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1. Departure
- Description
- Pottery: red-figured lekythos. Woman pouring wine for a warrior. On the right stands a bearded warrior en face, with left foot turned to right, with short tied chiton, mantle over shoulders, helmet with raised cheek-pieces, greaves, spear held upright in right, and shield (device, an ithyphallic satyr standing to left with right leg advanced, body thrown back, right hand on hip, blowing a long trumpet; in black silhouette, resting on a thin black ground-line). From the shield hangs an apron attached to the rim by three black studs, with a border of zigzags between them; the lower edge is fringed with tabs in form of spear-heads; above this is an embattled line, and then a large human left eye and eyebrow, with eyelashes above and below, indicated in thinned black. The warrior looks to left at a woman in long Ionic chiton and mantle, hair looped up with fillet, who offers him with her right a phiale filled from an oinochoe in her left hand. Late stage of large style. Brown inner markings and edge of hair. Below and above, maeander. On shoulder, central inverted palmette with two side palmettes and two flowers (partly broken away); round neck, egg pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured covered kantharos, with closed-in top, at one side of which is an aperture 3.2 cm long by 1.9 cm, communicating with the centre of the bottom by means of a shaft walled off from the interior. The lid is painted black and decorated with concentric mouldings: in its centre is a moulded Gorgon mask (3.2 cm diameter) painted white with black hair and red tongue. (a) Odysseus and Nausicaa. On the left Odysseus, nude, with rough hair and beard, stands as if in astonishment, holding a long beaded fillet (the credemnon) in both hands: he gazes at Nausicaa, who sinks away on the right, looking back at him; she wears a Doric chiton with apoptygma, and her hair is knotted behind with a fillet wound thrice round it. Beside Odysseus is inscribed his name, ΟΔΥΣΕΥΣ, Όδυσεύς. Beside Nausicaa, KAΛΕ, καλή. (b) Oedipus and the Sphinx. On a high rock on the left, drawn in purple outline, the Sphinx is seated to right, her long hair knotted behind with a fillet, which has a vertical piece over the forehead: her fore and hind legs join on to her body like the arms and legs of a woman. In front of her stands Oedipus, beardless, en face, but looking towards her, his left hand on his hip, his right holding two spears: he wears a chlamys, fillet, a petasos hanging at his back, and high endromides. Purple inscriptions, fillet, belt, and rock. Brown markings. Eye in profile. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929
- Description
- Pottery: red-figured stamnos. (a) Departure of a warrior. In the centre a bearded warrior stands en face, with helmet, short chiton, ornamented cuirass, and greaves, sword at waist, shield on arm, and holding a spear upright in left hand; his cuirass is decorated with a star on each shoulder-piece, and a band of key pattern; the strings are fastened upon a stud in the centre of this band, which is formed like an eight-spoked wheel, with dots between the spokes. He looks to left, grasping the hand of a bearded man, in long chiton and mantle, who holds upright in his left hand a staff. On the right, a woman, with bordered Doric chiton with apoptygma undertied, and hair looped up with fillet, stands with a phiale in her left, and an oinochoe hanging at her side in her right hand. Behind the warrior a hound stands in the background to left: around its neck is a collar with bead (?) attached. (b) Similar scene. In the centre, a beardless warrior as in (a), but with his body mostly hidden by his shield (device, a Pegasos springing to left), with helmet tilted back and with a mantle over his arms, stands en face, holding out to left a phiale to be filled from the oinochoe of a woman with Doric chiton schistos, and hair looped up with radiated fillet. On the right stands a bearded man, as in a. Large style. Purple fillets, brown inner markings and edge of hair. Eye in profile. Below, pairs of maeanders separated by dotted cross squares. Above, tongue pattern; round lip, egg pattern. Below and above handles, a pattern of four palmettes. The helmet in both cases overlaps the border. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured hydria. Thersites insulting Agamemnon. On the right stands Thersites, an old, bald-headed man with hooked nose and grotesque features, and peculiarly shaped head; he leans on a staff and wears a long chiton and an himation, which is passed over the back of his head. He looks at Agamemnon, who moves away with bearded face to front, carrying his spear sloped over his right shoulder, and shield (device, a lion to left) seen edgewise on his left arm; he wears a broad fillet, short chiton, cuirass, and a mantle hangs over his arms. On the left a bearded figure in a chlamys and a hemispherical helmet (Nestor?), with a spear over his right shoulder, moves away, looking back; the action of his left hand is not certain; he may possibly be touching the arm of Agamemnon. The cuirass of Agamemnon seems to be made in narrow vertical slips overlapping each other, and is decorated with a star on the shoulder-piece. Late stage of good period; drawing careless. Eye in profile. Below, a strip of maeander; above, of alternate palmette and lotus; round lip and handles, egg pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
5. Leave-taking
- Description
- Design red on a black background. 1. Farewell scene: a youthful male figure, attired for the chase, stands before a female figure, who holds out to him in her hand a phiale; she has her hair bound with a opisthosphendone, and wears a talaric chiton with sleeves and a peplos; the youthful male figure wears a petasus hanging at his back, and a chlamys fastened by a perone on the breast; in his right hand he holds two spears; behind him stands a youthful male figure leaning on his staff and advancing his right hand as if conversing; he wears a diadem and a mantle; both males are young and beardless., A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851
- Description
- Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with white accessories; Etruscan style. Below the designs, palmettos. (a) Suicide of Ajax (Aivas): Ajax, nude and bearded, wearing a wreath, is fallen on his knees to left over his sword, which comes out through his body by his left shoulder; blood is visible round the wound and the handle of the sword. On the left is his shield; above, a garment with border of dots suspended on two pegs. On the right are a large sheath suspended by a white band, a tree-stump, and a garment suspended on two pegs. The scene takes place in Ajax's tent; the ground is indicated below. Above Ajax is painted a retrograde inscription in white. (b) Actaeon devoured by his hounds: Actaeon is nude and bearded, with wreath and white endromides; he moves away to right, turning back and endeavouring to drive back the hounds with a crook held in right hand; two attack him on either side, and one seizes his right thigh in his teeth. Below him is inscribed as before, in Etruscan characters: NVIATA, ‘Α(κ)ταίων. --The British Museum
- Description
- Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with white accessories; Etruscan style. Below the designs, palmettos. (a) Suicide of Ajax (Aivas): Ajax, nude and bearded, wearing a wreath, is fallen on his knees to left over his sword, which comes out through his body by his left shoulder; blood is visible round the wound and the handle of the sword. On the left is his shield; above, a garment with border of dots suspended on two pegs. On the right are a large sheath suspended by a white band, a tree-stump, and a garment suspended on two pegs. The scene takes place in Ajax's tent; the ground is indicated below. Above Ajax is painted a retrograde inscription in white. (b) Actaeon devoured by his hounds: Actaeon is nude and bearded, with wreath and white endromides; he moves away to right, turning back and endeavouring to drive back the hounds with a crook held in right hand; two attack him on either side, and one seizes his right thigh in his teeth. Below him is inscribed as before, in Etruscan characters: NVIATA, ‘Α(κ)ταίων. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
8. Hermes
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Anacreon type. A bearded reveller walking to right, wreathed in ivy and playing on the chelys: his head hangs forward to left, with eyes upturned as if partly drunk. The nose is curiously squat and broad, like that of a bearded satyr. His mantle flies back with the motion; and he has a staff under his left shoulder. (b) Ephebos, wreathed, walking to right, holding in his right hand horizontally a crutch staff, and extending his left on a level with his shoulder, holding on the palm upright a kylix: a mantle, rolled up, flies back from both arms. Extremities carefully drawn. Purple wreaths, tuning pegs, and cord of plectrum. Elaborate brown inner markings: the beard and the edge of the hair in a are indicated throughout in carefully traced-brown lines, which are also used for the knuckles of the bent hand and nostril in b and the hair on the cheek. Eye in archaic type, with inner angle open. Edge of hair dotted: and a dotted rosette for the left breast. Below a, a strip, alternate maeander and dotted cross squares: below b, a strip of key pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
9. Warrior
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Departure of warrior. Young warrior with long hair, short chiton with studded sleeves, mantle at back over arms, decorated with crosses, crestless helmet tilted back, cuirass, greaves, sword with twisted snake round scabbard hanging from a cross-belt, stands en face, looking to right, with shield on left arm, left hand holding spear upright, right holding out phiale to left towards (b) A woman in undertied chiton with apoptygma, with long hair fastened at ends in a club, radiated stephane, earrings, moves to right with oinochoe (silhouette against body), and raising the left edge of her dress from her shoulder, towards an altar in form of Ionic capital with volutes and necking of acanthus, on which is placed a high thymiaterion with wire cap, forming an acorn-shaped head (καλύπτρα), probably perforated. Brown inner markings, upper folds of chiton, edge of hair, and hair on cheek: also toe-nails of the foot en face. Eye archaic. Below, a strip of pattern, alternate dotted cross and maeander. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
10. Departure
- Description
- Pottery: red-figured lekythos. Woman pouring wine for a warrior. On the right stands a bearded warrior en face, with left foot turned to right, with short tied chiton, mantle over shoulders, helmet with raised cheek-pieces, greaves, spear held upright in right, and shield (device, an ithyphallic satyr standing to left with right leg advanced, body thrown back, right hand on hip, blowing a long trumpet; in black silhouette, resting on a thin black ground-line). From the shield hangs an apron attached to the rim by three black studs, with a border of zigzags between them; the lower edge is fringed with tabs in form of spear-heads; above this is an embattled line, and then a large human left eye and eyebrow, with eyelashes above and below, indicated in thinned black. The warrior looks to left at a woman in long Ionic chiton and mantle, hair looped up with fillet, who offers him with her right a phiale filled from an oinochoe in her left hand. Late stage of large style. Brown inner markings and edge of hair. Below and above, maeander. On shoulder, central inverted palmette with two side palmettes and two flowers (partly broken away); round neck, egg pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
11. Athena
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Hermes, bearded, wreathed, with hair in long single tresses, short sleeved chiton, chlamys, petasos at back, endromides of skin (surface covered with minute dots) with crescent-form flaps, moves to right looking back, extending to right his left hand, holding caduceus, with index finger extended, apparently beckoning. (b) Athene in long sleeved chiton, mantle fastened on left shoulder and hanging in pteryges, aegis with fringe of spiral snakes on lower edge, and dotted surface, bracelets, her hair hanging loose with a fillet wound twice round it, holding spear across her body in left, and extending a high crested helmet held by cheek-piece in right, moves to left, looking back; her left foot in foreshortening, her body en face. The aegis is short in front, but at the back hangs down below the waist. Late stage of large severe style. Purple wreath, cord of petasos, and bracelets. Brown inner details, upper folds of chiton, necklace, and hair over forehead. Eye in transition type (inner angle open). Below each side, a strip of pattern, pairs of maeanders set alternate ways, separated by dotted cross squares. At lower insertion of handles, egg pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
12. Warrior
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Departure of warrior. Young warrior with long hair, short chiton with studded sleeves, mantle at back over arms, decorated with crosses, crestless helmet tilted back, cuirass, greaves, sword with twisted snake round scabbard hanging from a cross-belt, stands en face, looking to right, with shield on left arm, left hand holding spear upright, right holding out phiale to left towards (b) A woman in undertied chiton with apoptygma, with long hair fastened at ends in a club, radiated stephane, earrings, moves to right with oinochoe (silhouette against body), and raising the left edge of her dress from her shoulder, towards an altar in form of Ionic capital with volutes and necking of acanthus, on which is placed a high thymiaterion with wire cap, forming an acorn-shaped head (καλύπτρα), probably perforated. Brown inner markings, upper folds of chiton, edge of hair, and hair on cheek: also toe-nails of the foot en face. Eye archaic. Below, a strip of pattern, alternate dotted cross and maeander. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured pelike. (a) Thetis and a Nereid bringing arms, made by Hephaistos, to Achilles who mourns Patroclus. In the centre Achilles is seated in a chair to left in a dejected attitude, closely wrapped in his mantle, which is passed over the back of his head; he holds on his left arm a knotted staff, and wears a fillet with a vertical piece over the forehead, and sandals; on the chair is a fringed and embroidered cloth; beside his head, KAΛΟΣ, καλός. Thetis, approaching from left, has thrown her arms around his neck; she wears an Ionic chiton with dotted sleeves and embroidered diploidion, bracelets, and earrings, and her hair is looped up with a radiated stephane. Behind her a Nereid stands (similar dress, large brooch fastening diploidion on right shoulder, saccos with crosses, dotted fillet, bracelets), holding a spear and a high crested helmet. On left is Athene, who from the gesture of her right appears to be speaking. She carries a spear on her left arm and wears an Ionic chiton, tied, and a himation over her shoulders, aegis with scaly surface reaching to below waist, bracelets, and a helmet with raised cheek-pieces. The cheek-pieces of this helmet are decorated with a snake moving upwards; those of the other helmet have scale pattern; and in both the crest is supported by the arched back of a snake, whose head and tail project in front and at back. On right of Achilles a woman stands to front, holding the shield which Thetis has brought (device, in silhouette, a woman to front in chiton with apoptygma, looking to left, and holding at full extent of both arms a festooned taenia); she covers her face with her right at the sight of the goddesses. She wears sleeved chiton, himation, bracelets and earrings, and an opisthosphendone. On right stands a bearded old man looking on, leaning on his staff, draped in a mantle. The earrings have triple pendants. (b) Nereids with arms, and a Greek. The Greek, wreathed, stands to left with right resting on spear, closely draped in a mantle, which passes over the back of his head. Facing him are two Nereids, one holding a cuirass (side view), the other, holding a sword in her right (the scabbard decorated with zigzags), raises with her left the edge of her chiton; the alternate flaps of the cuirass and the chape of the scabbard are black. On right a third Nereid stands to left, holding up in her right a helmet of different form; in her left a sword, hanging by its belt, drawn entirely in silhouette, and against her left arm a spear; all three wear sleeved chiton and himation; the one on left wears a radiated fillet, the next one a dotted saccos and bracelets, and the one on right a radiated fillet and bracelets. On right ΚΑΛΟΣ, καλός. Beneath the handle on left of a, an altar in form of an Ionic capital, with volutes and necking. Beneath the other handle, a square base, on which is a helmet to left, the crest ornamented with a snake in light brown. Purple fillets, inscriptions, and wreaths in b. Brown upper folds of chiton of Thetis and of two Nereids. The hair and beard of the old man and his fillet are indicated in brown outline; the hair of Achilles, in single wavy brown lines. Eye in transition type. Below, a continuous band of key pattern; above each side, a strip of linked lotus buds. On the lower part of each handle, an inverted palmette. Around the neck, and below the design, a thin line of purple. The spears overlap the border. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
14. Suicide of Ajax
- Description
- Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with white accessories; Etruscan style. Below the designs, palmettos. (a) Suicide of Ajax (Aivas): Ajax, nude and bearded, wearing a wreath, is fallen on his knees to left over his sword, which comes out through his body by his left shoulder; blood is visible round the wound and the handle of the sword. On the left is his shield; above, a garment with border of dots suspended on two pegs. On the right are a large sheath suspended by a white band, a tree-stump, and a garment suspended on two pegs. The scene takes place in Ajax's tent; the ground is indicated below. Above Ajax is painted a retrograde inscription in white. (b) Actaeon devoured by his hounds: Actaeon is nude and bearded, with wreath and white endromides; he moves away to right, turning back and endeavouring to drive back the hounds with a crook held in right hand; two attack him on either side, and one seizes his right thigh in his teeth. Below him is inscribed as before, in Etruscan characters: NVIATA, ‘Α(κ)ταίων. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured stamnos. (a) Judgment of Paris. Beneath the left handle of the vase a rough irregular mass of the same height as the figures is left red, and marked with brown brush-marks, indicating Mount Ida. At the foot of it a ram stands to right. Towards this, Paris, a wreathed youth in bordered himation, with chelys in left hand and right hand pressed to side, moves rapidly; he turns to look at Hermes, who strides forward and seizes him by the right shoulder, touching his back with the caduceus, of which the spiked butt-end only is seen; Hermes is bearded and wreathed, and has long hair looped up behind, with one hanging lock (parotis), a short chiton, bordered chlamys, petasos hanging at his back, and talaria laced and winged; on the heel of each is a dotted circle. Behind him come the goddesses; first, Hera, wearing sleeved chiton, a mantle fastened on her left shoulder, on her head a calathos decorated with four horizontal patterns: she carries her sceptre (the ends not shown) on her left arm, and raises her open right with a gesture of encouragement to Paris. Next, Athene, in long chiton with apoptygma, mantle, aegis dotted, with fringe of snakes, and dotted taenia tied in a bow at the back of her head; her long hair hangs loose like that of Hera, but the ends are passed through a knotted cloth (?); she carries her spear horizontally in her left; her right hand, passing across her body, is missing; she turns to look at Aphrodite, whose body is cut in two by the space left under the handle; she wears a long sleeved chiton, a mantle, and a radiated stephane, and holds up in her right a flower towards her face. Her long hair hangs loose down her back. (b) Poseidon, Nike and Dionysos. Poseidon on the left, with a long sleeved chiton and mantle, long beard and hair falling to his shoulders, holding dolphin in left and a long trident resting against his left shoulder, holds out in his right a phiale to be filled by Nike, who moves towards him, holding up an oinochoe in her right; in her left hand is a circular disk, shaded in thinned brown (probably a phiale). Her wings are spread on each side, and she has a long Ionic chiton with apoptygma, undertied, a necklace with cruciform pendant, and a fillet looping up her hair behind. On the right Dionysos, bearded, wreathed with ivy, with long wavy hair, long sleeved chiton and mantle, moves away to right, looking back; on his left arm he holds a thyrsos, in his left hand a cantharos (part destroyed) which he carries by one handle in a horizontal position. Dionysos and Poseidon have the lips parted, as if they were speaking. The design curves up over the shoulder. Later stage of large style. Purple wreaths, fillet of Nike, and flower of Aphrodite. Brown inner markings, and shading of Mount Ida: the sheep is sketched in the roughest manner in thinned black. The hair of Hera and Athene is drawn in long wavy lines of thinned black. Eye in transition type (three varieties of form). Below, pairs of maeander set alternate ways, separated by dotted cross squares and red cross squares, with inner cross of dots; on shoulder, tongue; around lip, egg pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
16. Symposium
- Description
- Pottery: red-figured column-krater. (a) Symposion. Two bearded men recline to left on two couches, leaning left arm on striped cushions; the one on the right has a broad radiated band (ampyx?) tied in a bow behind the ear, with end hanging down; he raises on his right a phiale, addressing his companion, who turns towards him, holding up in his right by the stem a large kylix; this one is wreathed, and has his left arm wrapped in his mantle; both have the legs draped. In the foreground between the two a flute-player stands, to right, playing on flutes; she wears a long chiton with apoptygma, and her hair is looped up with a radiated fillet. In the background hang a taenia (on left) and a ring-shaped object (wreath ?). In front of each couch is a table, on which is a dish with flowers. (b) Three draped ephebi. The one on left moves away to left, looking back at the other two; his right arm projects over the border of the design. The central one holds a staff. In the field hangs a pair of halteres (jumping-weights). Style late and careless. Yellowish-white is used for wreath and fillet of flute-player and flowers. Round the lip, in black silhouette on red, two pairs of animals, a lion and boar, stepping towards each other. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured stamnos. (a) Departure of a warrior. In the centre a bearded warrior stands en face, with helmet, short chiton, ornamented cuirass, and greaves, sword at waist, shield on arm, and holding a spear upright in left hand; his cuirass is decorated with a star on each shoulder-piece, and a band of key pattern; the strings are fastened upon a stud in the centre of this band, which is formed like an eight-spoked wheel, with dots between the spokes. He looks to left, grasping the hand of a bearded man, in long chiton and mantle, who holds upright in his left hand a staff. On the right, a woman, with bordered Doric chiton with apoptygma undertied, and hair looped up with fillet, stands with a phiale in her left, and an oinochoe hanging at her side in her right hand. Behind the warrior a hound stands in the background to left: around its neck is a collar with bead (?) attached. (b) Similar scene. In the centre, a beardless warrior as in (a), but with his body mostly hidden by his shield (device, a Pegasos springing to left), with helmet tilted back and with a mantle over his arms, stands en face, holding out to left a phiale to be filled from the oinochoe of a woman with Doric chiton schistos, and hair looped up with radiated fillet. On the right stands a bearded man, as in a. Large style. Purple fillets, brown inner markings and edge of hair. Eye in profile. Below, pairs of maeanders separated by dotted cross squares. Above, tongue pattern; round lip, egg pattern. Below and above handles, a pattern of four palmettes. The helmet in both cases overlaps the border. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured hydria: Centauromachy, with Kaineus. In the centre is Kaineus, armed with cuirass and shield, his body visible as far as the hips and holding out his sword. A Centaur, carrying a branch, seizes him by the left hand round the neck. On the right another Centaur gallops up, about to throw a rock on Kaineus. Behind him advances a warrior in a Persian cap and tunic of skin, carrying a shield with device of a rectangular object. On the left, a Greek warrior, carrying a shield with device of a cock (?) and apron on which an eye is painted, strides forward against an unseen opponent, brandishing a spear (?). --The British Museum
