A young Cayuse woman named Ku-mas-sag sits outdoors in autumn or winter on a striped woolen blanket laid on the leaf-strewn ground. Her long hair is braided and she wears a hat shaped like a truncated cone with beading or quilling on it in a geometric design; a western-style women's broadbrimmed hat with scarf and feather accessorizing it lies on the blanket at her side. One foot is outstretched, showing a legging with a floral design. She appears to be holding a buckskin purse or bag which, like her dress, is fringed. She wears a cloth long-sleeved under-shirt, belt, bracelets, and earrings, and around her neck appears to be a choker-style necklace or fastening for the short cape that covers her shoulders. The cape and top of her dress have beading or quilling in geometric block designs.
A Native American woman is sitting on the bank of a river, located on the Umatilla Reservation. She has a blanket wrapped snugly around her. In the clearing behind the woman there is a canvas tipi, two piles of sticks, and a deer hide slung over a stick that is suspended across two trees. In the background there are tall, deciduous trees and dense shrubbery. In the foreground is the river with some trees emerging from it. The surface of the river is smooth and glassy and perfectly reflects the woman, the tent and trees from the backgound.
A Native American man, identified as Allen Patawa of the Walla Walla tribe, is sitting outside in front of a blanket backdrop. The man is wearing a single trail war bonnet and a Pendleton blanket wrapped around his body. He is holding a war club in his right hand., Allen Pa-Tow-a, Walla Walla Tribe [Man in blanket holding stone tomahawk. Wears leather [?] headdress with trail of feathers, probably in Moorhouse yard]
A Native American woman, identified as Anna Kash-Kash of the Cayuse tribe, is standing outside in front of a backdrop. She is wearing a cornhusk hat, shell earrings, moccasins, a choker, a necklace, a beaded belt, and a beaded buckskin dress. In her right hand, she is holding a beaded bag with a geometric design. She is standing on a round floor mat. A Pendleton blanket is underneath the mat. A lattice-work fence is to the right.
A tipi stands in the background among trees. It is foggy, there are puddles of water on the ground and small amounts of snow. A wooden object is partly visible in the foreground on the left.
A view of what has been identified as the camp of Billy Barnhart, on the bluffs above the Umatilla river. To the left can be seen a wagon draped with canvas or cloth. In the center of the photo stands a tipi supported by its wooden poles. In the right foreground stand two women at either end of a fish drying rack made of wooden poles. The rack is a little above the head height of the women and is covered with eels hung up to dry. A similar rack seems to be just visible on the extreme left of the picture. Both women are wrapped in blankets. The woman on the left has a plaid blanket, and is wearing a dark patterned cloth dress. Her hair is in braids, and a disc earring or hair ornament is visible. Her left hand is lifted and she is holding an object. On the ground near her feet is a white enamel bowl. To the left of the bowl is an object made of buckskin, possibly a large bag or pouch for toting the fish. The woman on the right wears a blanket patterned with stripes and ovals over a dark patterned cloth dress. Her dark hair also hangs in long braids. The Umatilla river winds through the middle of the picture, and the distant shore with its low trees rises up gently, while in the distance mountains are visible.
A view of a dwelling site identified as "Billy Barnhart's camp on the Umatilla". At the left of the photo stands a canvas tipi supported by wooden poles. The ground it stands on, and that of the bluffs that rise up behind it and follow the line of the river, is dry with small scrubby bushes. At the extreme right edge of the picture, part of a wooden wagon wheel can be seen, and its dark shadow shows it is a sunny day. In the center of the picture, a few feet from the tipi, sit two figures wrapped in dark plaid blankets. They are sitting on the edge of the bluff above the Umatilla river, and to their right there seems to be a path that would lead over the edge of the bluff. They appear to be children, possibly girls, and the blankets cover almost all their clothing; just a bit of pant leg and moccasins are visible on the figure on the left. Both seem to have their hair in braids, and the person on the left has a long light-colored strip, possibly an eagle feather or ermine, hanging from the left braid. There is an animal hide or piece of buckskin, next to the wagon wheel in the foreground; it appears to be draped over a stick or an antler on the ground.
The scene has been identified as "camps on the Umatilla Indian Reservation". About ten tipis are visible, most made of canvas. They stand on a wide plain; low hills, some with scrub and bushes, rise up in the background, and heavy clouds hang low over the scene. A few figures of people, horses, a laden wagon, and at least one automobile can be seen near the tipis.
