Portfolio composed of overlaping leaves fastened with velcro; Includes two essays: Goodbye to Easy Listening by Adrian Piper and Race Against Time by Mary Anne Staniszewski; Pages are loose with content on front and details on back; Pages are held by a folded sheet which is contained within portfolio
Includes bibliographical references; Book contains gatefold pages, pop-up images, cutouts, and tabs which can be pulled to change the image on a particular page
Consists of 9 sheets, 28 x 49 cm., some irregular to accommodate illustrations, joined end to end on backing and folded accordion-style to 28 x 25 cm; Printed in green, gold, or black; Illustrated wrapper in linen clamshell box with batik decorated cotton cover
Volume 3, P018; Each print is a reproduction of a painting or drawing by Ryden, originally exhibited in 2001-2002; Prints are 8 x 10 high quality lithographic printing on cardstock with an embossed border issued in a Japanese silk covered box (28 cm.); Prints are interleaved with guardsheets
An artist's book comprised of three prints by Celmins and text assembled from "descriptions of the stars from around the world" --Front cover flap. Center fold pullout of abstract starscape on vellum paper.
Originally published in Chile as: Para leer al Pato Donald, thought it looks like a comic book on the outside, this book is a critical analysis of the Disney cartoon Donald Duck/
Documentation of diagnosis, hospitalization and death of the artist's girlfriend from leukemia. The story is told through personal notes, the reports of nurses, doctors, various medical forms, lists of questions for the doctors and photographs. Rather than seeming clinical, these very real artifacts of the final struggle of this young woman are heartwrenching.
John Fekner's photographs explore NYC graffiti comenting on society's video/television watching indiference to the poverty and toxicity around us and the threat of nuclear war. The photo essay culminates in several photographs of a project in which Fekner collaborated with a graffiti artist to paint a mural inviting people into a bomb shelter in a building that had been bricked up completely. Two short essays at the beginning and end of the book are included.
Absence is Yoon's reaction to the events of September 11, 2001, when two jets collided with the twin towers of New York's World Trade Center. The 121 page book has no markings or printing of any sort; instead it is illustrated with the cut aways from each page. The cutaways resemble a tiny round hole for the first nine pages before expanding to two adjacent squares, representing the foot print of the WTC. The last page shows the surrounding buildings. Yoon has created a book that is about what is no longer in the world, just as she has excised the material from within the book.
The front cover of book features an image of a work by Drury titled Medicine Wheel. Text within the book documents the creation of Medicine Wheel by making paper from plants available during each month of the year, and collecting other natural materials for the project. Drury's project occured between August 16th, 1982 and August 15th, 1983.
Fifty black and white drawings, printed on white paper are interleaved with black paper pages containing 50 of Winters' notational poems. The poetry, which became important to Winters in the 1990s is in the form of notes taken in preparation for drawing or making other types of art, though the poems in this book do not necessarily correspond with the drawings.
Documentation of several exhibitions, projects and performances of the artist's work. Contents include the artist's essays, notes, sketches and photographs, both reproductions of the work and photographs of installations and performances/happenings.
14 p. "Deluxe edition is cased in a variation of the Japanese portfolio structure, with bone clasps"--Publisher's website. Haikus by Sara Pirkle Hughes, with artwork by her twin sister Amy Pirkle, telling the story of their grandmother, who left her home in Japan as a young mother to begin a new life in the 1950's American South. Design, printing, artwork, and handmade paper by Amy Pirkle
The pages of this book are accordion folded and held in a hard case with cover, spine and back but are not attatched to it; Consists mainly of photographs but also contains Cheryl Lai's Letter of a Madman
Includes text from television programs and computer error messages; As pages are flipped, revolving satellite dish and frequency graphs are animated; Metallic silver covers
The American Institute of Graphic Arts (AIGA) awarded this book a prize for design and content; Collection of poems accompanied by black and white images
Folded hard cover opens to reveal accordion fold pages of poems; If pages are turned to the left the poems can be read, but if the pages are opened to the right they are blacked out; Each poem is dated and numbered; Case contains CD of poems being read by the author
A story told through letters, photographs, maps, memorabilia, poetry, conversation and paintings spun into 29 full color collages that illustrate the revelation of a secret, an ancestry, an identity, a family --Artist's website
Rhomboid-shaped book with spine constructed from a wooden dowel; Single hole drilled through all but the cover pages; Brightly colored images combined with text
Pages are cut horizontally into two distinct sections: the top sections are illustrated and the bottom sections are printed with captions; Orange covers; Black and white photographic images; Silver sticker on front cover contains title and author
86 p A commercially printed book reproducing comic strips from Raw Magazine's first three issues. "Pages from the rare first 3 issues of the comics magazine for damned intellectuals"--Cover.
Compilation of 18 stories each with its own author; Each story is accompanied by a single black and white image of the author; Includes contents page and list of photo credits
Accordion fold book with hard cover and back; Pages are double-sided with one half of the story printed on one side and the other half on the opposite side; Pages vary in color
Miniature book with letterpress printed text and linocut illustrations. Sewn in signatures and bound in a paper case using a chain stitch which creates the pattern CXXX. Enclosed in a modified paper slipcase. Handset, printed, illustrated and bound by Anne Bingham.
This elaborate variation on an accordion book unfolds from top to bottom. Each unfolded page, unfolds from right to left revealing a stanza of Robert Frost's poem, and a pop-up interior wall between the two sides. As the book is completely unfolded, the wall stretches from the top to the bottom, reading good fences make good neighbors. With a beaded pull to open the book and dust jacket.
This book is made of a circle-shaped sheet of paper, with a smaller circle cut in the center, accordion-folded to form a conical shape. Painted images are reproduced to depict scenes from life in a town.
Frostic's signature block prints of the natural environment of Michigan accompany her poetry. Various colors and types of paper are used for both text and images; in some cases images can be seen through semi-transparent pages layering the landscapes with additional images or with the poems. Many pages have torn or deckled edges.
Color images combined with text; Images are abstracted but still recognizable in most cases; Many gatefold pages throughout book; Cover wraps around book from back page