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Departure of warrior. Young warrior with long hair, short chiton with studded sleeves, mantle at back over arms, decorated with crosses, crestless helmet tilted back, cuirass, greaves, sword with twisted snake round scabbard hanging from a cross-belt, stands en face, looking to right, with shield on left arm, left hand holding spear upright, right holding out phiale to left towards (b) A woman in undertied chiton with apoptygma, with long hair fastened at ends in a club, radiated stephane, earrings, moves to right with oinochoe (silhouette against body), and raising the left edge of her dress from her shoulder, towards an altar in form of Ionic capital with volutes and necking of acanthus, on which is placed a high thymiaterion with wire cap, forming an acorn-shaped head (καλύπτρα), probably perforated. Brown inner markings, upper folds of chiton, edge of hair, and hair on cheek: also toe-nails of the foot en face. Eye archaic. Below, a strip of pattern, alternate dotted cross and maeander. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured stamnos. (a) Judgment of Paris. Beneath the left handle of the vase a rough irregular mass of the same height as the figures is left red, and marked with brown brush-marks, indicating Mount Ida. At the foot of it a ram stands to right. Towards this, Paris, a wreathed youth in bordered himation, with chelys in left hand and right hand pressed to side, moves rapidly; he turns to look at Hermes, who strides forward and seizes him by the right shoulder, touching his back with the caduceus, of which the spiked butt-end only is seen; Hermes is bearded and wreathed, and has long hair looped up behind, with one hanging lock (parotis), a short chiton, bordered chlamys, petasos hanging at his back, and talaria laced and winged; on the heel of each is a dotted circle. Behind him come the goddesses; first, Hera, wearing sleeved chiton, a mantle fastened on her left shoulder, on her head a calathos decorated with four horizontal patterns: she carries her sceptre (the ends not shown) on her left arm, and raises her open right with a gesture of encouragement to Paris. Next, Athene, in long chiton with apoptygma, mantle, aegis dotted, with fringe of snakes, and dotted taenia tied in a bow at the back of her head; her long hair hangs loose like that of Hera, but the ends are passed through a knotted cloth (?); she carries her spear horizontally in her left; her right hand, passing across her body, is missing; she turns to look at Aphrodite, whose body is cut in two by the space left under the handle; she wears a long sleeved chiton, a mantle, and a radiated stephane, and holds up in her right a flower towards her face. Her long hair hangs loose down her back. (b) Poseidon, Nike and Dionysos. Poseidon on the left, with a long sleeved chiton and mantle, long beard and hair falling to his shoulders, holding dolphin in left and a long trident resting against his left shoulder, holds out in his right a phiale to be filled by Nike, who moves towards him, holding up an oinochoe in her right; in her left hand is a circular disk, shaded in thinned brown (probably a phiale). Her wings are spread on each side, and she has a long Ionic chiton with apoptygma, undertied, a necklace with cruciform pendant, and a fillet looping up her hair behind. On the right Dionysos, bearded, wreathed with ivy, with long wavy hair, long sleeved chiton and mantle, moves away to right, looking back; on his left arm he holds a thyrsos, in his left hand a cantharos (part destroyed) which he carries by one handle in a horizontal position. Dionysos and Poseidon have the lips parted, as if they were speaking. The design curves up over the shoulder. Later stage of large style. Purple wreaths, fillet of Nike, and flower of Aphrodite. Brown inner markings, and shading of Mount Ida: the sheep is sketched in the roughest manner in thinned black. The hair of Hera and Athene is drawn in long wavy lines of thinned black. Eye in transition type (three varieties of form). Below, pairs of maeander set alternate ways, separated by dotted cross squares and red cross squares, with inner cross of dots; on shoulder, tongue; around lip, egg pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
21. Nike
- Description
- Pottery: red-figured amphora, type B. (a) Nike pouring a libation. On the right a thymiaterion with cover rests on the ground; towards it Nike, in a long sleeved chiton and bordered himation fastened on her right shoulder, flies down, turning her head towards a phiale extended in her right, so that her body is en face, with a wing extended on either side. In her left is a trefoil oinochoe with high handle. She wears bracelets and a radiated stephane: around her neck is a thin cord, to which is attached a cruciform (?) pendant; her long hair is fastened at the ends in a roll. The cover of the thymiaterion is indicated in crossed brown lines as if it were of wire network; over and around this are purple dots indicating smoke of the incense (?). (b) A wreathed, draped youth standing to left, holding up his right hand. His whiskers are rendered in faint brown. On the bottom of the foot, incised characters. End of strong style. Purple bracelets, smoke(?), and wreath. Brown inner markings of wings, edge of drapery, whiskers, and anatomy. The hair of Nike has a fringe of four rows of dots in thinned black; the treatment of her wings is peculiar: the upper part of her left wing is covered with cross-hatched brown lines: that of her right wing has the usual V-shaped marks indicating feathers. The eye is of the archaic type, with inner angle slightly opened and large pupil. Below each side, a strip, alternate maeanders and dotted cross squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Departure of warrior. Young warrior with long hair, short chiton with studded sleeves, mantle at back over arms, decorated with crosses, crestless helmet tilted back, cuirass, greaves, sword with twisted snake round scabbard hanging from a cross-belt, stands en face, looking to right, with shield on left arm, left hand holding spear upright, right holding out phiale to left towards (b) A woman in undertied chiton with apoptygma, with long hair fastened at ends in a club, radiated stephane, earrings, moves to right with oinochoe (silhouette against body), and raising the left edge of her dress from her shoulder, towards an altar in form of Ionic capital with volutes and necking of acanthus, on which is placed a high thymiaterion with wire cap, forming an acorn-shaped head (καλύπτρα), probably perforated. Brown inner markings, upper folds of chiton, edge of hair, and hair on cheek: also toe-nails of the foot en face. Eye archaic. Below, a strip of pattern, alternate dotted cross and maeander. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured pelike. (a) Thetis and a Nereid bringing arms, made by Hephaistos, to Achilles who mourns Patroclus. In the centre Achilles is seated in a chair to left in a dejected attitude, closely wrapped in his mantle, which is passed over the back of his head; he holds on his left arm a knotted staff, and wears a fillet with a vertical piece over the forehead, and sandals; on the chair is a fringed and embroidered cloth; beside his head, KAΛΟΣ, καλός. Thetis, approaching from left, has thrown her arms around his neck; she wears an Ionic chiton with dotted sleeves and embroidered diploidion, bracelets, and earrings, and her hair is looped up with a radiated stephane. Behind her a Nereid stands (similar dress, large brooch fastening diploidion on right shoulder, saccos with crosses, dotted fillet, bracelets), holding a spear and a high crested helmet. On left is Athene, who from the gesture of her right appears to be speaking. She carries a spear on her left arm and wears an Ionic chiton, tied, and a himation over her shoulders, aegis with scaly surface reaching to below waist, bracelets, and a helmet with raised cheek-pieces. The cheek-pieces of this helmet are decorated with a snake moving upwards; those of the other helmet have scale pattern; and in both the crest is supported by the arched back of a snake, whose head and tail project in front and at back. On right of Achilles a woman stands to front, holding the shield which Thetis has brought (device, in silhouette, a woman to front in chiton with apoptygma, looking to left, and holding at full extent of both arms a festooned taenia); she covers her face with her right at the sight of the goddesses. She wears sleeved chiton, himation, bracelets and earrings, and an opisthosphendone. On right stands a bearded old man looking on, leaning on his staff, draped in a mantle. The earrings have triple pendants. (b) Nereids with arms, and a Greek. The Greek, wreathed, stands to left with right resting on spear, closely draped in a mantle, which passes over the back of his head. Facing him are two Nereids, one holding a cuirass (side view), the other, holding a sword in her right (the scabbard decorated with zigzags), raises with her left the edge of her chiton; the alternate flaps of the cuirass and the chape of the scabbard are black. On right a third Nereid stands to left, holding up in her right a helmet of different form; in her left a sword, hanging by its belt, drawn entirely in silhouette, and against her left arm a spear; all three wear sleeved chiton and himation; the one on left wears a radiated fillet, the next one a dotted saccos and bracelets, and the one on right a radiated fillet and bracelets. On right ΚΑΛΟΣ, καλός. Beneath the handle on left of a, an altar in form of an Ionic capital, with volutes and necking. Beneath the other handle, a square base, on which is a helmet to left, the crest ornamented with a snake in light brown. Purple fillets, inscriptions, and wreaths in b. Brown upper folds of chiton of Thetis and of two Nereids. The hair and beard of the old man and his fillet are indicated in brown outline; the hair of Achilles, in single wavy brown lines. Eye in transition type. Below, a continuous band of key pattern; above each side, a strip of linked lotus buds. On the lower part of each handle, an inverted palmette. Around the neck, and below the design, a thin line of purple. The spears overlap the border. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured stamnos. (a) Judgment of Paris. Beneath the left handle of the vase a rough irregular mass of the same height as the figures is left red, and marked with brown brush-marks, indicating Mount Ida. At the foot of it a ram stands to right. Towards this, Paris, a wreathed youth in bordered himation, with chelys in left hand and right hand pressed to side, moves rapidly; he turns to look at Hermes, who strides forward and seizes him by the right shoulder, touching his back with the caduceus, of which the spiked butt-end only is seen; Hermes is bearded and wreathed, and has long hair looped up behind, with one hanging lock (parotis), a short chiton, bordered chlamys, petasos hanging at his back, and talaria laced and winged; on the heel of each is a dotted circle. Behind him come the goddesses; first, Hera, wearing sleeved chiton, a mantle fastened on her left shoulder, on her head a calathos decorated with four horizontal patterns: she carries her sceptre (the ends not shown) on her left arm, and raises her open right with a gesture of encouragement to Paris. Next, Athene, in long chiton with apoptygma, mantle, aegis dotted, with fringe of snakes, and dotted taenia tied in a bow at the back of her head; her long hair hangs loose like that of Hera, but the ends are passed through a knotted cloth (?); she carries her spear horizontally in her left; her right hand, passing across her body, is missing; she turns to look at Aphrodite, whose body is cut in two by the space left under the handle; she wears a long sleeved chiton, a mantle, and a radiated stephane, and holds up in her right a flower towards her face. Her long hair hangs loose down her back. (b) Poseidon, Nike and Dionysos. Poseidon on the left, with a long sleeved chiton and mantle, long beard and hair falling to his shoulders, holding dolphin in left and a long trident resting against his left shoulder, holds out in his right a phiale to be filled by Nike, who moves towards him, holding up an oinochoe in her right; in her left hand is a circular disk, shaded in thinned brown (probably a phiale). Her wings are spread on each side, and she has a long Ionic chiton with apoptygma, undertied, a necklace with cruciform pendant, and a fillet looping up her hair behind. On the right Dionysos, bearded, wreathed with ivy, with long wavy hair, long sleeved chiton and mantle, moves away to right, looking back; on his left arm he holds a thyrsos, in his left hand a cantharos (part destroyed) which he carries by one handle in a horizontal position. Dionysos and Poseidon have the lips parted, as if they were speaking. The design curves up over the shoulder. Later stage of large style. Purple wreaths, fillet of Nike, and flower of Aphrodite. Brown inner markings, and shading of Mount Ida: the sheep is sketched in the roughest manner in thinned black. The hair of Hera and Athene is drawn in long wavy lines of thinned black. Eye in transition type (three varieties of form). Below, pairs of maeander set alternate ways, separated by dotted cross squares and red cross squares, with inner cross of dots; on shoulder, tongue; around lip, egg pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured stamnos. (a) Judgment of Paris. Beneath the left handle of the vase a rough irregular mass of the same height as the figures is left red, and marked with brown brush-marks, indicating Mount Ida. At the foot of it a ram stands to right. Towards this, Paris, a wreathed youth in bordered himation, with chelys in left hand and right hand pressed to side, moves rapidly; he turns to look at Hermes, who strides forward and seizes him by the right shoulder, touching his back with the caduceus, of which the spiked butt-end only is seen; Hermes is bearded and wreathed, and has long hair looped up behind, with one hanging lock (parotis), a short chiton, bordered chlamys, petasos hanging at his back, and talaria laced and winged; on the heel of each is a dotted circle. Behind him come the goddesses; first, Hera, wearing sleeved chiton, a mantle fastened on her left shoulder, on her head a calathos decorated with four horizontal patterns: she carries her sceptre (the ends not shown) on her left arm, and raises her open right with a gesture of encouragement to Paris. Next, Athene, in long chiton with apoptygma, mantle, aegis dotted, with fringe of snakes, and dotted taenia tied in a bow at the back of her head; her long hair hangs loose like that of Hera, but the ends are passed through a knotted cloth (?); she carries her spear horizontally in her left; her right hand, passing across her body, is missing; she turns to look at Aphrodite, whose body is cut in two by the space left under the handle; she wears a long sleeved chiton, a mantle, and a radiated stephane, and holds up in her right a flower towards her face. Her long hair hangs loose down her back. (b) Poseidon, Nike and Dionysos. Poseidon on the left, with a long sleeved chiton and mantle, long beard and hair falling to his shoulders, holding dolphin in left and a long trident resting against his left shoulder, holds out in his right a phiale to be filled by Nike, who moves towards him, holding up an oinochoe in her right; in her left hand is a circular disk, shaded in thinned brown (probably a phiale). Her wings are spread on each side, and she has a long Ionic chiton with apoptygma, undertied, a necklace with cruciform pendant, and a fillet looping up her hair behind. On the right Dionysos, bearded, wreathed with ivy, with long wavy hair, long sleeved chiton and mantle, moves away to right, looking back; on his left arm he holds a thyrsos, in his left hand a cantharos (part destroyed) which he carries by one handle in a horizontal position. Dionysos and Poseidon have the lips parted, as if they were speaking. The design curves up over the shoulder. Later stage of large style. Purple wreaths, fillet of Nike, and flower of Aphrodite. Brown inner markings, and shading of Mount Ida: the sheep is sketched in the roughest manner in thinned black. The hair of Hera and Athene is drawn in long wavy lines of thinned black. Eye in transition type (three varieties of form). Below, pairs of maeander set alternate ways, separated by dotted cross squares and red cross squares, with inner cross of dots; on shoulder, tongue; around lip, egg pattern. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
![[No Caption] Steven Lowenstam Collection](/thumbnails/n/8/oregondigital-df692678n.jpg "[No Caption] Steven Lowenstam Collection")
- Description
- Pottery: Lucanian red-figured bell-krater. Designs red on black ground. Above the designs, laurel-wreath; below each, maeander and crosses. (a) In the centre is a youth seated on a rock to left, nude, with spear in left hand and right hand on his knee; on the left a female figure advances towards him, with close cap, long chiton and himation. On the right a female figure, attired as the other one, moves away, looking back. (b) Three ephebi conversing, wrapped in himatia, the centre one to left with right hand extended. --The British Museum
![[No Caption] Steven Lowenstam Collection](/thumbnails/3/5/oregondigital-df6926453.jpg "[No Caption] Steven Lowenstam Collection")
- Description
- Pottery: red-figured bell-krater (wine-bowl). Designs red on black ground. Above the designs, laurel-wreath; below each, a band of maeander and crosses. (a) Departure of a warrior: In the centre is a youthful male figure to right, with chlamys over shoulders, spear in right hand, and shield (on which is the device of a star) resting against his hip; in left hand he holds out a pilos to a similar figure with spear in right hand and chlamys over left arm. On the left is a bearded male figure to right, with fillet, himation over left shoulder, and staff in right hand. (b) Three ephebi in himatia, the centre one to left; each of the others has a staff. --The British Museum, Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
![[No Caption] Steven Lowenstam Collection](/thumbnails/6/0/oregondigital-df6926606.jpg "[No Caption] Steven Lowenstam Collection")
- Description
- Pottery: red-figured hydria (water jar). Design red on black ground. Round the lip, egg-moulding; on the neck, laurel-wreath; below the design, maeander. Toilet scene: In the centre is a female figure seated on a rock to left, with hair in a knot, ampyx, necklace, long girt chiton with stripe down the front, and staff in right hand; before her is a female figure with long girt chiton and diploidion with stripe down the side, holding over her head an opisthosphendone. On the right is a youth advancing with chlamys over his arms, in right hand a mirror. --The British Museum, Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured kylix. INTERIOR: seated old man and man. On the left an old man with beard and receding hair is seated on a simple stool with a striped cushion. He is dressed in long chiton and himation and has a red wreath in his hair. He holds a plain stick in his left hand and gestures towards the bearded man facing him with his right hand. This man wears a himation and shoes and has a red wreath in his hair. He leans to the left on a knotty stick and is seen in three-quarter back view. His left arm, covered in drapery, is bent back to hold the top of his stick which supports him under his left armpit. He gestures with his right hand towards the seated man. Border: dotted cross square alternating with five units of running maeander (five-stroke, clockwise); irregularities at 7 o'clock (three and a half maeander units) and at 8 and 9 o'clock (only four units). EXTERIOR: Briseis. Side A (lower): Briseis being led away from Achilles. On the far left a bearded herald in short chiton, chlamys, pilos hat with red ties and boots with horizontal divisions (dilute glaze) starts to move away to the left but turns back his head and torso so that his right leg is also seen from the back (dilute glaze wash in hair and beard). He holds a kerykeion up in his left hand; his right hand grips the draped hand or wrist of a woman behind him. She is Briseis and wears a chiton and a himation pulled up over the back of her head, faces to the left, a double red band around her head. Behind her is a second bearded herald (dilute glaze wash for beard). He wears a pilos hat with red ties, horizontally striped boots (dilute glaze) and a chlamys that covers the short chiton that he is presumably wearing beneath it. In the centre a bearded man in a himation leans on a knotty stick to the right, his right hand on his hip, his left arm hidden in his drapery. He has a red fillet in his hair. He faces the tent of Achilles which takes the form of four (only two shown) plain posts with simple block bases with a large striped textile with a fringed edge draped over them. Up in the folds of this marquee are, on the left, a Corinthian helmet with a long crest on a square hook or shelf and, on the right, a scabbard with a red strap. Next to the scabbard is planted a spear. In the centre of the tent sits Achilles on an elaborate folding stool (animal legs) with a cushion decorated with zigzags. He wears shoes and a himation which envelops all but the upper part of his face. He has a red fillet in his hair and dilute wash in his wavy hair. His left arm is wrapped around a knotty stick. Behind the tent, on the extreme right, stands a bearded elder in long chiton, himation and shoes; he also has a red hair-band. He holds a staff or sceptre in his right hand. Side Β (upper): Briseis being led back. On the left a bearded man, wearing a himation pulled up over the back of his head and a red fillet, leans on a knotty stick, his right leg frontal: he is presumably Agamemnon. In front of him stands a bearded elder to the left. He is dressed in long chiton (dilute glaze border), himation, shoes and a red fillet and rests his right hand on top of a plain stick. Behind him stands a second bearded elder similarly dressed and accoutred but facing to the right. In the centre is a fluted column with a plain block base but a Doric capital with architrave above. To the right of the central column a herald in pilos hat with red ties, chlamys and red thonged high sandals moves to the right. In his right hand he holds a kerykeion; his left hand is raised inside his chlamys; at his hip is a scabbard. In front of him is Briseis in chiton (upper folds done with dilute glaze) and himation pulled up over the back of her head. She has a double red band around her head. In front of her is a second herald who leads her by the hand - hers within its drapery. He is moving right but has turned back to look at her, his head to the left, torso and right leg frontal. He is dressed in short chiton, chlamys and pilos hat with red ties and holds a kerykeion up in his left hand. In front of him, on the extreme right, is a second column, as the first. These two columns are probably intended to be the entrance porch to Agamemnon's more palatial tent, out through which the two heralds are leading Briseis. Under either handle: a solid stone seat with dilute glaze strokes. Ground line: single reserved line. Relief line contour throughout (except for hair); dilute glaze for minor interior markings; added red for inscriptions. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured kylix. INTERIOR: seated old man and man. On the left an old man with beard and receding hair is seated on a simple stool with a striped cushion. He is dressed in long chiton and himation and has a red wreath in his hair. He holds a plain stick in his left hand and gestures towards the bearded man facing him with his right hand. This man wears a himation and shoes and has a red wreath in his hair. He leans to the left on a knotty stick and is seen in three-quarter back view. His left arm, covered in drapery, is bent back to hold the top of his stick which supports him under his left armpit. He gestures with his right hand towards the seated man. Border: dotted cross square alternating with five units of running maeander (five-stroke, clockwise); irregularities at 7 o'clock (three and a half maeander units) and at 8 and 9 o'clock (only four units). EXTERIOR: Briseis. Side A (lower): Briseis being led away from Achilles. On the far left a bearded herald in short chiton, chlamys, pilos hat with red ties and boots with horizontal divisions (dilute glaze) starts to move away to the left but turns back his head and torso so that his right leg is also seen from the back (dilute glaze wash in hair and beard). He holds a kerykeion up in his left hand; his right hand grips the draped hand or wrist of a woman behind him. She is Briseis and wears a chiton and a himation pulled up over the back of her head, faces to the left, a double red band around her head. Behind her is a second bearded herald (dilute glaze wash for beard). He wears a pilos hat with red ties, horizontally striped boots (dilute glaze) and a chlamys that covers the short chiton that he is presumably wearing beneath it. In the centre a bearded man in a himation leans on a knotty stick to the right, his right hand on his hip, his left arm hidden in his drapery. He has a red fillet in his hair. He faces the tent of Achilles which takes the form of four (only two shown) plain posts with simple block bases with a large striped textile with a fringed edge draped over them. Up in the folds of this marquee are, on the left, a Corinthian helmet with a long crest on a square hook or shelf and, on the right, a scabbard with a red strap. Next to the scabbard is planted a spear. In the centre of the tent sits Achilles on an elaborate folding stool (animal legs) with a cushion decorated with zigzags. He wears shoes and a himation which envelops all but the upper part of his face. He has a red fillet in his hair and dilute wash in his wavy hair. His left arm is wrapped around a knotty stick. Behind the tent, on the extreme right, stands a bearded elder in long chiton, himation and shoes; he also has a red hair-band. He holds a staff or sceptre in his right hand. Side Β (upper): Briseis being led back. On the left a bearded man, wearing a himation pulled up over the back of his head and a red fillet, leans on a knotty stick, his right leg frontal: he is presumably Agamemnon. In front of him stands a bearded elder to the left. He is dressed in long chiton (dilute glaze border), himation, shoes and a red fillet and rests his right hand on top of a plain stick. Behind him stands a second bearded elder similarly dressed and accoutred but facing to the right. In the centre is a fluted column with a plain block base but a Doric capital with architrave above. To the right of the central column a herald in pilos hat with red ties, chlamys and red thonged high sandals moves to the right. In his right hand he holds a kerykeion; his left hand is raised inside his chlamys; at his hip is a scabbard. In front of him is Briseis in chiton (upper folds done with dilute glaze) and himation pulled up over the back of her head. She has a double red band around her head. In front of her is a second herald who leads her by the hand - hers within its drapery. He is moving right but has turned back to look at her, his head to the left, torso and right leg frontal. He is dressed in short chiton, chlamys and pilos hat with red ties and holds a kerykeion up in his left hand. In front of him, on the extreme right, is a second column, as the first. These two columns are probably intended to be the entrance porch to Agamemnon's more palatial tent, out through which the two heralds are leading Briseis. Under either handle: a solid stone seat with dilute glaze strokes. Ground line: single reserved line. Relief line contour throughout (except for hair); dilute glaze for minor interior markings; added red for inscriptions. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured kylix. INTERIOR: seated old man and man. On the left an old man with beard and receding hair is seated on a simple stool with a striped cushion. He is dressed in long chiton and himation and has a red wreath in his hair. He holds a plain stick in his left hand and gestures towards the bearded man facing him with his right hand. This man wears a himation and shoes and has a red wreath in his hair. He leans to the left on a knotty stick and is seen in three-quarter back view. His left arm, covered in drapery, is bent back to hold the top of his stick which supports him under his left armpit. He gestures with his right hand towards the seated man. Border: dotted cross square alternating with five units of running maeander (five-stroke, clockwise); irregularities at 7 o'clock (three and a half maeander units) and at 8 and 9 o'clock (only four units). EXTERIOR: Briseis. Side A (lower): Briseis being led away from Achilles. On the far left a bearded herald in short chiton, chlamys, pilos hat with red ties and boots with horizontal divisions (dilute glaze) starts to move away to the left but turns back his head and torso so that his right leg is also seen from the back (dilute glaze wash in hair and beard). He holds a kerykeion up in his left hand; his right hand grips the draped hand or wrist of a woman behind him. She is Briseis and wears a chiton and a himation pulled up over the back of her head, faces to the left, a double red band around her head. Behind her is a second bearded herald (dilute glaze wash for beard). He wears a pilos hat with red ties, horizontally striped boots (dilute glaze) and a chlamys that covers the short chiton that he is presumably wearing beneath it. In the centre a bearded man in a himation leans on a knotty stick to the right, his right hand on his hip, his left arm hidden in his drapery. He has a red fillet in his hair. He faces the tent of Achilles which takes the form of four (only two shown) plain posts with simple block bases with a large striped textile with a fringed edge draped over them. Up in the folds of this marquee are, on the left, a Corinthian helmet with a long crest on a square hook or shelf and, on the right, a scabbard with a red strap. Next to the scabbard is planted a spear. In the centre of the tent sits Achilles on an elaborate folding stool (animal legs) with a cushion decorated with zigzags. He wears shoes and a himation which envelops all but the upper part of his face. He has a red fillet in his hair and dilute wash in his wavy hair. His left arm is wrapped around a knotty stick. Behind the tent, on the extreme right, stands a bearded elder in long chiton, himation and shoes; he also has a red hair-band. He holds a staff or sceptre in his right hand. Side Β (upper): Briseis being led back. On the left a bearded man, wearing a himation pulled up over the back of his head and a red fillet, leans on a knotty stick, his right leg frontal: he is presumably Agamemnon. In front of him stands a bearded elder to the left. He is dressed in long chiton (dilute glaze border), himation, shoes and a red fillet and rests his right hand on top of a plain stick. Behind him stands a second bearded elder similarly dressed and accoutred but facing to the right. In the centre is a fluted column with a plain block base but a Doric capital with architrave above. To the right of the central column a herald in pilos hat with red ties, chlamys and red thonged high sandals moves to the right. In his right hand he holds a kerykeion; his left hand is raised inside his chlamys; at his hip is a scabbard. In front of him is Briseis in chiton (upper folds done with dilute glaze) and himation pulled up over the back of her head. She has a double red band around her head. In front of her is a second herald who leads her by the hand - hers within its drapery. He is moving right but has turned back to look at her, his head to the left, torso and right leg frontal. He is dressed in short chiton, chlamys and pilos hat with red ties and holds a kerykeion up in his left hand. In front of him, on the extreme right, is a second column, as the first. These two columns are probably intended to be the entrance porch to Agamemnon's more palatial tent, out through which the two heralds are leading Briseis. Under either handle: a solid stone seat with dilute glaze strokes. Ground line: single reserved line. Relief line contour throughout (except for hair); dilute glaze for minor interior markings; added red for inscriptions. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured kylix. INTERIOR: seated old man and man. On the left an old man with beard and receding hair is seated on a simple stool with a striped cushion. He is dressed in long chiton and himation and has a red wreath in his hair. He holds a plain stick in his left hand and gestures towards the bearded man facing him with his right hand. This man wears a himation and shoes and has a red wreath in his hair. He leans to the left on a knotty stick and is seen in three-quarter back view. His left arm, covered in drapery, is bent back to hold the top of his stick which supports him under his left armpit. He gestures with his right hand towards the seated man. Border: dotted cross square alternating with five units of running maeander (five-stroke, clockwise); irregularities at 7 o'clock (three and a half maeander units) and at 8 and 9 o'clock (only four units). EXTERIOR: Briseis. Side A (lower): Briseis being led away from Achilles. On the far left a bearded herald in short chiton, chlamys, pilos hat with red ties and boots with horizontal divisions (dilute glaze) starts to move away to the left but turns back his head and torso so that his right leg is also seen from the back (dilute glaze wash in hair and beard). He holds a kerykeion up in his left hand; his right hand grips the draped hand or wrist of a woman behind him. She is Briseis and wears a chiton and a himation pulled up over the back of her head, faces to the left, a double red band around her head. Behind her is a second bearded herald (dilute glaze wash for beard). He wears a pilos hat with red ties, horizontally striped boots (dilute glaze) and a chlamys that covers the short chiton that he is presumably wearing beneath it. In the centre a bearded man in a himation leans on a knotty stick to the right, his right hand on his hip, his left arm hidden in his drapery. He has a red fillet in his hair. He faces the tent of Achilles which takes the form of four (only two shown) plain posts with simple block bases with a large striped textile with a fringed edge draped over them. Up in the folds of this marquee are, on the left, a Corinthian helmet with a long crest on a square hook or shelf and, on the right, a scabbard with a red strap. Next to the scabbard is planted a spear. In the centre of the tent sits Achilles on an elaborate folding stool (animal legs) with a cushion decorated with zigzags. He wears shoes and a himation which envelops all but the upper part of his face. He has a red fillet in his hair and dilute wash in his wavy hair. His left arm is wrapped around a knotty stick. Behind the tent, on the extreme right, stands a bearded elder in long chiton, himation and shoes; he also has a red hair-band. He holds a staff or sceptre in his right hand. Side Β (upper): Briseis being led back. On the left a bearded man, wearing a himation pulled up over the back of his head and a red fillet, leans on a knotty stick, his right leg frontal: he is presumably Agamemnon. In front of him stands a bearded elder to the left. He is dressed in long chiton (dilute glaze border), himation, shoes and a red fillet and rests his right hand on top of a plain stick. Behind him stands a second bearded elder similarly dressed and accoutred but facing to the right. In the centre is a fluted column with a plain block base but a Doric capital with architrave above. To the right of the central column a herald in pilos hat with red ties, chlamys and red thonged high sandals moves to the right. In his right hand he holds a kerykeion; his left hand is raised inside his chlamys; at his hip is a scabbard. In front of him is Briseis in chiton (upper folds done with dilute glaze) and himation pulled up over the back of her head. She has a double red band around her head. In front of her is a second herald who leads her by the hand - hers within its drapery. He is moving right but has turned back to look at her, his head to the left, torso and right leg frontal. He is dressed in short chiton, chlamys and pilos hat with red ties and holds a kerykeion up in his left hand. In front of him, on the extreme right, is a second column, as the first. These two columns are probably intended to be the entrance porch to Agamemnon's more palatial tent, out through which the two heralds are leading Briseis. Under either handle: a solid stone seat with dilute glaze strokes. Ground line: single reserved line. Relief line contour throughout (except for hair); dilute glaze for minor interior markings; added red for inscriptions. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
33. Symposium
- Description
- Pottery: red-figured kylix (drinking-cup) showing boys serving wine. INTERIOR: komast. A bearded komast moves to the right with head turned back to left. He wears a chlamys over his upper arms and a red apicate fillet in his hair. He holds a cup back in his right hand and a knotty stick across his body in his left. Relief line for vertical strokes of fringe over forehead and for horizontal lines of hair tied up at back (relief line fringe for beard); dilute glaze line above and below eye. Preliminary sketch indicates that the chlamys was intended to be longer on the right. Border: alternating false maeander (twelve-stroke, alternately clockwise and anticlockwise) and blackened cross-square. EXTERIOR: symposium. Side A (lower): three banqueters on couches attended by two boys. On the couch on the left a bearded man reclines to the left, his head turned back to the right. He wears a himation over his left shoulder and around his waist and legs and a red apicate fillet in his hair. He rests against a folded cushion decorated with pairs of stripes, while he grips a cup in his left hand and holds out his right hand palm upward as if holding another. Above him hang two cups, seen from underneath, and a flat-bottomed oinochoe. His couch rests on a dais, the corner of which is visible on the left, and in front of it (ie. alongside) is a three-legged table on which are three red garlands. In front of the left hand end of the central couch stands a naked boy with a red fillet in his hair. He holds an oinochoe in his right hand and stretches out his left hand towards the symposiast on the central couch. Here a bearded man reclines to the left (cushion decorated with a pair of stripes and a stripe flanked by pairs of lines). He holds out a cup high in his right hand; his left hand is empty. He wears a himation in the same manner as the first symposiast, but has a thick reserved fillet (alternately vertical line and rows of dots at each bunching) in his hair. Above him and the boy hang two footless oinochoai and a cup seen from underneath. Alongside his couch is a three-legged table over which hang three red garlands. The couch on the right is seen in end view from the back. On it reclines a bearded man with a himation round his waist and a red apicate fillet in his hair. He is seen from the back, his left elbow resting on his cushion and his raised right knee splayed out to the right. He holds a cup up to his lips in his left hand and gestures with his right to the boy who stands between him and the central couch. Either side of the end of the couch project the ends of his striped cushion. Alongside the couch is a three-legged table, also seen from the end, the two legs in profile in the foreground, the third in back view beyond. The naked boy attendant who stands on the left of the couch, behind the table, has a frontal torso and left leg. His hair has a long straight fringe of relief lines over his neck. He holds an oinochoe in his left hand, tipped down so that the trefoil mouth is shown foreshortened. He gestures with his right hand as he looks at the symposiast. Above these two figures are two cups seen from underneath and a small foodess oinochoe. Side Β (upper): three couches and one boy attendant. The couch and its occupant on the left repeats the form of the central couch on side A, although the symposiast's himation has a line border and his cushion pairs of lines. As on the first couch on side A, the corner of the dais is visible. Above this couch hang two cups seen from underneath and a footed oinochoe. At the left hand end of the central couch stands a naked boy with a red hair-band, holding a small chytra in his right hand as he holds up his left hand. The bearded man on this couch repeats the scheme of the central couch on side A, save that here he holds a cup in his left hand and extends his right arm out towards the boy. From the fingers of his right hand hangs a red circlet. Above hang a footless oinochoe, a cup seen from underneath and a small chytra. The couch on the right is seen from behind, as on side A. The man here, however, holds a cup in his left hand as he leans on his left elbow, and his right hand is held out further to the left (no hair-band). The corner of the dais is visible and there is a three-legged table alongside the couch, but no attendant, nor are there any red garlands on the table and the cushion is plain. Above hang two cups seen from underneath and a small footless oinochoe. At either handle: floral complex with a circumscribed palmette either side of the handles and a large and a small palmette addorsed under the handles; spiral terminals and dots. Ground line: single reserved line. Graffiti under foot Relief line contours throughout (double for hair, except on AI); dilute glaze for minor interior markings; reserved line inside and outside lip; added red for inscriptions. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
34. Death of Prokris
- Description
- Pottery: red-figured column-krater. (a) The death of Procris. Procris, in a short chiton which leaves her right shoulder bare, falls wounded to right, with her left hand and knee on raised ground with her right she vainly tries to pull out the spear which has pierced her beside the right breast; her head, en face, falls on her right shoulder, and her eyes are closed above her to the left, a Harpy (?) waiting for her soul. On the left, Kephalos with chlamys and petasos at back, resting right on a club, stands en face, looking on, beating his forehead with his left with a gesture of sorrow. His hound, which he holds by a cord round its neck, stands with nose raised, sniffing at Procris. On the right Erechtheus, the father of Procris, rushes forward, extending his right arm with a gesture of dismay; he is bearded and wreathed and has a mantle, and a sceptre along his left arm. (b) Three draped ephebi conversing: the central one looks to right, the two others staff in hand. Late stage of large style. Purple cord and ground-line. Brown inner marking and edge of hair. Eye in profile. On each side of each design, ivy pattern; above, tongue pattern; forming panel. Round the neck and on the upper surface of the lip, linked lotus-buds; round lip, ivy pattern; on the upper surface of each handle, a palmette. All these patterns black on red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
35. Symposium
- Description
- Pottery: red-figured calyx-krater (wine-bowl). Designs red on black ground, with accessories of white and purple; restored. Above, laurel-wreath; below each design, maeander and chequer. (a) Symposion: On a couch ornamented with wave-pattern and crosses recline two male figures to left; the one on the left has curly hair and beard, purple fillet and himation over lower limbs, left arm resting on a chequered pillow; he holds a kylix by the handle with right forefinger, as if playing cottabos. The other is beardless, with curly hair, a purple and a white fillet, and himation over lower limbs, right hand extended, left arm resting on a similar pillow; the mattress of the couch is embroidered. On the left is Eros hovering to right, holding out a chaplet of beads in both hands; before him is a cottabos-stand, painted purple. (b) Two ephebi confronted, with fillets and himatia over left shoulders; the one on the left holds out a strigil, the other has a staff in right hand. Between them is a stele, on which is a fruit; and above, an aryballos. --The British Museum, Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893, Pottery: red-figured hydria. Depicted on this hydria is the rape of Kassandra by the lesser Ajax, son of Oileus, in Athena's temple at Troy. In the centre, the Trojan princess Kassandra kneels on the base of the statue of Athena, the Palladion. Her hair is loose and her drapery hangs from her left shoulder, leaving her upper body bare. She embraces the statue with both arms. An oinochoe lies below her on the base. Pallas Athena is portrayed wearing a peplos and carrying a shield on her left arm and a spear in her raised right hand. She wears an elaborate helmet to which feathers are attached. At the left, the Greek warrior Ajax seizes Kassandra by her hair. Ajax is nude except for a chlamys tied in front with a bulky, round brooch. On his head is a crested Corinthian helmet with added large feathers. His left foot is on the base of Athena's statue, and he raises a sword in his right hand. A phiale hangs above his head, part of the temple's ritual equipment. Two other phialai appear in the field to the right and left above the subordinate figures. To the right of the central group, the old priestess of Athena, Theano, with short white hair, runs away but looks back at the sacrilege about to occur. She still clutches the temple key in her left hand. Above her head, an owl, the sacred bird of Athena, flies carrying a wreath. At the far right a young girl in a peplos looks back as she turns to flee. At the left, above Ajax, a goddess is seated with a scepter in her left hand and a small round object in her extended right hand. It has been suggested that this is Aphrodite with the Apple of Discord, a reference to the origins of the Trojan War. Behind Ajax and much smaller in scale is another Greek warrior. He too wears a chlamys tied in front and an elaborate helmet, and he carries a shield and spear. This scene occupies the front of the hydria. Other parts are decorated with palmettes, volutes and stylized floral ornaments. An olive wreath with central rosette decorates the neck. The rim is decorated with a band of ovolo pattern, the shoulder with tongues. A band of wave-pattern runs under the central scene around the entire vase. --The British Museum
- Description
- Pottery: red-figured hydria. Depicted on this hydria is the rape of Kassandra by the lesser Ajax, son of Oileus, in Athena's temple at Troy. In the centre, the Trojan princess Kassandra kneels on the base of the statue of Athena, the Palladion. Her hair is loose and her drapery hangs from her left shoulder, leaving her upper body bare. She embraces the statue with both arms. An oinochoe lies below her on the base. Pallas Athena is portrayed wearing a peplos and carrying a shield on her left arm and a spear in her raised right hand. She wears an elaborate helmet to which feathers are attached. At the left, the Greek warrior Ajax seizes Kassandra by her hair. Ajax is nude except for a chlamys tied in front with a bulky, round brooch. On his head is a crested Corinthian helmet with added large feathers. His left foot is on the base of Athena's statue, and he raises a sword in his right hand. A phiale hangs above his head, part of the temple's ritual equipment. Two other phialai appear in the field to the right and left above the subordinate figures. To the right of the central group, the old priestess of Athena, Theano, with short white hair, runs away but looks back at the sacrilege about to occur. She still clutches the temple key in her left hand. Above her head, an owl, the sacred bird of Athena, flies carrying a wreath. At the far right a young girl in a peplos looks back as she turns to flee. At the left, above Ajax, a goddess is seated with a scepter in her left hand and a small round object in her extended right hand. It has been suggested that this is Aphrodite with the Apple of Discord, a reference to the origins of the Trojan War. Behind Ajax and much smaller in scale is another Greek warrior. He too wears a chlamys tied in front and an elaborate helmet, and he carries a shield and spear. This scene occupies the front of the hydria. Other parts are decorated with palmettes, volutes and stylized floral ornaments. An olive wreath with central rosette decorates the neck. The rim is decorated with a band of ovolo pattern, the shoulder with tongues. A band of wave-pattern runs under the central scene around the entire vase. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured hydria. Depicted on this hydria is the rape of Kassandra by the lesser Ajax, son of Oileus, in Athena's temple at Troy. In the centre, the Trojan princess Kassandra kneels on the base of the statue of Athena, the Palladion. Her hair is loose and her drapery hangs from her left shoulder, leaving her upper body bare. She embraces the statue with both arms. An oinochoe lies below her on the base. Pallas Athena is portrayed wearing a peplos and carrying a shield on her left arm and a spear in her raised right hand. She wears an elaborate helmet to which feathers are attached. At the left, the Greek warrior Ajax seizes Kassandra by her hair. Ajax is nude except for a chlamys tied in front with a bulky, round brooch. On his head is a crested Corinthian helmet with added large feathers. His left foot is on the base of Athena's statue, and he raises a sword in his right hand. A phiale hangs above his head, part of the temple's ritual equipment. Two other phialai appear in the field to the right and left above the subordinate figures. To the right of the central group, the old priestess of Athena, Theano, with short white hair, runs away but looks back at the sacrilege about to occur. She still clutches the temple key in her left hand. Above her head, an owl, the sacred bird of Athena, flies carrying a wreath. At the far right a young girl in a peplos looks back as she turns to flee. At the left, above Ajax, a goddess is seated with a scepter in her left hand and a small round object in her extended right hand. It has been suggested that this is Aphrodite with the Apple of Discord, a reference to the origins of the Trojan War. Behind Ajax and much smaller in scale is another Greek warrior. He too wears a chlamys tied in front and an elaborate helmet, and he carries a shield and spear. This scene occupies the front of the hydria. Other parts are decorated with palmettes, volutes and stylized floral ornaments. An olive wreath with central rosette decorates the neck. The rim is decorated with a band of ovolo pattern, the shoulder with tongues. A band of wave-pattern runs under the central scene around the entire vase. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
39. Youth Departing
- Description
- Pottery: red-figured pelike: Youth leaving home (back: youths). --The British Museum
40. Youth departing
- Description
- Pottery: red-figured pelike: Youth leaving home (back: youths). --The British Museum
41. Symposium
- Description
- Pottery: red-figured kylix (drinking-cup) showing boys serving wine. INTERIOR: komast. A bearded komast moves to the right with head turned back to left. He wears a chlamys over his upper arms and a red apicate fillet in his hair. He holds a cup back in his right hand and a knotty stick across his body in his left. Relief line for vertical strokes of fringe over forehead and for horizontal lines of hair tied up at back (relief line fringe for beard); dilute glaze line above and below eye. Preliminary sketch indicates that the chlamys was intended to be longer on the right. Border: alternating false maeander (twelve-stroke, alternately clockwise and anticlockwise) and blackened cross-square. EXTERIOR: symposium. Side A (lower): three banqueters on couches attended by two boys. On the couch on the left a bearded man reclines to the left, his head turned back to the right. He wears a himation over his left shoulder and around his waist and legs and a red apicate fillet in his hair. He rests against a folded cushion decorated with pairs of stripes, while he grips a cup in his left hand and holds out his right hand palm upward as if holding another. Above him hang two cups, seen from underneath, and a flat-bottomed oinochoe. His couch rests on a dais, the corner of which is visible on the left, and in front of it (ie. alongside) is a three-legged table on which are three red garlands. In front of the left hand end of the central couch stands a naked boy with a red fillet in his hair. He holds an oinochoe in his right hand and stretches out his left hand towards the symposiast on the central couch. Here a bearded man reclines to the left (cushion decorated with a pair of stripes and a stripe flanked by pairs of lines). He holds out a cup high in his right hand; his left hand is empty. He wears a himation in the same manner as the first symposiast, but has a thick reserved fillet (alternately vertical line and rows of dots at each bunching) in his hair. Above him and the boy hang two footless oinochoai and a cup seen from underneath. Alongside his couch is a three-legged table over which hang three red garlands. The couch on the right is seen in end view from the back. On it reclines a bearded man with a himation round his waist and a red apicate fillet in his hair. He is seen from the back, his left elbow resting on his cushion and his raised right knee splayed out to the right. He holds a cup up to his lips in his left hand and gestures with his right to the boy who stands between him and the central couch. Either side of the end of the couch project the ends of his striped cushion. Alongside the couch is a three-legged table, also seen from the end, the two legs in profile in the foreground, the third in back view beyond. The naked boy attendant who stands on the left of the couch, behind the table, has a frontal torso and left leg. His hair has a long straight fringe of relief lines over his neck. He holds an oinochoe in his left hand, tipped down so that the trefoil mouth is shown foreshortened. He gestures with his right hand as he looks at the symposiast. Above these two figures are two cups seen from underneath and a small foodess oinochoe. Side Β (upper): three couches and one boy attendant. The couch and its occupant on the left repeats the form of the central couch on side A, although the symposiast's himation has a line border and his cushion pairs of lines. As on the first couch on side A, the corner of the dais is visible. Above this couch hang two cups seen from underneath and a footed oinochoe. At the left hand end of the central couch stands a naked boy with a red hair-band, holding a small chytra in his right hand as he holds up his left hand. The bearded man on this couch repeats the scheme of the central couch on side A, save that here he holds a cup in his left hand and extends his right arm out towards the boy. From the fingers of his right hand hangs a red circlet. Above hang a footless oinochoe, a cup seen from underneath and a small chytra. The couch on the right is seen from behind, as on side A. The man here, however, holds a cup in his left hand as he leans on his left elbow, and his right hand is held out further to the left (no hair-band). The corner of the dais is visible and there is a three-legged table alongside the couch, but no attendant, nor are there any red garlands on the table and the cushion is plain. Above hang two cups seen from underneath and a small footless oinochoe. At either handle: floral complex with a circumscribed palmette either side of the handles and a large and a small palmette addorsed under the handles; spiral terminals and dots. Ground line: single reserved line. Graffiti under foot Relief line contours throughout (double for hair, except on AI); dilute glaze for minor interior markings; reserved line inside and outside lip; added red for inscriptions. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
42. Embassy
- Description