An interior photograph of an older Native American man posing in front of a cloth or canvas backdrop. The photographer has identified the man as Som-Kin. He is wearing a flat-brimmed cowboy hat held in place with a braided string or cord tied under his chin. His hair is unbound. He is dressed in a cloth shirt, over which is a cloth or wool vest, a buckskin coat, with a scarf around his neck. The buckskin coat is fringed around the shoulders, end of sleeves, collar edge and coat seams. On the left side of the vest is a badge with the title, "US Indian Police." Attached to a vest button below the badge is a pocket watch chain.
Two Cayuse Indian women wearing long cotton dresses, plain moccasins and blankets worns as shawls wrapped about their shoulders pose standing next to a tipi. They each wear round earrings and hair styled in long braids.
Two Cayuse Indian girls wearing necklaces, earrings, shawls, and plain moccasins sit in front of a large tree trunk. One girl sits with a cornhusk bag with a geometric motif displayed prominently on her lap.
A Native American women, identified as Eat-no-meat and a member of the Cayuse Tribe, is standing outside in front of a blanket. She is wearing a Euro-American style dress, a necklace, a leather belt, earrings, and a blanket wrapped around her shoulders. Her hair has been tied into braids. She is carrying a bag in her left hand. The name is probably a translation of her Indian name; tribal members are attempting to verify her name.
Five elderly Native American women, identified as members of the Cayuse tribe and "converts of Dr. Marcus Whitman", sit outside a large tent. The women wear headscarves, long skirts, and shawls of woolen fabric, possibly Pendleton blankets. Two of the women hold handkerchiefs in their laps. The names of the women are tentative and have not been verified yet by tribal members.
An outdoor photograph of a Native American woman identified as Rosa Paul. Her back is to the camera; she is facing a frame-hung blanket backdrop, and standing on a Pendleton blanket. She has braided hair and is wearing a cornhusk hat with geometric designs. Her dress is buckskin, with extensive beading on the top and around her waist. The end of her right sleeve and bottom of her dress is fringed. She appears to be holding a bag in front of her. On her back she is carrying a baby in a cradleboard. The cradleboard exhibits a wooden, stick-type, circular top frame, with the bottom half covered in two-tone leather that is laced down the middle. In the background is a building; part of a stairway is visable to the left of the backdrop.
Two young Native American girls are sitting on the bank of a pond or stream. The location is identified as being near Cayuse Station. The older girl is holding the younger girl in front of her. Only her head, her braids, the collar and shoulders of her cloth dress, and the bottom of one moccasin are visible. The younger child is wrapped in a small blanket or shawl, has a beaded necklace, with a beaded flap or sleeve from her dress visible on one arm. There is a clear bucket or large jar placed next to the girls, with an unidentified object in it. The bank where the girls are sitting is a flat clearing, covered with gravel and rocks, that meets the edge of the water. There is an area on the other side of the water that is also covered with rocks, but is steep, not flat. The rest of the embankment, on both sides of the water, is covered with shrubs and trees., Near Cayuse Station [Cayuse Indian children in regalia by stream.]
Three Native American men, identified as members of the Cayuse tribe, are seated on horses alongside an unidentified body of water. The man on the left side of the photograph is wearing a vest and a headdress; he is holding an unidentified item in his left hand. The man in the middle is riding bare-legged. The man on the far right is wearing a headdress and holding a hatchet in his left hand.
A Native American man and woman sitting in front of a blanket hanging from a latticework fence. Both wear necklaces. The woman's hair is braided, she is wearing a headband, has a blanket draped around her and holds a bag with geometric designs in her right hand. The man has furs hanging from his shoulders and hair. He is wearing armbands decorated with teeth or claws and is holding a shawl. There is a blanket in his lap. He has been identified by tribal members as Peter Gibbon of the Cayuse tribe.
An outside photograph of an older Native American man posing in front of an unadorned blanket backdrop draped over a wall. He has been identified as Five Crows, and is dressed in regalia. His hair is unbound with a single feather showing in the back. There is a small hoop earring visible in his right ear. He is dressed in a cloth shirt, over which are a choker, loop necklace, and hairbone bandoleer. Over both shirtsleeves are wide metal armbands. In his right hand he is holding a knife, and in his left hand he is holding a pipe bowl. Hanging from his left arm is a leather belt with a knife scabbard attached. He has a Pendleton blanket wrapped around his waist.
