically oriented, purple rectangle as well as a purple-pink rectangle. These two sections are capped off by a horizontally oriented, blue rectangle. Variations between duplicate images directly relate to original source materials., Oil on canvas; 70x60; 1979, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=374; http://www.searspeyton.com/html/artistresults.asp?artist=364&testing=true, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

28. Peonies & Iris 1990

Peonies & Iris 1990

Description: A still-life painting of two jars of pink and white blooms sitting on a table covered in a white cloth against a dark blue background., S. Gittelsohn; Peonies & Iris 1990; Jul 13 1990; 48x48 inches; oil on linen; ohsu movable, ShirlyGitt@aol.com, http://members.aol.com/shirlygitt/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

29. View #2

Description: Monochromatic tonal variation in the warm color range define rectangular sections in this painting. The middle rectangle contains further tonal gradation through what appears to be a stippling technique. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.artcyclopedia.com/artists/bunce_louis.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

30. Whiff of Spring

Whiff of Spring

Description: An oil painting of a blue bird sitting on a brown branch with four red berries on it's left and two leaves on it's right. Below the bird is a very large orange/brown rose. The edges of the painting has orange/brown brushstrokes along each side., Suzanne Duryea; 1989; A Whiff of Spring; oil on paper 27x22 inches; ohsu movable, "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

31. Village

Description: A photorealistic painting of an urban interface. What appears to be a tall factory building looms in the background of train yard with a length of cars sitting in it., Village; Christopher B. Mooney, mooneycb@hevanet.com, http://www.christopherbmooney.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

32. Rialto

Description: A photorealistic painting of a view across a river of an urban skyline and a fortified bridge with two watchtowers., Rialto; Christopher B. Mooney; 1993, mooneycb@hevanet.com, http://www.christopherbmooney.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/