- Pottery: red-figured cup. INTERIOR: Achilles and Odysseus. On the left Achilles sits on a plain stool, closely wrapped in a himation that covers the back of his head, and with head bent forward, his left hand supporting his forehead (relief lines for forehead hair and lower fringe of beard). Behind him his sword in its striped scabbard is suspended from a red loop and above him is his shield wrapped in its cover (sagma). On the right stands Odysseus clad in a himation and leaning on a knotty stick. He has a red fillet in his hair and gestures with the thumb and fingers of his right hand as he speaks to Achilles: his mouth is shown slightly open. Behind him on the ground is the corner of a stool with a plain cushion. There is a large reserved exergue. Border: stopt maeanders (five-stroke, clockwise) interrupted at irregular intervals by nine dotted cross-squares. EXTERIOR: departure of warriors and conversation scene. Side A (upper): departure of three warriors. On the left a bearded warrior moves away to the left, but turns his head back to the right (relief strokes on beard). He wears an Attic type helmet with the cheek flaps up (crest holder decorated with zigzag and triangles), cuirass, greaves and a himation and carries a spear in his left hand. Behind him an elderly bearded man with thinning hair (and relief strokes on beard and hair over neck) stands to the left. He wears a himation and shoes, and has a red fillet in his hair. His right hand rests on the top of a plain stick; his left is under his cloak. In the centre a woman stands to the left but turns her head back to the right. She wears a chiton (upper folds in dilute glaze), a himation and a headscarf and holds an oinochoe with a black foot out in her right hand and a bossed phiale (lobes in dilute glaze) low in her left. On the right stands a young warrior in an Attic type helmet with the cheek flaps up (dotted crest holder), cuirass and himation. He holds out a bossed phiale (lobes in dilute glaze) in his right hand, while his left grips a spear against his body. Behind him is a second young warrior, similarly clad and accoutred, but gesturing with his right hand. On the far right is a woman in chiton and himation and with a red fillet in her hair (wavy relief lines over forehead) and a bun at the back. She has her right hand up as if holding a flower, her left is hidden in her drapery. Side Β (lower): men and youths in conversation, together with a young warrior. On the left is a bearded man in himation, seen in three-quarter back view, to the right. He holds a knotty stick on the far side of his body and gestures with his right hand. There is a thick reserved fillet in his hair. In front of him a bearded man in himation and with a red fillet in his hair (relief line fringe in beard and hair, both over brow and neck) stands to the right but turns his head back to the left, so that his chest is frontal. His left hand rests near the top of a knotty stick. In the centre, a youth dressed in cuirass and himation, stands to the right, his head turned back. His left hand holds a staff (perhaps a sceptre) and there is a red fillet in his fringed hair (relief lines). On the right is a bearded man in three-quarter back view, wearing a himation that is caught up under his left armpit. He also has a red fillet in his hair (relief lines over brow). His right hand reaches out towards and behind the young warrior in the centre, his left arm hangs down. To the right of this man a youth in himation stands to the left but turns back to the right. His right hand is raised and he has a red fillet in his hair. Behind him, on the far right, is a bearded man in a himation who holds out his right hand. He too has a red fillet in his hair. At either handle: floral complex with a circumscribed palmette either side of the handles and a large and a small palmette addorsed under them; spiral terminals and dots. Ground line: single reserved line. Relief line contours throughout (inner hair contour only); dilute glaze for minor interior markings; added red for inscriptions; reserved line inside and outside lip. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
43. Embassy
- Description
- Pottery: red-figured cup. INTERIOR: Achilles and Odysseus. On the left Achilles sits on a plain stool, closely wrapped in a himation that covers the back of his head, and with head bent forward, his left hand supporting his forehead (relief lines for forehead hair and lower fringe of beard). Behind him his sword in its striped scabbard is suspended from a red loop and above him is his shield wrapped in its cover (sagma). On the right stands Odysseus clad in a himation and leaning on a knotty stick. He has a red fillet in his hair and gestures with the thumb and fingers of his right hand as he speaks to Achilles: his mouth is shown slightly open. Behind him on the ground is the corner of a stool with a plain cushion. There is a large reserved exergue. Border: stopt maeanders (five-stroke, clockwise) interrupted at irregular intervals by nine dotted cross-squares. EXTERIOR: departure of warriors and conversation scene. Side A (upper): departure of three warriors. On the left a bearded warrior moves away to the left, but turns his head back to the right (relief strokes on beard). He wears an Attic type helmet with the cheek flaps up (crest holder decorated with zigzag and triangles), cuirass, greaves and a himation and carries a spear in his left hand. Behind him an elderly bearded man with thinning hair (and relief strokes on beard and hair over neck) stands to the left. He wears a himation and shoes, and has a red fillet in his hair. His right hand rests on the top of a plain stick; his left is under his cloak. In the centre a woman stands to the left but turns her head back to the right. She wears a chiton (upper folds in dilute glaze), a himation and a headscarf and holds an oinochoe with a black foot out in her right hand and a bossed phiale (lobes in dilute glaze) low in her left. On the right stands a young warrior in an Attic type helmet with the cheek flaps up (dotted crest holder), cuirass and himation. He holds out a bossed phiale (lobes in dilute glaze) in his right hand, while his left grips a spear against his body. Behind him is a second young warrior, similarly clad and accoutred, but gesturing with his right hand. On the far right is a woman in chiton and himation and with a red fillet in her hair (wavy relief lines over forehead) and a bun at the back. She has her right hand up as if holding a flower, her left is hidden in her drapery. Side Β (lower): men and youths in conversation, together with a young warrior. On the left is a bearded man in himation, seen in three-quarter back view, to the right. He holds a knotty stick on the far side of his body and gestures with his right hand. There is a thick reserved fillet in his hair. In front of him a bearded man in himation and with a red fillet in his hair (relief line fringe in beard and hair, both over brow and neck) stands to the right but turns his head back to the left, so that his chest is frontal. His left hand rests near the top of a knotty stick. In the centre, a youth dressed in cuirass and himation, stands to the right, his head turned back. His left hand holds a staff (perhaps a sceptre) and there is a red fillet in his fringed hair (relief lines). On the right is a bearded man in three-quarter back view, wearing a himation that is caught up under his left armpit. He also has a red fillet in his hair (relief lines over brow). His right hand reaches out towards and behind the young warrior in the centre, his left arm hangs down. To the right of this man a youth in himation stands to the left but turns back to the right. His right hand is raised and he has a red fillet in his hair. Behind him, on the far right, is a bearded man in a himation who holds out his right hand. He too has a red fillet in his hair. At either handle: floral complex with a circumscribed palmette either side of the handles and a large and a small palmette addorsed under them; spiral terminals and dots. Ground line: single reserved line. Relief line contours throughout (inner hair contour only); dilute glaze for minor interior markings; added red for inscriptions; reserved line inside and outside lip. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
44. Embassy
- Description
- Pottery: red-figured cup. INTERIOR: Achilles and Odysseus. On the left Achilles sits on a plain stool, closely wrapped in a himation that covers the back of his head, and with head bent forward, his left hand supporting his forehead (relief lines for forehead hair and lower fringe of beard). Behind him his sword in its striped scabbard is suspended from a red loop and above him is his shield wrapped in its cover (sagma). On the right stands Odysseus clad in a himation and leaning on a knotty stick. He has a red fillet in his hair and gestures with the thumb and fingers of his right hand as he speaks to Achilles: his mouth is shown slightly open. Behind him on the ground is the corner of a stool with a plain cushion. There is a large reserved exergue. Border: stopt maeanders (five-stroke, clockwise) interrupted at irregular intervals by nine dotted cross-squares. EXTERIOR: departure of warriors and conversation scene. Side A (upper): departure of three warriors. On the left a bearded warrior moves away to the left, but turns his head back to the right (relief strokes on beard). He wears an Attic type helmet with the cheek flaps up (crest holder decorated with zigzag and triangles), cuirass, greaves and a himation and carries a spear in his left hand. Behind him an elderly bearded man with thinning hair (and relief strokes on beard and hair over neck) stands to the left. He wears a himation and shoes, and has a red fillet in his hair. His right hand rests on the top of a plain stick; his left is under his cloak. In the centre a woman stands to the left but turns her head back to the right. She wears a chiton (upper folds in dilute glaze), a himation and a headscarf and holds an oinochoe with a black foot out in her right hand and a bossed phiale (lobes in dilute glaze) low in her left. On the right stands a young warrior in an Attic type helmet with the cheek flaps up (dotted crest holder), cuirass and himation. He holds out a bossed phiale (lobes in dilute glaze) in his right hand, while his left grips a spear against his body. Behind him is a second young warrior, similarly clad and accoutred, but gesturing with his right hand. On the far right is a woman in chiton and himation and with a red fillet in her hair (wavy relief lines over forehead) and a bun at the back. She has her right hand up as if holding a flower, her left is hidden in her drapery. Side Β (lower): men and youths in conversation, together with a young warrior. On the left is a bearded man in himation, seen in three-quarter back view, to the right. He holds a knotty stick on the far side of his body and gestures with his right hand. There is a thick reserved fillet in his hair. In front of him a bearded man in himation and with a red fillet in his hair (relief line fringe in beard and hair, both over brow and neck) stands to the right but turns his head back to the left, so that his chest is frontal. His left hand rests near the top of a knotty stick. In the centre, a youth dressed in cuirass and himation, stands to the right, his head turned back. His left hand holds a staff (perhaps a sceptre) and there is a red fillet in his fringed hair (relief lines). On the right is a bearded man in three-quarter back view, wearing a himation that is caught up under his left armpit. He also has a red fillet in his hair (relief lines over brow). His right hand reaches out towards and behind the young warrior in the centre, his left arm hangs down. To the right of this man a youth in himation stands to the left but turns back to the right. His right hand is raised and he has a red fillet in his hair. Behind him, on the far right, is a bearded man in a himation who holds out his right hand. He too has a red fillet in his hair. At either handle: floral complex with a circumscribed palmette either side of the handles and a large and a small palmette addorsed under them; spiral terminals and dots. Ground line: single reserved line. Relief line contours throughout (inner hair contour only); dilute glaze for minor interior markings; added red for inscriptions; reserved line inside and outside lip. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured oinochoe (jug). Design red and white on a black panel, with details in purple; borders of egg-moulding above, chevrons down the sides, and wave-pattern along the bottom. Scene from a burlesque of the seizure of the Palladion: On the left is Odysseus moving to left, turned to the front, bearded, with hair streaming out on either side of his face; he wears a mask, white pilos, and chlamys on left arm; in his right hand is a drawn sword, and in left he carries the Palladion, a figure of Athene painted white, with high crested helmet, long close girt chiton, shield on left arm, right hand raised. He is followed by Diomedes, who has curly hair, and wears a mask with slight beard; at his back is slung a white petasos, and round his left leg is a white band; he holds out his left arm muffled in drapery. On either side is a laurel-branch; above, three white phialae, and a row of ivy-leaves. The ground-lines are indicated. --The British Museum, Trendall, A D; Cambitoglou, Alexander, The red-figured vases of Apulia, Volumes 1-2, Oxford, Clarendon press, 1978; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured stamnos (jar) with lid: Herakles and the Lernian Hydra. --The British Museum
- Description
- Pottery: red-figured vessel in the form of a knucklebone (astragalos), showing a male figure, perhaps Aeolus at the mouth of his cave, directing the dance of the clouds. The design occupies the two long flat sides (a and c), and three figures are drawn on the upper side, and three on the end (b). The surface has been injured in parts (e.g. the figure of the man, the right hand of the foremost girl, &c). At one end of the long side (a) is an opening in the form of an archaic eye; beside this the design starts. Finest style. The hair over the forehead is usually arranged in rows of dots. Dance of girls, (a) A bearded man, beside the opening of the vase, with mantle wrapped around his waist, gesticulates with both arms to a band of three girls who dance from the right towards him with joined hands. The foremost looks at him, the second looks back at the third, who is only half seen, her figure being cut off by the edge of the vase. Each has a long sleeved chiton; the two foremost wear a mantle fastened on the left shoulder, and a saccos, which in the case of the foremost is black. (b) Two groups, each of three girls floating in air; in the lower group, the central figure, to left, has a sphendone, her arms covered to the hands in her sleeves; the left-hand one, to right, raises her skirt in both hands so as to form a lap; she has a saccos; the third, to right, extends one arm on each side, looking back at her companions; she wears a stephane with dentated edge. In the upper group the foremost, wearing a sphendone, raises the edge of the skirt with her left and extends her right. The second has her arms covered with her sleeves, and looks back at the third, whose arms are covered by her himation; the second and third have a saccos; that of the second is dotted with minute trefoils. (c) Reverse of (a): Four girls floating in air to left. The foremost has her arms in her sleeves and looks back; the second holds over the first in her right a long tendril with flower, and raises the edge of her skirt with her left hand; the third extends her right; the fourth raises her skirt with her right hand and looks back; her drapery is dotted with minute trefoils; all but the first have a saccos; the second and fourth have no girdle. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929; Hoffmann, H, Sotades: Symbols of Immortality on Greek Vases, Oxford, Clarendon Press, 1997
- Description
- Pottery: red-figured vessel in the form of a knucklebone (astragalos), showing a male figure, perhaps Aeolus at the mouth of his cave, directing the dance of the clouds. The design occupies the two long flat sides (a and c), and three figures are drawn on the upper side, and three on the end (b). The surface has been injured in parts (e.g. the figure of the man, the right hand of the foremost girl, &c). At one end of the long side (a) is an opening in the form of an archaic eye; beside this the design starts. Finest style. The hair over the forehead is usually arranged in rows of dots. Dance of girls, (a) A bearded man, beside the opening of the vase, with mantle wrapped around his waist, gesticulates with both arms to a band of three girls who dance from the right towards him with joined hands. The foremost looks at him, the second looks back at the third, who is only half seen, her figure being cut off by the edge of the vase. Each has a long sleeved chiton; the two foremost wear a mantle fastened on the left shoulder, and a saccos, which in the case of the foremost is black. (b) Two groups, each of three girls floating in air; in the lower group, the central figure, to left, has a sphendone, her arms covered to the hands in her sleeves; the left-hand one, to right, raises her skirt in both hands so as to form a lap; she has a saccos; the third, to right, extends one arm on each side, looking back at her companions; she wears a stephane with dentated edge. In the upper group the foremost, wearing a sphendone, raises the edge of the skirt with her left and extends her right. The second has her arms covered with her sleeves, and looks back at the third, whose arms are covered by her himation; the second and third have a saccos; that of the second is dotted with minute trefoils. (c) Reverse of (a): Four girls floating in air to left. The foremost has her arms in her sleeves and looks back; the second holds over the first in her right a long tendril with flower, and raises the edge of her skirt with her left hand; the third extends her right; the fourth raises her skirt with her right hand and looks back; her drapery is dotted with minute trefoils; all but the first have a saccos; the second and fourth have no girdle. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929; Hoffmann, H, Sotades: Symbols of Immortality on Greek Vases, Oxford, Clarendon Press, 1997
- Description
- Pottery: red-figured stamnos. (a) The ship of Odysseus passing the Sirens. The sea is represented by a narrow space in the foreground shaded in thinned black, and with a wavy outline of the same colour. In this the ship moves to left, propelled by oars, of which six are seen on the port side; the heads and shoulders of five bearded rowers are visible above the gunwale; the fourth and fifth are seated on the same thwart: the stroke oar looks round to left at no. 2; the rowers of the second and fifth oars are not shown, and there is a seventh port near the bows which is not occupied by an oar. High up in the stern seat sits the steersman between the two steering-oars (πηδάλια), which work on cords attached to the ship's side; with his left hand he steers, his right is extended, and his mouth open, as if he were encouraging the rowers; he is bearded and has an himation around the lower part of his body. This figure and the first two rowers are wreathed, the other rowers have a fillet. Over the aphlaston a fringed piece of drapery decorated with crosses is hung (as ensign or σημείου?). The fore part of the hull is formed like the snout of a boar, with a large eye of archaic form painted in black; above it is a raised platform or forecastle formed of crossed spars, which reaches to the mast. Near the top of the mast is the καρχήσιον, probably of metal, as it is shaded differently from the mast, with two projecting eyelet holes (τροχίλίαί) in which the halyards (ιμάντες) run. The yard, with sail attached to it by a rope (coloured brown), is hoisted to the top of the mast, in a position oblique to the keel, and is kept in position by two braces (ύπέραι), of which one is attached at the bows, the other at the stern, immediately in front of the steersman. The sail is brailed up along its whole length, the brailing ropes (μηρνματα καλωδίων) indicated by brown lines here and there on the sail, and attached on deck within the steersman's reach. Odysseus, wreathed and bearded, is fastened against the bottom of the mast, facing the stern, with his arms behind his back lashed to it. His head is thrown back, looking upwards towards the Sirens. On each side of the scene a rocky promontory projects over the sea, with a Siren standing on the top. The Sirens are represented as birds with woman's heads, their hair looped up with a dotted stephane, a single tress hanging beside the ear (parotis): their lips are parted as though singing. The one on the left flaps her wings: over her is inscribed ΗΙΜEPΟΠΑ, Ίμερόπα. The one on the right stands still with folded wings. In front of her a third Siren flings herself down from the edge of the cliff, and falls headlong with closed eyes, as though already dead. (b) Three Erotes flying over the sea. The sea is represented as in a. The Erotes fly in single file to right, the foremost inscribed HIMEPOΣ, Ιμερος, carrying in both hands a long taenia decorated with key pattern and fringed ends; he looks round at the others, who carry a long tendril and a hare respectively. Their type is that of a full-grown boy, with long hair coiled above the neck (cf. Ε67) and hanging over the ear, and a fillet. Beside each of the second and third figures is inscribed KAΛΟΣ, καλός. At the bottom of the foot an incised character. Purple rigging of ship, wreaths, fillets, and inscriptions. Brown inner markings, shading of the sea and sails, gunwale of boat, feathers of Sirens, earth in b, pinions of wings, and skin of hare. Eye in archaic form (both angles slightly open). Each design is enclosed in a panel, formed by (below) sets of three maeanders separated by chequer squares, (above) tongue surmounting egg pattern, (at sides) net pattern. In b the design partly cuts and is partly cut by the border at the top. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured hydria. (1) Menelaos pursuing Helen. Menelaos, a bearded warrior with cuirass, helmet with raised cheek-pieces, and himation, pursues to right with drawn sword and outstretched left arm Helen, who with left on bosom turns as she flees, extending her right towards him with a gesture of supplication. She wears a Doric chiton with border of zigzags and a row of dots near each edge, and apoptygma, undertied, an himation over her shoulders, earrings and sphendone: her hair hangs down her back. On right a woman in long sleeved chiton, mantle and earrings, and head-dress like that of Helen, moves to left, extending both arms as if to protect Helen. In the field above Helen, καλή. On left of her, ό παις; on right of the woman, KAΛΟΣ, καλός. (2) On shoulder: Symposion. Three wreathed figures wearing himation covering the legs and left shoulder recline to left, leaning each against a folded striped cushion. The one on right is bearded, and looks to right, extending to left on his right palm a cotyle: the central one also looks to right with his right resting on his breast; the third looks to left and twirls aloft on his right forefinger a kylix (κοτταβίζων); between these two hangs a basket. In the field, ό παϊς καλός. Strong style. Purple inscriptions, wreaths, cords of baskets. Eye archaic. The design on the body (1) is enclosed within a border formed by, below, pairs of maeanders separated by red cross squares; above, zigzag pattern; at sides, net pattern, which also forms the sides of the design 2; above 2, tongue. The lower part of the body is encircled by two thin lines of purple, and below, by a band of rays, black on red. The lip is left red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: red-figured hydria. (1) Menelaos pursuing Helen. Menelaos, a bearded warrior with cuirass, helmet with raised cheek-pieces, and himation, pursues to right with drawn sword and outstretched left arm Helen, who with left on bosom turns as she flees, extending her right towards him with a gesture of supplication. She wears a Doric chiton with border of zigzags and a row of dots near each edge, and apoptygma, undertied, an himation over her shoulders, earrings and sphendone: her hair hangs down her back. On right a woman in long sleeved chiton, mantle and earrings, and head-dress like that of Helen, moves to left, extending both arms as if to protect Helen. In the field above Helen, καλή. On left of her, ό παις; on right of the woman, KAΛΟΣ, καλός. (2) On shoulder: Symposion. Three wreathed figures wearing himation covering the legs and left shoulder recline to left, leaning each against a folded striped cushion. The one on right is bearded, and looks to right, extending to left on his right palm a cotyle: the central one also looks to right with his right resting on his breast; the third looks to left and twirls aloft on his right forefinger a kylix (κοτταβίζων); between these two hangs a basket. In the field, ό παϊς καλός. Strong style. Purple inscriptions, wreaths, cords of baskets. Eye archaic. The design on the body (1) is enclosed within a border formed by, below, pairs of maeanders separated by red cross squares; above, zigzag pattern; at sides, net pattern, which also forms the sides of the design 2; above 2, tongue. The lower part of the body is encircled by two thin lines of purple, and below, by a band of rays, black on red. The lip is left red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
52. Troilos Polyxene
- Description
- Pottery: red-figured hydria: Troilos and Polyxena. Design curving up over shoulder, with maeander and plain black and oblique cross-squares below; round the lip, egg-pattern. Troilos rides at full speed to the right, thrusting a goad into his horse's crupper; at his side is a second led horse. On the right Polyxena runs away at full speed, holding a sash in both hands over her head. Her hydria has fallen beneath the horse and is broken in two, water gushing out from the mouth and from the fracture. --The British Museum
53. Troilos
- Description
- Pottery: red-figured hydria: Troilos and Polyxena. Design curving up over shoulder, with maeander and plain black and oblique cross-squares below; round the lip, egg-pattern. Troilos rides at full speed to the right, thrusting a goad into his horse's crupper; at his side is a second led horse. On the right Polyxena runs away at full speed, holding a sash in both hands over her head. Her hydria has fallen beneath the horse and is broken in two, water gushing out from the mouth and from the fracture. --The British Museum
54. Nike and Warrior
- Description
- Pottery: red-figured pelike. (a) Nike pouring libation before young warrior. On the left Nike, in a long sleeved chiton with apoptygma, her hair looped up with a fillet, flies to right, holding downwards in her left hand a blazing torch; from an oinochoe in her right she pours wine into a phiale which the warrior holds sloping downwards, so that the wine falls on the ground. He stands en face, but looks towards Nike, holding a spear upright in his left hand. He wears a short chiton, a cuirass decorated with stars on the shoulders, and a wreath of laurel; over his left forearm hangs a mantle. (b) An ephebos, closely draped, confronted on right by a woman in himation and sleeved chiton, who holds out in her right a long taenia; below, a square box decorated with a rosette. Refined execution, but proportions heavy. Purple wine, flame, wreath, fillets, and ends of taenia. Brown inner markings, markings of torch and wings, and for relieving the folds of drapery in a. Eye in profile. Below a, the strip of groups of three maeanders separated by chequer squares; in b they are separated by red cross squares; above each side, egg pattern. A splash of black paint has fallen on the cuirass of the warrior. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
55. Troilos Polyxene
- Description
- Pottery: red-figured hydria: Troilos and Polyxena. Design curving up over shoulder, with maeander and plain black and oblique cross-squares below; round the lip, egg-pattern. Troilos rides at full speed to the right, thrusting a goad into his horse's crupper; at his side is a second led horse. On the right Polyxena runs away at full speed, holding a sash in both hands over her head. Her hydria has fallen beneath the horse and is broken in two, water gushing out from the mouth and from the fracture. --The British Museum
56. Zeus and Nike
- Description
- Pottery: red-figured pelike: Zeus and Nike at an altar (back: Hera and Hebe). --The British Museum
57. Nike and Warrior
- Description
- Pottery: red-figured pelike, with ribbed handles. (a) Nike pouring wine for a warrior. On the left, Nike, in a sleeved Ionic chiton, and over it a Doric chiton schistos with black border (cf. BM Vase Ε494), hair looped up with a fillet, and a caduceus in her left hand, looks down, pouring-wine from an oinochoe in her right hand; beside her is inscribed NIKF, Νίκη. In the centre a bearded warrior stands en face, but looks at Nike, holding out in his right a phiale (half broken away); on his left arm is a shield, the interior coloured black and decorated with a wreath; he wears a helmet with cheek-pieces lowered, decorated on the crown with a sea-horse, a sword hanging at his waist, and a mantle hanging over his arms; in his left hand is a spear, point downwards. On the right a bearded man, bald on the crown, Antandros, stands en face, but looking to the left; he is draped and wreathed, and wears shoes; his right hand rests on a crutch-staff. Above him is inscribed ΑΝΤΑΝΔΡΟΣ, Άντανδρος. On the left of the scene above Nike is inscribed EVAION KAΛΟΣ, Eύαίων καλός. (b) A king (?) and two women with armour. In the centre a bearded man, draped and wreathed with laurel, stands to right, holding upright in his right a sceptre. The woman on the right holds a sword by the sword-belt, the one on the left a tall crested helmet; each wears a long sleeved chiton and himation; the one on the right has a saccos, the other has her hair looped up with a fillet. Large style. Purple inscriptions and sword-belt. White is used for handles of swords and shield, for wreath on interior of shield, wreath of Antandros, sea-horse, and taenia in hand of one of the female figures in b. Brown inner markings. Eye in developed profile type. The edge of the hair and beard, and crest of helmet in a, are painted in brown. The shield and left arm of the warrior in a are drawn in bold foreshortening. Below, a continuous band, sets of three maeanders separated by dotted cross squares. Above a, a strip of alternate palmette and anthemion; above b, a strip of double palmettes set obliquely; below each handle, an ornament composed of seven palmettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured pelike, with ribbed handles. (a) Nike pouring wine for a warrior. On the left, Nike, in a sleeved Ionic chiton, and over it a Doric chiton schistos with black border (cf. BM Vase Ε494), hair looped up with a fillet, and a caduceus in her left hand, looks down, pouring-wine from an oinochoe in her right hand; beside her is inscribed NIKF, Νίκη. In the centre a bearded warrior stands en face, but looks at Nike, holding out in his right a phiale (half broken away); on his left arm is a shield, the interior coloured black and decorated with a wreath; he wears a helmet with cheek-pieces lowered, decorated on the crown with a sea-horse, a sword hanging at his waist, and a mantle hanging over his arms; in his left hand is a spear, point downwards. On the right a bearded man, bald on the crown, Antandros, stands en face, but looking to the left; he is draped and wreathed, and wears shoes; his right hand rests on a crutch-staff. Above him is inscribed ΑΝΤΑΝΔΡΟΣ, Άντανδρος. On the left of the scene above Nike is inscribed EVAION KAΛΟΣ, Eύαίων καλός. (b) A king (?) and two women with armour. In the centre a bearded man, draped and wreathed with laurel, stands to right, holding upright in his right a sceptre. The woman on the right holds a sword by the sword-belt, the one on the left a tall crested helmet; each wears a long sleeved chiton and himation; the one on the right has a saccos, the other has her hair looped up with a fillet. Large style. Purple inscriptions and sword-belt. White is used for handles of swords and shield, for wreath on interior of shield, wreath of Antandros, sea-horse, and taenia in hand of one of the female figures in b. Brown inner markings. Eye in developed profile type. The edge of the hair and beard, and crest of helmet in a, are painted in brown. The shield and left arm of the warrior in a are drawn in bold foreshortening. Below, a continuous band, sets of three maeanders separated by dotted cross squares. Above a, a strip of alternate palmette and anthemion; above b, a strip of double palmettes set obliquely; below each handle, an ornament composed of seven palmettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured pelike, with ribbed handles. (a) Nike pouring wine for a warrior. On the left, Nike, in a sleeved Ionic chiton, and over it a Doric chiton schistos with black border (cf. BM Vase Ε494), hair looped up with a fillet, and a caduceus in her left hand, looks down, pouring-wine from an oinochoe in her right hand; beside her is inscribed NIKF, Νίκη. In the centre a bearded warrior stands en face, but looks at Nike, holding out in his right a phiale (half broken away); on his left arm is a shield, the interior coloured black and decorated with a wreath; he wears a helmet with cheek-pieces lowered, decorated on the crown with a sea-horse, a sword hanging at his waist, and a mantle hanging over his arms; in his left hand is a spear, point downwards. On the right a bearded man, bald on the crown, Antandros, stands en face, but looking to the left; he is draped and wreathed, and wears shoes; his right hand rests on a crutch-staff. Above him is inscribed ΑΝΤΑΝΔΡΟΣ, Άντανδρος. On the left of the scene above Nike is inscribed EVAION KAΛΟΣ, Eύαίων καλός. (b) A king (?) and two women with armour. In the centre a bearded man, draped and wreathed with laurel, stands to right, holding upright in his right a sceptre. The woman on the right holds a sword by the sword-belt, the one on the left a tall crested helmet; each wears a long sleeved chiton and himation; the one on the right has a saccos, the other has her hair looped up with a fillet. Large style. Purple inscriptions and sword-belt. White is used for handles of swords and shield, for wreath on interior of shield, wreath of Antandros, sea-horse, and taenia in hand of one of the female figures in b. Brown inner markings. Eye in developed profile type. The edge of the hair and beard, and crest of helmet in a, are painted in brown. The shield and left arm of the warrior in a are drawn in bold foreshortening. Below, a continuous band, sets of three maeanders separated by dotted cross squares. Above a, a strip of alternate palmette and anthemion; above b, a strip of double palmettes set obliquely; below each handle, an ornament composed of seven palmettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured pelike, with ribbed handles. (a) Nike pouring wine for a warrior. On the left, Nike, in a sleeved Ionic chiton, and over it a Doric chiton schistos with black border (cf. BM Vase Ε494), hair looped up with a fillet, and a caduceus in her left hand, looks down, pouring-wine from an oinochoe in her right hand; beside her is inscribed NIKF, Νίκη. In the centre a bearded warrior stands en face, but looks at Nike, holding out in his right a phiale (half broken away); on his left arm is a shield, the interior coloured black and decorated with a wreath; he wears a helmet with cheek-pieces lowered, decorated on the crown with a sea-horse, a sword hanging at his waist, and a mantle hanging over his arms; in his left hand is a spear, point downwards. On the right a bearded man, bald on the crown, Antandros, stands en face, but looking to the left; he is draped and wreathed, and wears shoes; his right hand rests on a crutch-staff. Above him is inscribed ΑΝΤΑΝΔΡΟΣ, Άντανδρος. On the left of the scene above Nike is inscribed EVAION KAΛΟΣ, Eύαίων καλός. (b) A king (?) and two women with armour. In the centre a bearded man, draped and wreathed with laurel, stands to right, holding upright in his right a sceptre. The woman on the right holds a sword by the sword-belt, the one on the left a tall crested helmet; each wears a long sleeved chiton and himation; the one on the right has a saccos, the other has her hair looped up with a fillet. Large style. Purple inscriptions and sword-belt. White is used for handles of swords and shield, for wreath on interior of shield, wreath of Antandros, sea-horse, and taenia in hand of one of the female figures in b. Brown inner markings. Eye in developed profile type. The edge of the hair and beard, and crest of helmet in a, are painted in brown. The shield and left arm of the warrior in a are drawn in bold foreshortening. Below, a continuous band, sets of three maeanders separated by dotted cross squares. Above a, a strip of alternate palmette and anthemion; above b, a strip of double palmettes set obliquely; below each handle, an ornament composed of seven palmettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930, Pottery: red-figured neck-amphora. (a) Type of Menelaus pursuing Helen. Warrior with drawn sword pursuing a woman. He is bearded, wreathed, nude, with petasos hanging by cord at back, chlamys as shield on left arm, scabbard at waist, with brown snake ornament twisted round it, and rushes to right with a drawn sword in his right hand; the woman in chiton, himation, bracelets, earrings, and a radiated stephane, looks back, extending her right with a gesture of entreaty; with her left she raises the edge of her skirt. Between the figures, ΔΙΟΝΟΚΛΕΣ KAΛΟΣ, Διωνοκλής καλός. (b) A bald-headed old man (or woman?) in long chiton, himation and fillet, and carrying a crutch staff on his left arm, running to left, extending his right arm as if to aid the woman in a. In the field, KAΛΛΙΑΣ, above, KAΛΟΣ, Καλλίας καλός. Later stage of strong style. Purple inscriptions, wreath, fillet, cord of petasos, and swordbelt. Brown inner markings, folds of chiton in b, and bracelets. Hair of warrior edged with dots, beard with wavy strokes; hair and beard of old man left in brown outline. Eye of warrior of transition type (dotted circle in place of inner angle); the other eyes archaic. Below the scenes a continuous band, sets of five maeanders separated by red cross and dotted chequer squares. On the lower insertion of each handle, an inverted palmette. --The British Museum
- Description
- Pottery: red-figured neck-amphora. (a) Type of Menelaus pursuing Helen. Warrior with drawn sword pursuing a woman. He is bearded, wreathed, nude, with petasos hanging by cord at back, chlamys as shield on left arm, scabbard at waist, with brown snake ornament twisted round it, and rushes to right with a drawn sword in his right hand; the woman in chiton, himation, bracelets, earrings, and a radiated stephane, looks back, extending her right with a gesture of entreaty; with her left she raises the edge of her skirt. Between the figures, ΔΙΟΝΟΚΛΕΣ KAΛΟΣ, Διωνοκλής καλός. (b) A bald-headed old man (or woman?) in long chiton, himation and fillet, and carrying a crutch staff on his left arm, running to left, extending his right arm as if to aid the woman in a. In the field, KAΛΛΙΑΣ, above, KAΛΟΣ, Καλλίας καλός. Later stage of strong style. Purple inscriptions, wreath, fillet, cord of petasos, and swordbelt. Brown inner markings, folds of chiton in b, and bracelets. Hair of warrior edged with dots, beard with wavy strokes; hair and beard of old man left in brown outline. Eye of warrior of transition type (dotted circle in place of inner angle); the other eyes archaic. Below the scenes a continuous band, sets of five maeanders separated by red cross and dotted chequer squares. On the lower insertion of each handle, an inverted palmette. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: red-figured column-krater. (a) Peleus seizing Thetis. Peleus, beardless and wreathed, with short chiton and apoptygma, striding forward from left, has locked his arms around the body of Thetis, his hands clasped on her left shoulder. She moves away to right, looking round to left and extending her right arm, on which is an arching snake which bites the back of Peleus' head. She wears a long chiton, over which is a second long chiton of thicker material, undertied and with apoptygma, decorated with rows of dots and zigzags, and a necklace of beads. (b) A bearded satyr running at full speed to left, with one arm extended in front, the other behind, like the runners in the short foot-race on Panathenaic amphorae. Large style. Purple wreath. Fine brown inner markings, and folds of the upper part (not apoptygma) of Peleus' chiton. Eye in transition type. The hair of Peleus is edged with single wavy lines. Below, a thin purple line. Round the lowest part of the body, rays; round the neck, linked lotus-buds. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured column-krater. (a) Peleus seizing Thetis. Peleus, beardless and wreathed, with short chiton and apoptygma, striding forward from left, has locked his arms around the body of Thetis, his hands clasped on her left shoulder. She moves away to right, looking round to left and extending her right arm, on which is an arching snake which bites the back of Peleus' head. She wears a long chiton, over which is a second long chiton of thicker material, undertied and with apoptygma, decorated with rows of dots and zigzags, and a necklace of beads. (b) A bearded satyr running at full speed to left, with one arm extended in front, the other behind, like the runners in the short foot-race on Panathenaic amphorae. Large style. Purple wreath. Fine brown inner markings, and folds of the upper part (not apoptygma) of Peleus' chiton. Eye in transition type. The hair of Peleus is edged with single wavy lines. Below, a thin purple line. Round the lowest part of the body, rays; round the neck, linked lotus-buds. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured column-krater. (a) Peleus seizing Thetis. Peleus, beardless and wreathed, with short chiton and apoptygma, striding forward from left, has locked his arms around the body of Thetis, his hands clasped on her left shoulder. She moves away to right, looking round to left and extending her right arm, on which is an arching snake which bites the back of Peleus' head. She wears a long chiton, over which is a second long chiton of thicker material, undertied and with apoptygma, decorated with rows of dots and zigzags, and a necklace of beads. (b) A bearded satyr running at full speed to left, with one arm extended in front, the other behind, like the runners in the short foot-race on Panathenaic amphorae. Large style. Purple wreath. Fine brown inner markings, and folds of the upper part (not apoptygma) of Peleus' chiton. Eye in transition type. The hair of Peleus is edged with single wavy lines. Below, a thin purple line. Round the lowest part of the body, rays; round the neck, linked lotus-buds. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
66. Leave-taking
- Description
- Pottery: red-figured neck-amphora, with twisted handles. (a) Nike pouring wine, warrior. The warrior, on left, stands en face, with right hand on hip, and holding a spear upright in his left, and looks to right at Nike, who is also en face, but looks at him: she holds up in her left a caduceus, and pours wine on the ground from a jug in her right, her wings are spread on each side, and she wears a Doric chiton schistos, and a broad buckled band round her looped up hair: the warrior has a helmet with raised cheekpieces, frontal of projecting spirals, and a honeysuckle ornament on the crown, a cuirass with central stripe of scales and shoulder-pieces decorated with stars, a short chiton, and a sword. (b) Nike and a woman. Nike on right stands as before, extending her right as if addressing the woman on left, who holds a short-headed spear (?) or sceptre upright in her right; she wears an Ionic chiton and mantle; Nike a Doric chiton with apoptygma and broad girdle; each has the hair looped up with a fillet. Strong good period. Purple wine. Brown edge of hair and inner markings. Below, sets of three maeanders separated by oblique red cross squares. Round shoulder, guilloche: round lip, egg pattern: on each side of neck, a palmette with four tendrils: below each handle, two palmettes back-to-back, with a spiral tendril on each side. -- The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figure stemless kylix. Interior: Nereid on Hippocamp with greave of Achilles. Through the sea (indicated by wavy lines) the Hippocamp moves to right, bearing on its back, side-saddle, a Nereid in long chiton with apoptygma tied, long hair tied at the back and wreathed with olive, and earrings: she holds upright on her left palm, by its lower end, a greave, and extends her right as if directing the animal; it has the head and fore-quarters of a horse, wide open jaws with teeth, a spiny back in place of mane, and fins in place of fore-legs. The exergue is left red. Exterior: (a) Three youthful athletes: one in the centre sits on a bema of two steps, talking to one on right, who confronts him: on the left a third stands scraping his left arm with a strigil (apoxyomenos). Each wears a plain fillet with a vertical piece over the forehead. (b) Similar scene. A youth on right leans his left on a low fluted stele, and extends his right arm as if directing the movement of a second, who stands in a bent attitude, as if about to leap or run to right. On the left a third moves away, looking back and holding up in his left a lighted torch, such as was used in the torch-race (lampadedromia). All these have a fillet with three upright pieces rising from it. Late style. Waves, berries and stalks of wreaths, and centrepiece of fillet, white; brown wash on body of sea monster. Around the moulding on interior of lip, a wreath of ivy with berries. Around interior design, a band of sets of five maeanders separated by red cross squares. Beneath and beside the handles, triple palmette ornament. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured volute-krater. (a) Ajax seizing Cassandra at the Palladion. The image of the goddess stands in the centre on a double plinth; the feet, which are only suggested in the drawing, are close together; the pose is that of an archaic xoanon (wooden cult figurine), but the drapery, right arm and head, are quite free in treatment; the image stands en face, dressed in a long chiton with apoptygma, of which the skirt is decorated with a central band and two vertical rows of circles, and a short calathos spreading outwards; the spear is held across the body, as though she were striking downwards to right, and the shield has for device a horse (? seen in perspective) galloping to left; the hair is arranged over the forehead in a row of large formal curls. At the base of this on the right a woman (in the act of fleeing to left) has fallen and extends both arms to left, one on each side of the statue; on the left another woman flees, looking back and extending both arms; these two figures (perhaps Medesicaste and Polyxena) are dressed in Doric chiton with apoptygma, and saccos. On the right Ajax, beardless, with helmet tilted back, short chiton, cuirass, mantle at back over arms, spear and shield (device, a snake coiled, to left), runs to left, pursuing Cassandra, who extends both arms towards the Palladion; his right hand already grasps her long hair; she wears long chiton with sleeves undertied. (b) Departure of a youth. On the left Nike stands en face in long sleeved chiton, himation fastened on right shoulder, hair looped up with dotted fillet, wings spread on each side, resting left on the edge of a shield, and holding in right an oinochoe; she looks to right towards a youth in a short tied chiton, and radiated fillet, with mantle on left arm and petasos hanging at back, two spears in his left hand, who holds out in right a phiale towards her. Behind him a bearded man wreathed with laurel, wearing long sleeved chiton and himation, who looks on, holding upright in his right a staff; his hair has probably been white, now faded. On the right stands a woman holding a sceptre upright in her right; she wears a long sleeved chiton and an himation, and her hair is looped up with a radiated stephane decorated with maeander pattern. Late style. Surface discoloured by fire. Below, a band of maeanders broken by chequered squares; round shoulder, tongue-pattern; on moulding above neck, band of oblique pairs of palmettes back-to-back. Below handles, double palmette with tendrils. On moulded sides of handles, ivy pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
69. Woman at Altar
- Description
- Pottery: red-figured kylix. Interior: Within a circle of alternate maeanders and red cross squares, a woman standing to right before a burning altar in form of an Ionic capital with volutes and egg moulding, half seen on right, on which she is pouring wine from a phiale. She wears a sleeved chiton, a himation, and a saccos with purple loop at the end. Exterior: (a) Symposion: Three figures reclining to right on the ground-line; each leans his left arm on a cushion folded in two. The central figure, who is bearded, holds up in his right a chelys towards the left hand youth, who turns to receive it; the youth on the right holds against his breast a cotyle (black silhouette). Beside this figure hangs a basket, and beside the left hand figure his staff leans against the background. (d) Similar scene: In this case the central figure (a youth) turns to right, playing on the flutes, towards the youth on right, who, with head thrown back and right arm clasped over the crown, seems to be singing. The left hand youth holds out on his right a cotyle towards the left. On the right of the central figure hangs a basket, on the left a lyre. All the figures in both scenes wear himation over left shoulder, and fillet. Below the exterior scenes a red band, on which are painted a series of objects in black silhouette, as follows: below the bearded man in (a), a basket, next on right a pair of boots, a cotyle, oinochoe, kylix, keras, pair of sandals seen in perspective, a pair of boots, a cotyle, pair of boots, cotyle, kylix, oinochoe, pair of sandals in perspective. Purple is used for the flame, head-dresses, cords of basket and plectrum in exterior scenes. No inner markings. Eye in profile. Beneath each handle, a palmette, with tendrils terminating in a leaf. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
![[no caption] Steven Lowenstam Collection](/thumbnails/h/2/oregondigital-df694862h.jpg "[no caption] Steven Lowenstam Collection")
- Description
- On left is Lekythos, Vase E588 attributed to the Bowdoin Painter, created in 480-440 BCE, and measuring 13.335 cm in height. The vase was created in Attica, Central Greece and Euboea, Greece and is housed at British Museum, London, England, United Kingdom under Repository ID: 1851,0227.1. Pottery: red-figured lekythos. An owl to right looking back; behind, a tendril springing from the ground. The clay has been burnt to a pale ashen colour, and a foot in red clay, which does not belong, has been added. Drawing of good period. Below, key pattern; on the shoulder, a group of two palmettes, with one inverted between them, and two single palmettes; round the neck, rays. --The British Museum; In center is Lekythos, Old Catalogue 747, Vase E584 attributed to the Bowdoin Painter, created in 480-440 BCE, and measuring 29.21 cm in height. The vase was created in Attica, Central Greece and Euboea, Greece, discovered in Sicily, Italy and is housed at British Museum, London, England, United Kingdom under Repository ID: 1836,0224.70. Pottery: red-figured lekythos. Nike in a long undertied chiton, with hair falling loose (one tress in front of ear), fillet, and bracelets, flies to right, holding out in her right an oinochoe, in her left a phiale, from which wine flows on to a blazing altar having an Ionic capital, with three sashes attached to its shaft. Late and careless stage of severe style. Purple flames, wine, inscription and fillet. Below, pairs of maeander separated by black cross squares. On shoulder, which is left red, five black palmettes; round the neck, black rays. --The British Museum; On right is Lekythos, Vase E643 attributed to the Palermo Painter, created in 480-460 BCE, and measuring 29.21 cm in height. The vase was created in Attica, Central Greece and Euboea, Greece, discovered in Fikellura Cemetery, Tomb 43, Kámiros, Aegean Islands, Greece and is housed at British Museum, London, England, United Kingdom under Repository ID: 1864,1007.191.Pottery: red-figured lekythos. Nike, in long chiton, bordered mantle fastened on left shoulder, bracelets and fillet, hair falling loose down back, flies to right, holding phiale in left, and with right pouring wine from a jug over a blazing altar of a form developed from an Ionic capital, with necking of dots. The lower part of her legs and her feet are missing. Left-hand lower part of design missing. Late stage of severe style. Purple flame, inscription, wine, and ends of fillet. Eye in archaic type (inner angle open). Below, strip of maeander with red cross squares (mostly broken away). Round the neck, a band of rays. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured oinochoe with trefoil mouth. On the body and shoulder: Boreas seizing Oreithyia. Boreas, a winged bearded figure with long hair, wearing a sleeveless chitoniscos tied, and endromides with wings or flaps, rushes to left, seizing with both hands the left arm of Oreithyia, who flees, looking back and raising both hands with a gesture of alarm. She wears a woollen Ionic chiton, and a small himation fastened on the right shoulder, and her hair is looped up with a fillet (left red). On the left a Nymph (Herse?) flees, in a similar dress and attitude; her himation is fastened on the right shoulder, and her hair, confined with a fillet, falls down her back, with the ends fastened in a roll; she wears earrings. On the extreme right, Erechtheus, a bearded bald old man, is seated on a rock, closely muffled in an himation which conceals his mouth and the lower part of his head; he looks downward in an attitude of dejection, his right hand striking his forehead, his left resting on a crutch-staff. He wears a fillet, indicated by a thin black line. On the foot, incised characters. Severe style. Purple fillet of girl on left and surface of lip of the vase. Brown upper folds of the long chitons, markings of rock and of anatomy; also the ends of the hair and beard of Boreas. Eye of archaic type, with inner angle open. The lower folds of the chiton of Oreithyia are grouped in regular sets of six to eight; that of the girl on left has no folds shown. The hair and beard of the old man are indicated in outline only; those of Boreas are treated as a black mass, from which long brown strokes are drawn. Below, a thin red line; above, a strip of tongue pattern, and on each side a strip of net pattern. Around the lower part of the neck is a moulding, on which is a band of pairs of maeanders separated by red cross squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured oinochoe with trefoil mouth. On the body and shoulder: Boreas seizing Oreithyia. Boreas, a winged bearded figure with long hair, wearing a sleeveless chitoniscos tied, and endromides with wings or flaps, rushes to left, seizing with both hands the left arm of Oreithyia, who flees, looking back and raising both hands with a gesture of alarm. She wears a woollen Ionic chiton, and a small himation fastened on the right shoulder, and her hair is looped up with a fillet (left red). On the left a Nymph (Herse?) flees, in a similar dress and attitude; her himation is fastened on the right shoulder, and her hair, confined with a fillet, falls down her back, with the ends fastened in a roll; she wears earrings. On the extreme right, Erechtheus, a bearded bald old man, is seated on a rock, closely muffled in an himation which conceals his mouth and the lower part of his head; he looks downward in an attitude of dejection, his right hand striking his forehead, his left resting on a crutch-staff. He wears a fillet, indicated by a thin black line. On the foot, incised characters. Severe style. Purple fillet of girl on left and surface of lip of the vase. Brown upper folds of the long chitons, markings of rock and of anatomy; also the ends of the hair and beard of Boreas. Eye of archaic type, with inner angle open. The lower folds of the chiton of Oreithyia are grouped in regular sets of six to eight; that of the girl on left has no folds shown. The hair and beard of the old man are indicated in outline only; those of Boreas are treated as a black mass, from which long brown strokes are drawn. Below, a thin red line; above, a strip of tongue pattern, and on each side a strip of net pattern. Around the lower part of the neck is a moulding, on which is a band of pairs of maeanders separated by red cross squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured lekythos. Artemis pouring wine for Apollo. On the right Artemis, with long Ionic chiton, mantle, radiate fillet, and hair passed through folded cloth, stands to right, holding a bow in her left, a quiver with wing-shaped flap hanging at her back; she turns to left to pour wine from an oinochoe into a fluted phiale held by Apollo: he holds a chelys in his left hand, and has a short Ionic chiton, a mantle and a fillet; his long hair is looped up behind. On the foot an incised character. Late stage of severe style. Purple fillet, wine, bowstring, tuning-pegs, plectrum and its cord. Brown inner markings, edge of hair, and folds of both chitons. Eye in profile. Below, pairs of maeanders separated by dotted cross squares. On the shoulder, a triple palmette ornament; above, egg pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured situla (bucket) with Paris coming to abduct Helen, as Aphrodite and Eros watch. On the reverse are five men, perhaps competitors in a torch race. --The British Museum, Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967
75. Symposium
- Description
- Pottery: red-figured stamnos. (a) Symposion with Cottabos (wine-throwing game). The two figures on the right are as in the following vase, but wear ivy-wreaths; and the ephebos holds in his left a kylix, and has his lips parted as if singing. Above him, ΚΑΛΟΣ. The third figure is a youth, also wreathed with ivy, who holds in his right, by one handle, a footless kylix, and turns to right to look at his companions; the left arm of this figure is drawn in bold foreshortening. Between him and the central figure the flute-player stands to right: her hair is looped up behind with a broad fillet, and she wears cross-straps (stethodesma) across her breasts. Above her head, ΚΑΛΕ. In front of each couch is a table, on which is a row of small purple dots, from which a vine-branch hangs down in front. On the left hangs a chelys. (b) Three draped ephebi. The central one stands en face, and looks to right at another, who places his right upon his shoulder. The one on left rests his right on a staff. Purple stem and berries of ivy wreath, inscriptions, fillets, tuning-pegs of lyre, and vine on tables. The lower band of ornament has red cross squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
76. Symposium
- Description
- Pottery: red-figured stamnos. (a) Symposion with Cottabos (wine-throwing game). The two figures on the right are as in the following vase, but wear ivy-wreaths; and the ephebos holds in his left a kylix, and has his lips parted as if singing. Above him, ΚΑΛΟΣ. The third figure is a youth, also wreathed with ivy, who holds in his right, by one handle, a footless kylix, and turns to right to look at his companions; the left arm of this figure is drawn in bold foreshortening. Between him and the central figure the flute-player stands to right: her hair is looped up behind with a broad fillet, and she wears cross-straps (stethodesma) across her breasts. Above her head, ΚΑΛΕ. In front of each couch is a table, on which is a row of small purple dots, from which a vine-branch hangs down in front. On the left hangs a chelys. (b) Three draped ephebi. The central one stands en face, and looks to right at another, who places his right upon his shoulder. The one on left rests his right on a staff. Purple stem and berries of ivy wreath, inscriptions, fillets, tuning-pegs of lyre, and vine on tables. The lower band of ornament has red cross squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
77. Symposium
- Description
- Pottery: red-figured cup. INTERIOR: symposiast and girl dancer. A youth reclines against a large striped cushion on a couch (only the horizontal board shown) to the left. He is named ΠΙLΙΠΟΣ (retr.; for Philippos). He wears a dotted himation with a black border on his left shoulder and over his lower body and has a red wreath in his hair. He grips a pair of pipes in his left hand and holds his right arm out straight to the left in what might be a gesture to stop. His mouth is open. In front of the couch, to the left, dances a very young girl, named ΚΑLLIΣΤΟ, who has straight short-cut hair and wears a transparent chiton and a red wreath in her hair. She lifts up her chiton with both hands so that it is slightly raised, either to facilitate her dance or to reveal her ankles. Her left foot is off the ground and she looks downwards. To the right the narrow end of a three-legged table is shown (the rest being cut off by the tondo frame) on which are a skyphos (black handle outwards) and four red garlands. In the background behind the youth his spotted flute-case {sybene) is suspended and his knotty stick leans against the border. Border: groups of three units of stopt maeander (four-stroke, anticlockwise) alternating with dotted cross-squares. EXTERIOR: symposium. Side A (upper): two symposiasts accompanied by two hetairai and a youth with a barbiton. On the left a youth dressed in a himation (black border) and shoes leans against a fluted column with a plain block base and a Doric capital over a collar of ovolos. He has a red wreath in his blond hair (dilute glaze used) and holds out a barbiton (seven strings done in relief line) with both hands: a plektron (reserved handle; red end) is attached to its frame by a red cord (his chest and upper arms are lost). At the foot of the first couch sits a blond-haired hetaira wearing chiton, dotted himation with a battlement border, plain sakkos and disc earring, her feet resting on a plain block. She has a red wreath around her head and holds a large cup by the stem and one handle: on it is written KALE. She seems to look at the full cup with great concentration and her mouth is slightly open. Over the girl is written ΠILΟΝ KALΟΣ (for Philon). On the couch a youth reclines to the left, but turns his head back to the right, his mouth open. He wears a himation (battlement border at waist) and a thick reserved fillet, the tail of which he holds in his right hand. He leans against a striped cushion, his elbow actually on the turned post of the couch (all the couches on the exterior have dilute glaze strokes to indicate the grain of the wood). In front of his couch is a three-legged table. On the wall above his knee a footed food basket with red ties is suspended by a red loop. Over his head is written: ΔΕΜΟΝΙΚΟΣ. On the right stands a blond-haired woman wearing a chiton (dilute glaze folds on sleeves), a sakkos decorated with zigzags, a disc earring and a red wreath. She plays the pipes, a relief line to show that her cheeks are puffed. On the far right a bearded man reclines to the left. He wears a dotted himation and a red wreath. His left arm dangles down but his right holds a skyphos out to the right: his little finger juts out stiffly. In front of the couch is a three-legged table. Behind the pipe-player a knotty stick rests against the cushion of the first symposiast. Above his companion a footed food basket with red ties is hung from a red loop. Above him is written: ΑΡΙΣΤΟΚΡΑΤΕΣ. Side Β (lower): two symposiasts accompanied by two hetairai and a youth with a dipper and a strainer. On the extreme left is a fluted column with a plain block base and a Doric capital over an ovolo collar. A naked boy with a red wreath in his hair leans against it, his right leg flexed, his weight on his frontal left leg. He looks to the left, but his torso and left leg are frontal; his right leg is flexed behind so that it rests only on the toes. He holds a dipper with a long handle terminating in a duck's head and a strainer (the holes in the central perforated disc are done with dilute glaze). There is an accidental splash of added red on his left shoulder. Up on the right a food basket with red ties is suspended by a red loop and above it is written ΗΟΠΑΙΣΚΑLΟΣ. At the foot of the left-hand couch a woman sits on a plain stool with a plain cushion, playing the pipes. She is dressed in chiton (dilute glaze folds on the sleeves) and himation (black border) and has a red wreath around her short cut blond hair (dilute glaze). On the couch a bearded man reclines to the left. He has twisted his head and torso round to the right and holds out a skyphos in his right hand (little finger extended). He wears a dotted himation with a black border and has a red wreath in his hair. He leans against a striped cushion. Over his knee is hung a chelys lyre and under his couch rests a pair of boots (one in profile, one back view). Over his head is written his name: ΔΙΠΙLΟΣ (for Diphilos). Further to the right, beyond a spotted flute-case hanging in the field is written ΚΑLΟΣ. On the right hand couch are a hetaira and a youth. On the right is the youth, his dotted himation in disarray and his right foot raised. He has grasped the hetaira by her left wrist and has put his right hand on her left shoulder. He has a red wreath in his hair and leans against a striped cushion. His mouth is slightly open. The hetaira, who wears a chiton, girt at the waist with a black girdle, has her right hand under the youth's right elbow. Her right heel rests on the end of the couch; her left foot dangles beside it. Her hair has two wavy dilute lines below the main mass. Above and behind their legs a food basket with red ties hangs from a red loop; on the floor under the couch is an animal-legged footstool decorated with two stars — against it rests a pair of sandals (that in the centre seen from under the sole, that at the right hand end seen edge-on). Over their two heads is the inscription: ΝΙΚΟΠΙLΕ KALE (for Nikophile). Ground line: double reserved line. Relief line contour throughout (except hair); dilute glaze for minor interior markings; thick reserved line inside lip, thin outside; added red for inscriptions. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured pelike. Fine style. Brown edge of hair, lower folds of chitons in b, and necklace. Eye in profile, with eyelash. Below each side, a strip of maeander broken by red cross squares (diagonal); above, a strip of laurel wreath. At the lower insertion of each handle, a double palmette. (a) Apollo and Artemis. On the left Apollo, in long sleeved chiton and bordered himation fastened on right shoulder, his long hair looped up behind with the ends falling over, wreathed with laurel, stands holding a kithara attached to his left hand by a sash; in his right he holds out a phiale decorated with bosses within a wavy line. From the kithara a sash hangs, decorated with zigzags and dots, and a fringe. On the right Artemis in similar dress, her hair looped up with a radiated stephane, stands en face, but looks towards Apollo, holding in her right an oinochoe, and in her left a bow (bowstring not indicated). (b) Two women conversing; they stand in relatively the same positions as the figures in a. The one on the left raises her right over the open palm of her left; she wears a fillet, her companion a saccos decorated with pairs of dots; each wears a chiton and himation. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured kylix showing the deeds of Theseus. Interior: Within a circle of pattern consisting of sets of three maeanders separated by chequer squares, Theseus slaying the Minotaur. Theseus, with drawn sword in right, moves to left, looking back, and dragging with his left hand the Minotaur by the left horn out of a building. The Minotaur has apparently fallen forward, dying: only his head, right arm, and body to waist are visible, the rest being concealed behind the building: the surface of his bull's head and human body are covered with brown strokes, indicating hair. The building is represented by a Doric fluted column with entablature and triglyphs, forming a porch to the main building, which is itself represented by a broad vertical stripe of pattern, consisting of alternate labyrinth (?) patterns and chequer squares; this is partly cut off by the border of the design. In this, as in all the other scenes, Theseus is beardless and wears a fillet and a sword-belt with scabbard. Round the central design is a frieze composed of a series of groups representing six more of the Labours of Theseus in the following order, starting from the left handle and proceeding from left to right: (i) The sow of Crommyon springs upward to right against Theseus, who advances with sword drawn back and left hand raised and wrapped in a mantle as a shield. Beside the sow, in the background, an old woman stands, bending forward, with both arms outstretched towards Theseus, the left resting on a long staff with forefinger extended; she has a long chiton and a mass of white hair; her face is wrinkled, and the flesh of her arms covered with strokes, indicating hair. She is probably Crommyon, the personification or wood-nymph (see Loeschcke, loc. cit.) of the locality, (ii) Kerkyon: Theseus (on left) has gripped with his right the left arm and with his left the right side of his opponent, and, drawing the other's body towards him, throws Kerkyon backwards across his thighs: the left arm of Kerkyon hangs uselessly behind the back of Theseus, and with his right he vainly tries to loosen Theseus' grasp of his side. He has a short beard and hair and a fillet, and is bald over the forehead. Beside this group, a club hanging up and a spear or staff resting on end obliquely against the background. (iii) Procrustes has fallen backwards to left on his bed, supporting himself with his right hand, and, with left hand and foot feebly raised, tries to ward off the blow which Theseus, swinging over his back the double axe (pelekys), is dealing him. Procrustes has rough shaggy hair and beard: the bed is marked off into lengths by curved strokes of brown, (iv) Skiron: Theseus on left in three-quarter back view, swings over his head the foot-pan (podanipter) to strike down Skiron, who has fallen backwards to right on the hill in an attitude balancing that of Procrustes in iii: he is bald over the forehead, and has shaggy hair and beard; on the summit of the hill, beside Skiron, is a willow (?) tree; at the foot is the tortoise, half seen, as though climbing up out of water, (v) The Marathonian bull, charging violently to right, is checked by Theseus, who, with right leg supported against a rock and left knee pressed against the bull's shoulder, throws his weight back on a cord in his left which is fastened to the animal's horns, and throws it back on its haunches; in his right he holds a club, (vi) Sinis Pityocamptes, seated on a hill-top beside a tall pine-tree, is dragged to left by Theseus, who has seized him by the right arm in one hand and with the other draws down the top of the pine-tree. Sinis has thrown one arm around the pine and presses his right foot against the rock in scene v: with his left foot drawn up he struggles to rise: his body and this leg are towards the spectator. At the foot of the hill the outline of a tortoise has been drawn in error and left unfinished; the hill conceals the hind legs of the sow in i. Exterior: Here the six scenes just described are repeated in their corresponding positions; each figure, however, standing immediately below the corresponding one of the interior, so that here the relative positions are reversed. There are slight differences in points of detail: in (i) the left hand of Crommyon leaning on the staff is drawn back; in (ii) Kerkyon is characterised as a pancratiast by the bruised face and large shapeless ear; between (i) and (ii) hang a pilos; in (v) the rock is not shown; and in (vi) no hill is given, Sinis merely kneels to right on the ground-line, out of which the pine-tree grows: here again his body is en face, and his bent right leg is drawn in bold foreshortening. The human opponents of Theseus throughout all the scenes have an irregular profile and wrinkled forehead, in contrast to the regular outline of the face of Theseus. On the bottom of the foot engraved characters. Purple (or vermilion, ? now faded to grey) is used for the leaves of trees, strings of pilos, and cord tied to bull; white for the hair of Crommyon. Brown inner markings for anatomy, surface of hills, tortoise-shell, and skin of Minotaur, &c. The eye is of the realistic profile type. Below the exterior scenes is a band of pattern like that round the interior medallion; below each handle an ornament formed by a palmette resting on one half seen, with side tendrils. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured hydria. Depicted on this hydria is the rape of Kassandra by the lesser Ajax, son of Oileus, in Athena's temple at Troy. In the centre, the Trojan princess Kassandra kneels on the base of the statue of Athena, the Palladion. Her hair is loose and her drapery hangs from her left shoulder, leaving her upper body bare. She embraces the statue with both arms. An oinochoe lies below her on the base. Pallas Athena is portrayed wearing a peplos and carrying a shield on her left arm and a spear in her raised right hand. She wears an elaborate helmet to which feathers are attached. At the left, the Greek warrior Ajax seizes Kassandra by her hair. Ajax is nude except for a chlamys tied in front with a bulky, round brooch. On his head is a crested Corinthian helmet with added large feathers. His left foot is on the base of Athena's statue, and he raises a sword in his right hand. A phiale hangs above his head, part of the temple's ritual equipment. Two other phialai appear in the field to the right and left above the subordinate figures. To the right of the central group, the old priestess of Athena, Theano, with short white hair, runs away but looks back at the sacrilege about to occur. She still clutches the temple key in her left hand. Above her head, an owl, the sacred bird of Athena, flies carrying a wreath. At the far right a young girl in a peplos looks back as she turns to flee. At the left, above Ajax, a goddess is seated with a scepter in her left hand and a small round object in her extended right hand. It has been suggested that this is Aphrodite with the Apple of Discord, a reference to the origins of the Trojan War. Behind Ajax and much smaller in scale is another Greek warrior. He too wears a chlamys tied in front and an elaborate helmet, and he carries a shield and spear. This scene occupies the front of the hydria. Other parts are decorated with palmettes, volutes and stylized floral ornaments. An olive wreath with central rosette decorates the neck. The rim is decorated with a band of ovolo pattern, the shoulder with tongues. A band of wave-pattern runs under the central scene around the entire vase. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D, The Red-Figured Vases of Lucania, Campania and Sicily, Clarendon Press, 1967; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
81. Arming Satyr
- Description
- Pottery: red-figured pelike. (a) Bearded satyr arming, and Maenad. The satyr, on left, wearing a helmet with raised cheek-pieces, lifts his left leg, putting on it a greave; the other greave stands upright on the ground below. The Maenad stands ready with the other arms of the satyr, a thyrsos held upright in her right hand, and a pardalis (for his shield) hanging from her left forearm. She wears a sleeved chiton, a saccos, and earrings. The thyrsos has four shoots of ivy, three on the head and one on the stem. The phallos of the satyr is recurved. (b) Dionysos and a Maenad. Dionysos, on the left, stands pouring a libation from a cantharos in his right hand; in his left he holds a forked branch of ivy. He is bearded, with long hair looped up and wreathed with ivy; wears sleeved chiton and himation. The Maenad stands with a thyrsos, as in a; wears sleeved chiton and himation covering the left arm, and earrings; her hair is looped up with a fillet. Strong style. Purple leaves of ivy, and wine. Brown inner markings and upper folds of chiton in b. Eye in archaic type. Below and above, sets of two opposed maeanders separated by red cross squares. On the lower insertion of each handle, a double palmette. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
82. Altar Scene
- Description
- Pottery: red-figured cup. Foot now removed. INTERIOR: seated man at altar. A bearded man sits to the right on a plain stool clad in a himation (black border). With his right hand he pours a libation from a phiale over an altar, his left rests on the crutch of a plain stick. He wears a reserved apicate fillet and has high relief dots for the curls of his hair below it. His mouth is slightly open, suggesting the prayer that goes with a libation. The phiale is of the lobed or bossed type (relief line lobes, dilute glaze dashes within): the wine of the libation being poured is shown by a splash of red that covers the end of the phiale and the edge of the altar. The altar has two further splashes of red on it, presumably from an earlier sacrifice. Its top has an ovolo moulding above which is a volute-ended crown and a fire-brick. In the field on the right hangs a cup, seen from underneath. On the left of the man are hung a sponge, aryballos (circumscribed cross) and net bag with a loop at the bottom. Reserved exergue with a line at the top. Border: alternating false maeander (twelve-stroke, alternately clockwise and anticlockwise; repeated clockwise unit at three o'clock) and blackened cross-square. EXTERIOR: komos. Side A (upper): four dancing komasts and another. On the far left, a man moves to the right, but with his head turned back and down to the left. He wears a himation with a black border (as all the other komasts on the exterior) over his shoulders, his left hand holding up a bunch of folds above his left shoulder. His right hand must have held the plain stick (fragment with hand, shoulder and touch of forehead, with palmette, missing), which crosses his body. He, like all the other komasts, wears a thick reserved headband decorated with wavy dilute glaze lines and has relief dots over neck and forehead. The next komast moves to the right, but again looks back and down to the left. He has his himation over his shoulders and similarly picks at the folds on his left shoulder. He holds a large black skyphos in his right hand in front of his chest. It has a reserved lip and a reserved band below handle level. His right leg is shown in an awkward three-quarter view and his torso is frontal. In the centre a dancing man is shown in a particularly lively pose. He wears a himation over his shoulders and up over the back of his head. His legs are splayed, the right one bent up high; his torso frontal. His hands are clasped together on the right, the fingers and thumbs clearly entwined, index fingers raised. To the right of him a man moves to the left, head turned back to the right and up. His left arm and shoulder are covered with a himation; his right arm is bent up with the fingers slightly spread. His torso is frontal and his left foot seen in three-quarter frontal view. On the far right a man wearing a himation in the normal fashion moves to the left. He holds a cup in his left hand, handle towards the viewer. His right arm is raised, as if directing the dancers. Side Β (lower): five komasts, one with frontal head. On the far left is a man moving to the right, but with his head turned back and down to the left. He has a himation over his shoulders (his left shoulder is missing) and holds a cup by its handle in his left hand (index finger pointed). He puts his right hand up to his thick reserved headband. To the right of him a man moves to the right, seen fully in profile, with a himation over his right upper arm and left shoulder. He holds a cup out in his right hand. His left hand is also outstretched, as if to catch any drips. In the centre a man with a himation round his shoulders moves to the left. He holds a skyphos in his left hand, which he seems to look down at with intense concentration, and holds up his right hand. His penis is infibulated. On the right a man moves away to the right, but looks back and down to the left, his torso frontal. He holds a black cup in his left hand and holds his right up in the air. On the far right a man moves to the left, a himation round his shoulders. His head is fully frontal. He holds a cup in his left hand by the foot (handle outwards) and his right hand reaches up to his thick headband. At either handle: floral complex with a circumscribed palmette either side of the handles and a pair of addorsed palmettes under the handles; spiral terminals and dots. Ground line: single reserved line. Relief line contour throughout (double for hair); dilute glaze for minor interior markings; reserved line inside and outside lip; inscriptions in added red. --The British Museum, Williams, Dyfri, Corpus Vasorum Antiquorum: Great Britain 17, British Museum 9, London, BMP, 1993; A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
83. Cassandra?
- Description
- Pottery: red-figured neck-amphora. (a) Ajax seizing Cassandra (?). In place of the Palladion is an archaic image of Apollo, in the form of a long-haired, beardless youth, en face, with hands at sides and feet close together, a black line drawn horizontally across the waist; this figure stands on a square base, resting on a plinth on the left. Cassandra, in sleeved chiton with apoptygma tied, and himation over her shoulders, with hair flying loose in long wavy tresses, has fled to the statue; and with one foot on the plinth she is in the act of throwing both arms around its waist, but is dragged back by Ajax, who, with right foot raised, has seized her with his right hand by the hair. He is bearded, and has a helmet tilted back, shield (device, a lion in silhouette, springing to left), spear, and greaves decorated with spirals. Beneath his shield hangs an end of drapery which is not shown elsewhere. (b) Bearded man in himation, standing to right, resting right hand on a staff. Late stage of strong style. Brown inner markings and (very light yellowish) for hair of Apollo. Eyes of Apollo of archaic type. Greater part of figure of Ajax destroyed, only the head, right arm and shoulder, right knee and calf of leg being preserved, though the outline of the rest remains. Below a, sets of three maeanders separated by dotted crosses; below b, key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
84. Cassandra?
- Description
- Pottery: red-figured neck-amphora. (a) Ajax seizing Cassandra (?). In place of the Palladion is an archaic image of Apollo, in the form of a long-haired, beardless youth, en face, with hands at sides and feet close together, a black line drawn horizontally across the waist; this figure stands on a square base, resting on a plinth on the left. Cassandra, in sleeved chiton with apoptygma tied, and himation over her shoulders, with hair flying loose in long wavy tresses, has fled to the statue; and with one foot on the plinth she is in the act of throwing both arms around its waist, but is dragged back by Ajax, who, with right foot raised, has seized her with his right hand by the hair. He is bearded, and has a helmet tilted back, shield (device, a lion in silhouette, springing to left), spear, and greaves decorated with spirals. Beneath his shield hangs an end of drapery which is not shown elsewhere. (b) Bearded man in himation, standing to right, resting right hand on a staff. Late stage of strong style. Brown inner markings and (very light yellowish) for hair of Apollo. Eyes of Apollo of archaic type. Greater part of figure of Ajax destroyed, only the head, right arm and shoulder, right knee and calf of leg being preserved, though the outline of the rest remains. Below a, sets of three maeanders separated by dotted crosses; below b, key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: red-figured neck-amphora. (a) Ajax seizing Cassandra (?). In place of the Palladion is an archaic image of Apollo, in the form of a long-haired, beardless youth, en face, with hands at sides and feet close together, a black line drawn horizontally across the waist; this figure stands on a square base, resting on a plinth on the left. Cassandra, in sleeved chiton with apoptygma tied, and himation over her shoulders, with hair flying loose in long wavy tresses, has fled to the statue; and with one foot on the plinth she is in the act of throwing both arms around its waist, but is dragged back by Ajax, who, with right foot raised, has seized her with his right hand by the hair. He is bearded, and has a helmet tilted back, shield (device, a lion in silhouette, springing to left), spear, and greaves decorated with spirals. Beneath his shield hangs an end of drapery which is not shown elsewhere. (b) Bearded man in himation, standing to right, resting right hand on a staff. Late stage of strong style. Brown inner markings and (very light yellowish) for hair of Apollo. Eyes of Apollo of archaic type. Greater part of figure of Ajax destroyed, only the head, right arm and shoulder, right knee and calf of leg being preserved, though the outline of the rest remains. Below a, sets of three maeanders separated by dotted crosses; below b, key pattern. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B; Forsdyke, E J, Corpus Vasorum Antiquorum: Great Britain 7, British Museum 5, London, BMP, 1930
- Description
- Pottery: red-figured bell-krater (wine-bowl). Designs in panels, red on black ground, with accessories of white and purple. Above the designs, (a) ivy-wreath and egg-moulding, (b) laurel-wreath; under the handles, palmette-patterns; below the designs, (a) maeander and chequer, (b) wave-pattern. (a) Alcmene appealing to Zeus against Amphitryon: In the centre is Alcmene, seated to left on an altar, which is painted white with egg-moulding along the top and an imitation of triglyphs below (markings in yellow); in front of it is erected a pyre of round logs. She has long curls, necklace and bracelets, an embroidered veil over her head, long chiton and apoptygma embroidered with chequer, palmettes, and other patterns, girdle with white studs, and sandals; her right hand is raised in supplication. Above the design is incised: ΑΛΚΜΗΝΗ, 'Αλκμήνη. On the right is Amphitryon to left setting fire to the pyre with a torch in each hand; he is bearded, with long hair, short embroidered chiton with engrailed and palmette patterns and border of white dots, embroidered chlamys with border of chequer over his arms, endromides, and purple cross-belt from which hangs a sheathed sword; above him is incised: ΑΜΦΙΤΡΥΩΝ, Άμφιτρύων. On the left is Antenor starting back to left, looking to right, beardless, with long curls, white pilos, short sleeved embroidered chiton with borders of engrailed and wave patterns, girdle and cross-belt with astragalus pattern, embroidered chlamys with border of dots, fastened with a fibula in front, and endromides; between his legs is a fallen yellow prochoos; above him is incised: ΑΝΤΗΝΩΡ, Άντήνωρ. Over the altar is a purple and white rainbow enclosing a black space which is filled with white dots, representing drops of the rain sent in answer to Alcmene's prayer; below the pyre are two white thunderbolts, as if cast by Zeus at Amphitryon and Antenor. On each side of the rainbow, on a higher level (indicated by a wavy white line ending in a palmette), is the upper half of a female figure pouring water out of a hydria, which is indicated by black and white streaks; these two figures are the Hyades. The one on the left has long hair, a broad purple fillet with white chevron pattern, necklace, long purple chiton embroidered with white dots, and white girdle; the other has her hair tied in a club with a purple fillet embroidered with white dots, which goes twice round her head; otherwise she is attired as the first. On the left, on the same level, is the upper part of Zeus to right, bearded, with long curls, wreath, and drapery over left shoulder with chequer border, in right hand a sceptre, left extended; he is inscribed ΙΕΥΣ, Ζέυς. On the right is Eos to left, with hair gathered in a knot at the back under a purple cap embroidered with white dots, earrings, necklace, long chiton and apoptygma, embroidered with palmettes and engrailed border; in right hand she holds up a mirror; above her is inscribed ΑΩΣ, (Ή)ώς. Under the lip of the vase is incised: ΠΥΘΩΝΕΓΡΑΦΕ, Πυθων έγραφε. (b) Dionysiac scene: In the centre is Dionysos, moving to right and looking to left, beardless, with long curls, round which is a taenia tied at the back, shoulder-belt with white dots, chlamys with border of dots over left arm, shoes, thyrsos in left hand, to which is tied a purple taenia; in right hand a wreath from which hangs a purple taenia. On either side is a Maenad dancing to right, the one on the right looking back. The one on the left has long curls, wreath, necklace, bracelets, long girt chiton and apoptygma reaching to the hips with borders of wave-pattern and dots, fastened with fibulae on the shoulders, shoes, thyrsos in right hand to which a purple taenia is tied, left hand raised. The one on the right has long curls, one of which hangs down in front of her face, wreath, necklace, bracelets, long transparent chiton embroidered with dots, which has slipped off her right shoulder, thyrsos in left hand with purple taenia tied to it, wreath in right at which she is looking. On a higher level are seen the upper parts of three figures: a youthful Satyr on the left, a youthful male figure in the centre, and Pan on the right. The Satyr wears wreath and shoulder-belt of white beads, and holds out a tympanon in left hand to the youth who faces him; he has a wreath, shoulder-belt as the Satyr, and thyrsos in left hand. Pan is to left, with small beard and moustache, wreath and shoulder-belt as the others; his body is stippled all over, and part of the goat-skin is visible; his hands are raised as if in astonishment. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
- Description
- Pottery: red-figured bell-krater (wine-bowl). Designs in panels, red on black ground, with accessories of white and purple. Above the designs, (a) ivy-wreath and egg-moulding, (b) laurel-wreath; under the handles, palmette-patterns; below the designs, (a) maeander and chequer, (b) wave-pattern. (a) Alcmene appealing to Zeus against Amphitryon: In the centre is Alcmene, seated to left on an altar, which is painted white with egg-moulding along the top and an imitation of triglyphs below (markings in yellow); in front of it is erected a pyre of round logs. She has long curls, necklace and bracelets, an embroidered veil over her head, long chiton and apoptygma embroidered with chequer, palmettes, and other patterns, girdle with white studs, and sandals; her right hand is raised in supplication. Above the design is incised: ΑΛΚΜΗΝΗ, 'Αλκμήνη. On the right is Amphitryon to left setting fire to the pyre with a torch in each hand; he is bearded, with long hair, short embroidered chiton with engrailed and palmette patterns and border of white dots, embroidered chlamys with border of chequer over his arms, endromides, and purple cross-belt from which hangs a sheathed sword; above him is incised: ΑΜΦΙΤΡΥΩΝ, Άμφιτρύων. On the left is Antenor starting back to left, looking to right, beardless, with long curls, white pilos, short sleeved embroidered chiton with borders of engrailed and wave patterns, girdle and cross-belt with astragalus pattern, embroidered chlamys with border of dots, fastened with a fibula in front, and endromides; between his legs is a fallen yellow prochoos; above him is incised: ΑΝΤΗΝΩΡ, Άντήνωρ. Over the altar is a purple and white rainbow enclosing a black space which is filled with white dots, representing drops of the rain sent in answer to Alcmene's prayer; below the pyre are two white thunderbolts, as if cast by Zeus at Amphitryon and Antenor. On each side of the rainbow, on a higher level (indicated by a wavy white line ending in a palmette), is the upper half of a female figure pouring water out of a hydria, which is indicated by black and white streaks; these two figures are the Hyades. The one on the left has long hair, a broad purple fillet with white chevron pattern, necklace, long purple chiton embroidered with white dots, and white girdle; the other has her hair tied in a club with a purple fillet embroidered with white dots, which goes twice round her head; otherwise she is attired as the first. On the left, on the same level, is the upper part of Zeus to right, bearded, with long curls, wreath, and drapery over left shoulder with chequer border, in right hand a sceptre, left extended; he is inscribed ΙΕΥΣ, Ζέυς. On the right is Eos to left, with hair gathered in a knot at the back under a purple cap embroidered with white dots, earrings, necklace, long chiton and apoptygma, embroidered with palmettes and engrailed border; in right hand she holds up a mirror; above her is inscribed ΑΩΣ, (Ή)ώς. Under the lip of the vase is incised: ΠΥΘΩΝΕΓΡΑΦΕ, Πυθων έγραφε. (b) Dionysiac scene: In the centre is Dionysos, moving to right and looking to left, beardless, with long curls, round which is a taenia tied at the back, shoulder-belt with white dots, chlamys with border of dots over left arm, shoes, thyrsos in left hand, to which is tied a purple taenia; in right hand a wreath from which hangs a purple taenia. On either side is a Maenad dancing to right, the one on the right looking back. The one on the left has long curls, wreath, necklace, bracelets, long girt chiton and apoptygma reaching to the hips with borders of wave-pattern and dots, fastened with fibulae on the shoulders, shoes, thyrsos in right hand to which a purple taenia is tied, left hand raised. The one on the right has long curls, one of which hangs down in front of her face, wreath, necklace, bracelets, long transparent chiton embroidered with dots, which has slipped off her right shoulder, thyrsos in left hand with purple taenia tied to it, wreath in right at which she is looking. On a higher level are seen the upper parts of three figures: a youthful Satyr on the left, a youthful male figure in the centre, and Pan on the right. The Satyr wears wreath and shoulder-belt of white beads, and holds out a tympanon in left hand to the youth who faces him; he has a wreath, shoulder-belt as the Satyr, and thyrsos in left hand. Pan is to left, with small beard and moustache, wreath and shoulder-belt as the others; his body is stippled all over, and part of the goat-skin is visible; his hands are raised as if in astonishment. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
88. Dancing Maenad
- Description
- Pottery: red-figured skyphos (cup). Designs red on black ground, with accessories. Above each design, egg-moulding; below, all round, wave-pattern; under the handles, palmettes. (a) Aegipan moving to left, beardless, with wreath, two short horns in front, string of beads over right shoulder; goat's legs and lower part of body covered with shaggy hair; in left hand a thyrsos with taenia tied round it, in right he holds out a rhyton. In the field, two rosettes of dots. (b) Female figure dancing to left, with head thrown right back, bushy hair, long chiton with a stripe down the front, sandals, bracelet on right arm which is extended, in left a staff. Behind her hang a taenia and a mirror; below is a rosette of dots. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
![[No Caption] Steven Lowenstam Collection](/thumbnails/f/0/oregondigital-df692670f.jpg "[No Caption] Steven Lowenstam Collection")
- Description
- Pottery: red-figured squat lekythos (oil-bottle). Design red on black ground, with occasional white accessories. At the back, a palmette and tendrils. Thrush to right, on stony ground; in the field, a taenia. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
- Description
- Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926, Pottery: red-figured bell-krater (wine-bowl) with Orestes kneeling beside the omphalos and tripod at Delphi, as he seeks sanctuary from the avenging Furies. Athena and Apollo intervene on his behalf and he is purified of the killing of his mother. --The British Museum
- Description
- Pottery: red-figured bell-krater (wine-bowl) with Orestes kneeling beside the omphalos and tripod at Delphi, as he seeks sanctuary from the avenging Furies. Athena and Apollo intervene on his behalf and he is purified of the killing of his mother. --The British Museum, Smith, A H; Pryce, F N, Corpus Vasorum Antiquorum: Great Britain 2, British Museum 2, London, BMP, 1926
![[No Caption] Steven Lowenstam Collection](/thumbnails/4/7/oregondigital-df6926674.jpg "[No Caption] Steven Lowenstam Collection")
- Description
- Pottery: red-figured neck-amphora (jar) with a seated woman. --The British Museum
93. Death of Prokris
- Description
- Pottery: red-figured column-krater. (a) The death of Procris. Procris, in a short chiton which leaves her right shoulder bare, falls wounded to right, with her left hand and knee on raised ground with her right she vainly tries to pull out the spear which has pierced her beside the right breast; her head, en face, falls on her right shoulder, and her eyes are closed above her to the left, a Harpy (?) waiting for her soul. On the left, Kephalos with chlamys and petasos at back, resting right on a club, stands en face, looking on, beating his forehead with his left with a gesture of sorrow. His hound, which he holds by a cord round its neck, stands with nose raised, sniffing at Procris. On the right Erechtheus, the father of Procris, rushes forward, extending his right arm with a gesture of dismay; he is bearded and wreathed and has a mantle, and a sceptre along his left arm. (b) Three draped ephebi conversing: the central one looks to right, the two others staff in hand. Late stage of large style. Purple cord and ground-line. Brown inner marking and edge of hair. Eye in profile. On each side of each design, ivy pattern; above, tongue pattern; forming panel. Round the neck and on the upper surface of the lip, linked lotus-buds; round lip, ivy pattern; on the upper surface of each handle, a palmette. All these patterns black on red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
94. Death of Prokris
- Description
- Pottery: red-figured column-krater. (a) The death of Procris. Procris, in a short chiton which leaves her right shoulder bare, falls wounded to right, with her left hand and knee on raised ground with her right she vainly tries to pull out the spear which has pierced her beside the right breast; her head, en face, falls on her right shoulder, and her eyes are closed above her to the left, a Harpy (?) waiting for her soul. On the left, Kephalos with chlamys and petasos at back, resting right on a club, stands en face, looking on, beating his forehead with his left with a gesture of sorrow. His hound, which he holds by a cord round its neck, stands with nose raised, sniffing at Procris. On the right Erechtheus, the father of Procris, rushes forward, extending his right arm with a gesture of dismay; he is bearded and wreathed and has a mantle, and a sceptre along his left arm. (b) Three draped ephebi conversing: the central one looks to right, the two others staff in hand. Late stage of large style. Purple cord and ground-line. Brown inner marking and edge of hair. Eye in profile. On each side of each design, ivy pattern; above, tongue pattern; forming panel. Round the neck and on the upper surface of the lip, linked lotus-buds; round lip, ivy pattern; on the upper surface of each handle, a palmette. All these patterns black on red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
95. Sack of Troy
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water). Designs red on black ground, with white accessories. Round the lip, egg-moulding; underneath, laurel-wreaths. Above the design, on the neck, ivy-wreath; at the back of the neck, ivy-wreath and palmettes. Below the handles, palmettes; above each design on the body, tongue-pattern, and below all round, maeander and crosses. The handles terminate in swans' heads below, and above in female masks with rams' horns, in front white with black hair and yellow markings, at the back black throughout. On the neck in front : Dionysiac thiasos: In the centre is Dionysos moving rapidly to right, looking back; he is beardless, with long hair, wreath, bordered chlamys over left arm held up in right hand, thyrsos in left. On either side of him is a Maenad moving to right, with hair gathered in a bunch behind, earrings, necklace, bracelets, and long girt chiton; the one on the left has a thyrsos in right hand and a blazing torch in left; in front of her is a tendril. The other has a radiated ampyx, chiton over left shoulder, and a tympanon in left hand; she looks upwards, and before her is an altar, on which is a fruit. On the body: (a) Iliupersis: (1.) In the centre is represented Ajax seizing Cassandra: In front of a xoanon of Athene is an altar with wave-pattern on the cornice and imitation triglyphs and metopes in front; the statue looks to right and has long hair, high-crested helmet, long chiton with a stripe of chevrons down the front bordered by wave-patterns, girdle with white studs, aegis at back with snake-border, double-pointed spear couched in right hand, shield on left arm. On the altar is Cassandra, seated to left with face to front, clasping the statue with both hands; she has long dishevelled hair, necklace, bracelets, long girt bordered chiton over right shoulder, with apoptygma. On the right stands Ajax to left with right foot slightly raised, beardless, with curly hair, white high-crested helmet, bordered chlamys over left shoulder confined by a belt with white spots, sword slung at side, long spear in left hand; in right hand is his shield (device of four-spoked wheel in white on black, surrounded by a broad white band, outer rim of white dots), which he is laying down before seizing Cassandra. Below the altar is a prochoos lying on its side. On the right is Hecuba, or an aged priestess, running away and looking back, with white hair and eyebrows, double yellow fillet, sandals, long chiton and apoptygma reaching to the knees, embroidered down the front, and himation wrapped round her, right hand raised, left extended. (2.) On the left, the sacrifice of Polyxena is represented. Polyxena is fallen to right at the foot of the statue, clasping it with both arms; she has long dishevelled hair, necklace, bracelets, long girt chiton with a stripe down the side. Behind her is Odysseus running up to carry her off, with left hand extended to seize her; he is beardless, with white pilos, bordered chlamys fastened with a fibula in front, sword slung at side, long double-pointed spear in right hand. Above the scene on the left is Athene seated to right, with hair in a knot at the back tied with a double fillet, earrings, necklace, bracelets, aegis spotted white with snakes in front and radiated border with white zigzags, long chiton and apoptygma with border as the aegis, spear in right hand. Behind her is an Ionic column, round which is a string of large beads ending in tassels. (3.) Above are Anchises and Ascanios departing to right; Anchises is partly bald, with white hair, beard, and eyebrows, bordered embroidered himation over left arm, and staff in left hand; with right hand he leads Ascanios, who has a bordered himation over left arm. Behind them is a laurel-tree, and above are seen the segments of two shields, white with a border of dots. The ground-lines are indicated by white dots. (b) Departure of a warrior (?): In the centre is a beardless warrior to left with right foot raised on a rock, pilos, endromides, bordered himation over left shoulder, and spear in right hand; his left hand rests on his shield, which has a four-spoked wheel as device, with dots round the rim. Facing him is a beardless warrior with pilos slung at back, fillet, chlamys over his arms, endromides, spear in right hand, two fingers of left hand raised, as if addressing the other. Behind on a slightly higher level is a female figure to right with hair in a knot behind, embroidered opisthosphendone, earrings, necklace, bracelets, long girt chiton with apoptygma reaching to the hips, sandals, situla in right hand; in left hand she holds out phiale. Behind her hangs an embroidered taenia; above the warriors is seen part of a shield with device of an eight-point star and border of dots, and an open window with double shutter on which are rows of white spots. On the right is a youth seated to right looking, back, with fillet, drapery under him, and spear in left hand; on a higher level is a female figure to right looking back, with hair in a knot, earrings, necklace, bracelets, long girt chiton with apoptygma; with right hand she draws forward her drapery from behind. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D; Cambitoglou, Alexander, The red-figured vases of Apulia, Volumes 1-2, Oxford, Clarendon press, 1978; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
96. Iphigenia
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water). Designs red on black ground, with white accessories. Round the lip, egg-moulding; underneath, laurel-wreaths. Above the design, on the neck, ivy-wreath; at the back of the neck, ivy-wreath and palmettes. Below the handles, palmettes; above each design on the body, tongue-pattern, and below all round, maeander and crosses. The handles terminate in swans' heads below, and above in female masks with rams' horns, in front white with black hair and yellow markings, at the back black throughout. On the neck in front : Dionysiac thiasos: In the centre is Dionysos moving rapidly to right, looking back; he is beardless, with long hair, wreath, bordered chlamys over left arm held up in right hand, thyrsos in left. On either side of him is a Maenad moving to right, with hair gathered in a bunch behind, earrings, necklace, bracelets, and long girt chiton; the one on the left has a thyrsos in right hand and a blazing torch in left; in front of her is a tendril. The other has a radiated ampyx, chiton over left shoulder, and a tympanon in left hand; she looks upwards, and before her is an altar, on which is a fruit. On the body: (a) Iliupersis: (1.) In the centre is represented Ajax seizing Cassandra: In front of a xoanon of Athene is an altar with wave-pattern on the cornice and imitation triglyphs and metopes in front; the statue looks to right and has long hair, high-crested helmet, long chiton with a stripe of chevrons down the front bordered by wave-patterns, girdle with white studs, aegis at back with snake-border, double-pointed spear couched in right hand, shield on left arm. On the altar is Cassandra, seated to left with face to front, clasping the statue with both hands; she has long dishevelled hair, necklace, bracelets, long girt bordered chiton over right shoulder, with apoptygma. On the right stands Ajax to left with right foot slightly raised, beardless, with curly hair, white high-crested helmet, bordered chlamys over left shoulder confined by a belt with white spots, sword slung at side, long spear in left hand; in right hand is his shield (device of four-spoked wheel in white on black, surrounded by a broad white band, outer rim of white dots), which he is laying down before seizing Cassandra. Below the altar is a prochoos lying on its side. On the right is Hecuba, or an aged priestess, running away and looking back, with white hair and eyebrows, double yellow fillet, sandals, long chiton and apoptygma reaching to the knees, embroidered down the front, and himation wrapped round her, right hand raised, left extended. (2.) On the left, the sacrifice of Polyxena is represented. Polyxena is fallen to right at the foot of the statue, clasping it with both arms; she has long dishevelled hair, necklace, bracelets, long girt chiton with a stripe down the side. Behind her is Odysseus running up to carry her off, with left hand extended to seize her; he is beardless, with white pilos, bordered chlamys fastened with a fibula in front, sword slung at side, long double-pointed spear in right hand. Above the scene on the left is Athene seated to right, with hair in a knot at the back tied with a double fillet, earrings, necklace, bracelets, aegis spotted white with snakes in front and radiated border with white zigzags, long chiton and apoptygma with border as the aegis, spear in right hand. Behind her is an Ionic column, round which is a string of large beads ending in tassels. (3.) Above are Anchises and Ascanios departing to right; Anchises is partly bald, with white hair, beard, and eyebrows, bordered embroidered himation over left arm, and staff in left hand; with right hand he leads Ascanios, who has a bordered himation over left arm. Behind them is a laurel-tree, and above are seen the segments of two shields, white with a border of dots. The ground-lines are indicated by white dots. (b) Departure of a warrior (?): In the centre is a beardless warrior to left with right foot raised on a rock, pilos, endromides, bordered himation over left shoulder, and spear in right hand; his left hand rests on his shield, which has a four-spoked wheel as device, with dots round the rim. Facing him is a beardless warrior with pilos slung at back, fillet, chlamys over his arms, endromides, spear in right hand, two fingers of left hand raised, as if addressing the other. Behind on a slightly higher level is a female figure to right with hair in a knot behind, embroidered opisthosphendone, earrings, necklace, bracelets, long girt chiton with apoptygma reaching to the hips, sandals, situla in right hand; in left hand she holds out phiale. Behind her hangs an embroidered taenia; above the warriors is seen part of a shield with device of an eight-point star and border of dots, and an open window with double shutter on which are rows of white spots. On the right is a youth seated to right looking, back, with fillet, drapery under him, and spear in left hand; on a higher level is a female figure to right looking back, with hair in a knot, earrings, necklace, bracelets, long girt chiton with apoptygma; with right hand she draws forward her drapery from behind. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D; Cambitoglou, Alexander, The red-figured vases of Apulia, Volumes 1-2, Oxford, Clarendon press, 1978; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water). Designs red on black ground, with white accessories. Round the lip, egg-moulding; underneath, laurel-wreaths. Above the design, on the neck, ivy-wreath; at the back of the neck, ivy-wreath and palmettes. Below the handles, palmettes; above each design on the body, tongue-pattern, and below all round, maeander and crosses. The handles terminate in swans' heads below, and above in female masks with rams' horns, in front white with black hair and yellow markings, at the back black throughout. On the neck in front : Dionysiac thiasos: In the centre is Dionysos moving rapidly to right, looking back; he is beardless, with long hair, wreath, bordered chlamys over left arm held up in right hand, thyrsos in left. On either side of him is a Maenad moving to right, with hair gathered in a bunch behind, earrings, necklace, bracelets, and long girt chiton; the one on the left has a thyrsos in right hand and a blazing torch in left; in front of her is a tendril. The other has a radiated ampyx, chiton over left shoulder, and a tympanon in left hand; she looks upwards, and before her is an altar, on which is a fruit. On the body: (a) Iliupersis: (1.) In the centre is represented Ajax seizing Cassandra: In front of a xoanon of Athene is an altar with wave-pattern on the cornice and imitation triglyphs and metopes in front; the statue looks to right and has long hair, high-crested helmet, long chiton with a stripe of chevrons down the front bordered by wave-patterns, girdle with white studs, aegis at back with snake-border, double-pointed spear couched in right hand, shield on left arm. On the altar is Cassandra, seated to left with face to front, clasping the statue with both hands; she has long dishevelled hair, necklace, bracelets, long girt bordered chiton over right shoulder, with apoptygma. On the right stands Ajax to left with right foot slightly raised, beardless, with curly hair, white high-crested helmet, bordered chlamys over left shoulder confined by a belt with white spots, sword slung at side, long spear in left hand; in right hand is his shield (device of four-spoked wheel in white on black, surrounded by a broad white band, outer rim of white dots), which he is laying down before seizing Cassandra. Below the altar is a prochoos lying on its side. On the right is Hecuba, or an aged priestess, running away and looking back, with white hair and eyebrows, double yellow fillet, sandals, long chiton and apoptygma reaching to the knees, embroidered down the front, and himation wrapped round her, right hand raised, left extended. (2.) On the left, the sacrifice of Polyxena is represented. Polyxena is fallen to right at the foot of the statue, clasping it with both arms; she has long dishevelled hair, necklace, bracelets, long girt chiton with a stripe down the side. Behind her is Odysseus running up to carry her off, with left hand extended to seize her; he is beardless, with white pilos, bordered chlamys fastened with a fibula in front, sword slung at side, long double-pointed spear in right hand. Above the scene on the left is Athene seated to right, with hair in a knot at the back tied with a double fillet, earrings, necklace, bracelets, aegis spotted white with snakes in front and radiated border with white zigzags, long chiton and apoptygma with border as the aegis, spear in right hand. Behind her is an Ionic column, round which is a string of large beads ending in tassels. (3.) Above are Anchises and Ascanios departing to right; Anchises is partly bald, with white hair, beard, and eyebrows, bordered embroidered himation over left arm, and staff in left hand; with right hand he leads Ascanios, who has a bordered himation over left arm. Behind them is a laurel-tree, and above are seen the segments of two shields, white with a border of dots. The ground-lines are indicated by white dots. (b) Departure of a warrior (?): In the centre is a beardless warrior to left with right foot raised on a rock, pilos, endromides, bordered himation over left shoulder, and spear in right hand; his left hand rests on his shield, which has a four-spoked wheel as device, with dots round the rim. Facing him is a beardless warrior with pilos slung at back, fillet, chlamys over his arms, endromides, spear in right hand, two fingers of left hand raised, as if addressing the other. Behind on a slightly higher level is a female figure to right with hair in a knot behind, embroidered opisthosphendone, earrings, necklace, bracelets, long girt chiton with apoptygma reaching to the hips, sandals, situla in right hand; in left hand she holds out phiale. Behind her hangs an embroidered taenia; above the warriors is seen part of a shield with device of an eight-point star and border of dots, and an open window with double shutter on which are rows of white spots. On the right is a youth seated to right looking, back, with fillet, drapery under him, and spear in left hand; on a higher level is a female figure to right looking back, with hair in a knot, earrings, necklace, bracelets, long girt chiton with apoptygma; with right hand she draws forward her drapery from behind. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D; Cambitoglou, Alexander, The red-figured vases of Apulia, Volumes 1-2, Oxford, Clarendon press, 1978; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
98. Sack of Troy
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water). Designs red on black ground, with white accessories. Round the lip, egg-moulding; underneath, laurel-wreaths. Above the design, on the neck, ivy-wreath; at the back of the neck, ivy-wreath and palmettes. Below the handles, palmettes; above each design on the body, tongue-pattern, and below all round, maeander and crosses. The handles terminate in swans' heads below, and above in female masks with rams' horns, in front white with black hair and yellow markings, at the back black throughout. On the neck in front : Dionysiac thiasos: In the centre is Dionysos moving rapidly to right, looking back; he is beardless, with long hair, wreath, bordered chlamys over left arm held up in right hand, thyrsos in left. On either side of him is a Maenad moving to right, with hair gathered in a bunch behind, earrings, necklace, bracelets, and long girt chiton; the one on the left has a thyrsos in right hand and a blazing torch in left; in front of her is a tendril. The other has a radiated ampyx, chiton over left shoulder, and a tympanon in left hand; she looks upwards, and before her is an altar, on which is a fruit. On the body: (a) Iliupersis: (1.) In the centre is represented Ajax seizing Cassandra: In front of a xoanon of Athene is an altar with wave-pattern on the cornice and imitation triglyphs and metopes in front; the statue looks to right and has long hair, high-crested helmet, long chiton with a stripe of chevrons down the front bordered by wave-patterns, girdle with white studs, aegis at back with snake-border, double-pointed spear couched in right hand, shield on left arm. On the altar is Cassandra, seated to left with face to front, clasping the statue with both hands; she has long dishevelled hair, necklace, bracelets, long girt bordered chiton over right shoulder, with apoptygma. On the right stands Ajax to left with right foot slightly raised, beardless, with curly hair, white high-crested helmet, bordered chlamys over left shoulder confined by a belt with white spots, sword slung at side, long spear in left hand; in right hand is his shield (device of four-spoked wheel in white on black, surrounded by a broad white band, outer rim of white dots), which he is laying down before seizing Cassandra. Below the altar is a prochoos lying on its side. On the right is Hecuba, or an aged priestess, running away and looking back, with white hair and eyebrows, double yellow fillet, sandals, long chiton and apoptygma reaching to the knees, embroidered down the front, and himation wrapped round her, right hand raised, left extended. (2.) On the left, the sacrifice of Polyxena is represented. Polyxena is fallen to right at the foot of the statue, clasping it with both arms; she has long dishevelled hair, necklace, bracelets, long girt chiton with a stripe down the side. Behind her is Odysseus running up to carry her off, with left hand extended to seize her; he is beardless, with white pilos, bordered chlamys fastened with a fibula in front, sword slung at side, long double-pointed spear in right hand. Above the scene on the left is Athene seated to right, with hair in a knot at the back tied with a double fillet, earrings, necklace, bracelets, aegis spotted white with snakes in front and radiated border with white zigzags, long chiton and apoptygma with border as the aegis, spear in right hand. Behind her is an Ionic column, round which is a string of large beads ending in tassels. (3.) Above are Anchises and Ascanios departing to right; Anchises is partly bald, with white hair, beard, and eyebrows, bordered embroidered himation over left arm, and staff in left hand; with right hand he leads Ascanios, who has a bordered himation over left arm. Behind them is a laurel-tree, and above are seen the segments of two shields, white with a border of dots. The ground-lines are indicated by white dots. (b) Departure of a warrior (?): In the centre is a beardless warrior to left with right foot raised on a rock, pilos, endromides, bordered himation over left shoulder, and spear in right hand; his left hand rests on his shield, which has a four-spoked wheel as device, with dots round the rim. Facing him is a beardless warrior with pilos slung at back, fillet, chlamys over his arms, endromides, spear in right hand, two fingers of left hand raised, as if addressing the other. Behind on a slightly higher level is a female figure to right with hair in a knot behind, embroidered opisthosphendone, earrings, necklace, bracelets, long girt chiton with apoptygma reaching to the hips, sandals, situla in right hand; in left hand she holds out phiale. Behind her hangs an embroidered taenia; above the warriors is seen part of a shield with device of an eight-point star and border of dots, and an open window with double shutter on which are rows of white spots. On the right is a youth seated to right looking, back, with fillet, drapery under him, and spear in left hand; on a higher level is a female figure to right looking back, with hair in a knot, earrings, necklace, bracelets, long girt chiton with apoptygma; with right hand she draws forward her drapery from behind. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D; Cambitoglou, Alexander, The red-figured vases of Apulia, Volumes 1-2, Oxford, Clarendon press, 1978; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
99. Visitors at Tomb
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water). Designs red, white and yellow, on black ground. Holes are pierced in the tops of the handles. Round the lip, each side, egg-moulding; underneath, wave-pattern. On the neck, (a) above, ivy-wreath; below, two lions confronted, each with one paw raised; (b) ivy-wreath and palmettes. Above the design in front, tongue- and egg-patterns; below, all round, maeander and crosses; below the handles, palmettes. The handles terminate below in swans' heads, as before. On the obverse of the medallions are bas-relief groups of a Satyr and a Maenad, in red and white; the Satyr wears a panther's skin, and is dancing to left, playing the double flute and looking back at the Maenad, who is seated to left, and has yellow hair in a knot, long white chiton, and red himation round lower limbs, in left hand a thyrsos, with right she draws forward her drapery; in the background is a tree. (a) Offerings at heroon: The heroon is Ionic distyle, painted white, with anthemia on the pediment and two phialae above; on the base, a band of triglyphs, white on black, and white metopes; beams of interior roof shown in wrong perspective. In it is a figure of a youth (painted white), with face to front, chlamys on left arm, and staff in right hand; he looks down and dips left hand into a large white laver on a fluted stand (hypostaton); inside the heroon hang three phialae. On the left is a youth leaning forward, with left foot raised on a rock and drapery over left arm, about to place a wreath on the base of the heroon. Above him are a youth and a female figure seated side by side to left and conversing, turning to look at each other; the youth has drapery over his lower limbs, and holds up a phiale containing fruit in right hand. His left hand is laid in the lap of the female figure, whose right hand is raised as if speaking; she is seated on a cista ornamented with maeander and lozenge patterns, and has hair gathered in a radiated opisthosphendone, earrings, necklace, bracelets, long girt chiton with stripe down the side and apoptygma fastened on the shoulders. On the right is a female figure stooping forward to left, and placing on the heroon a large basket ornamented with maeander, wave, and other patterns; she has long curls, and wears radiated ampyx, earrings, necklace, bracelets, long girt chiton, and sandals. Above her is a youth seated on a stool to right, looking back, with drapery round left arm and under him, wand in right hand, and pilos held up in left. Below the youths the ground is indicated by lines of dots. (b) Offerings at stele: The stele is a lofty Doric column on three steps, with a white taenia tied round it; on the steps are five taeniae and fruit. On the left is a female figure holding out a wreath to the stele in left hand; her hair is gathered in a knot, and she wears opisthosphendone, earrings, necklace, bracelets, long girt chiton with stripe down front, and sandals; with right hand she draws forward her drapery. Above is a youth seated to right, with fillet, and drapery under him, holding out an embroidered taenia in both hands. On the right is a youth seated on raised ground to right, wearing fillet, and bordered himation over lower limbs; in right hand a wand, in left he holds out a phiale with fruit. Facing him, on a higher level, is a female figure holding up a fan in right hand and a pyxis in left; her hair is tied in a bunch, and she wears earrings, necklace, bracelets, long girt bordered chiton with stripe down side, and sandals. Below on the right are several loose stones; ground-lines indicated by white dots. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D; Cambitoglou, Alexander, The red-figured vases of Apulia, Volumes 1-2, Oxford, Clarendon press, 1978; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
100. Sack of Troy
- Description
- Pottery: red-figured volute-krater (bowl for mixing wine and water). Designs red on black ground, with white accessories. Round the lip, egg-moulding; underneath, laurel-wreaths. Above the design, on the neck, ivy-wreath; at the back of the neck, ivy-wreath and palmettes. Below the handles, palmettes; above each design on the body, tongue-pattern, and below all round, maeander and crosses. The handles terminate in swans' heads below, and above in female masks with rams' horns, in front white with black hair and yellow markings, at the back black throughout. On the neck in front : Dionysiac thiasos: In the centre is Dionysos moving rapidly to right, looking back; he is beardless, with long hair, wreath, bordered chlamys over left arm held up in right hand, thyrsos in left. On either side of him is a Maenad moving to right, with hair gathered in a bunch behind, earrings, necklace, bracelets, and long girt chiton; the one on the left has a thyrsos in right hand and a blazing torch in left; in front of her is a tendril. The other has a radiated ampyx, chiton over left shoulder, and a tympanon in left hand; she looks upwards, and before her is an altar, on which is a fruit. On the body: (a) Iliupersis: (1.) In the centre is represented Ajax seizing Cassandra: In front of a xoanon of Athene is an altar with wave-pattern on the cornice and imitation triglyphs and metopes in front; the statue looks to right and has long hair, high-crested helmet, long chiton with a stripe of chevrons down the front bordered by wave-patterns, girdle with white studs, aegis at back with snake-border, double-pointed spear couched in right hand, shield on left arm. On the altar is Cassandra, seated to left with face to front, clasping the statue with both hands; she has long dishevelled hair, necklace, bracelets, long girt bordered chiton over right shoulder, with apoptygma. On the right stands Ajax to left with right foot slightly raised, beardless, with curly hair, white high-crested helmet, bordered chlamys over left shoulder confined by a belt with white spots, sword slung at side, long spear in left hand; in right hand is his shield (device of four-spoked wheel in white on black, surrounded by a broad white band, outer rim of white dots), which he is laying down before seizing Cassandra. Below the altar is a prochoos lying on its side. On the right is Hecuba, or an aged priestess, running away and looking back, with white hair and eyebrows, double yellow fillet, sandals, long chiton and apoptygma reaching to the knees, embroidered down the front, and himation wrapped round her, right hand raised, left extended. (2.) On the left, the sacrifice of Polyxena is represented. Polyxena is fallen to right at the foot of the statue, clasping it with both arms; she has long dishevelled hair, necklace, bracelets, long girt chiton with a stripe down the side. Behind her is Odysseus running up to carry her off, with left hand extended to seize her; he is beardless, with white pilos, bordered chlamys fastened with a fibula in front, sword slung at side, long double-pointed spear in right hand. Above the scene on the left is Athene seated to right, with hair in a knot at the back tied with a double fillet, earrings, necklace, bracelets, aegis spotted white with snakes in front and radiated border with white zigzags, long chiton and apoptygma with border as the aegis, spear in right hand. Behind her is an Ionic column, round which is a string of large beads ending in tassels. (3.) Above are Anchises and Ascanios departing to right; Anchises is partly bald, with white hair, beard, and eyebrows, bordered embroidered himation over left arm, and staff in left hand; with right hand he leads Ascanios, who has a bordered himation over left arm. Behind them is a laurel-tree, and above are seen the segments of two shields, white with a border of dots. The ground-lines are indicated by white dots. (b) Departure of a warrior (?): In the centre is a beardless warrior to left with right foot raised on a rock, pilos, endromides, bordered himation over left shoulder, and spear in right hand; his left hand rests on his shield, which has a four-spoked wheel as device, with dots round the rim. Facing him is a beardless warrior with pilos slung at back, fillet, chlamys over his arms, endromides, spear in right hand, two fingers of left hand raised, as if addressing the other. Behind on a slightly higher level is a female figure to right with hair in a knot behind, embroidered opisthosphendone, earrings, necklace, bracelets, long girt chiton with apoptygma reaching to the hips, sandals, situla in right hand; in left hand she holds out phiale. Behind her hangs an embroidered taenia; above the warriors is seen part of a shield with device of an eight-point star and border of dots, and an open window with double shutter on which are rows of white spots. On the right is a youth seated to right looking, back, with fillet, drapery under him, and spear in left hand; on a higher level is a female figure to right looking back, with hair in a knot, earrings, necklace, bracelets, long girt chiton with apoptygma; with right hand she draws forward her drapery from behind. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Trendall, A D; Cambitoglou, Alexander, The red-figured vases of Apulia, Volumes 1-2, Oxford, Clarendon press, 1978; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