An outside photograph of a Native American man and woman, dressed in regalia, each sitting on a horse, in front of several tipis. They have been identified as No Shirt and No Shirt's wife. No Shirt's wife has her hair in braids and is wearing a hat. She is attired in a beaded buckskin dress and has a shawl over her lap. The shawl may be a Pendleton shawl. She is holding her horse reins and a cornhusk bag in her left hand, with her right hand resting on the bag. She is sitting on two saddle blankets. Her horse's coat is spotted. For his headdress, No Shirt is wearing a single trail bonnet with a set of horns on the bonnet and ermines that hang over his shoulders. He is wearing a choker around his neck and a fur bandoleer across his chest. He is holding horse reins in his left hand, and an unidentifiable object tipped with feathers in his right hand. His horse has a dark coat and is wearing what has been identified as a beaded martingale. In the photograph's background can be seen several tipis, the silhouette of other horses, and a rising hillside.
A Native American man, identified as Chief No-Shirt of the Walla Walla Tribe, is sitting on a horse in a grass field. An encampment, consisting of tipis, wagons, and horses, appears in the background. The man is wearing a feathered headdress, necklaces, a sash, and a cloth shirt. He is clasping a brush in his right hand. His right cheek bears a marking that appears to have been painted on his face. The horse is adorned with saddle blankets, furs, and other trappings.
An outside photograph of two Native American men standing in a campsite. Both men are wrapped in what have been identified as Pendleton blankets. There are three tipis in the campsite. The tipi farthest back shows a darkened canvas. The middle tipi has smoke coming out of it; it is composed from layered tuli mats and canvas. There are rough-hewn poles lying on the outside of both tipis, as well as internal frame poles that extrude from the top. The third tipi -- on the photograph's right side -- is made entirely of canvas and shows no external poles. There is an opening in the top for smoke to escape; the top has been noticeably darkened from the smoke. Behind the three tipis lies a dark, unidentified, man-made structure; it is surrounded by brush and appears to have a ladder either leaning against it or sticking through an opening. Both men are wearing hats; one man appears to be walking away from the tipis while the other is leaning against what has been identified as an oar. Behind the man with the oar is a tipi opening; there is a tule mat covering the doorway and miscellaneous articles lying on the ground. There are two dogs in the campsite. In the surrounding area are cottonwood trees and pine trees. The cottonwood trees are leafless and there may be patches of snow on the ground. All around the campsite are shrubs, and a gently rising hillside can be seen in the background.
An outside photograph of a Native American man dressed in regalia. He has been identified as No Shirt. He is wearing a horned headdress with multiple feathers and a brow band that has circular decorations across it. Attached to the headdress are ermines that hang over his shoulders. He is dressed in what appears to be a cloth shirt, over which are a loop necklace and fur bandoleer.
A young Native American man, identified as Chief Pat Belly of the Paloos tribe, stands on a circular mat in front of a screen. He wears a feathered headdress, an armband, a choker, a breechcloth, leggings, and moccasins
A Native American man, identified as Chief Red Hawk of the Cayuse Tribe, is seated in front of a solid colored blanket that is suspended like a backdrop. The man is wearing a cloth shirt and has a Pendleton blanket wrapped around his body from the chest down. He has long hair, some of which is tied in a scarf that drapes over his shoulder. He is wearing a beaded choker and beaded bracelets. In his lap, one hand is holding a bow and two arrows and a pipe with a long, flat, wooden handle. His other hand is holding up a war club, which is adorned with feathers. A cowboy hat with a braided or twisted scarf hat band is hung on the backdrop. The image appears to be an outside photograph, as there is some vegetation visible in the bottom corners., Chief Red Hawk, Cayuse Tribe [George Red Hawk, Cayuse man, in Moorhouse yard/studio. He is wrapped in a blanket and holds a stone tomahawk, pipe, bow and arrows.]
An outside photograph of a Native American man identified as Uma-Som-Kin. He is dressed in full regalia and sitting on a horse, next to a river. For his headdress, the man is wearing a bonnet with a single trail of eagle feathers. He is wearing a coat made out of a Pendleton blanket. He is wearing leggings with a design on the cuff and beaded moccasins. Because no stirrups can be seen, it would appear that he is riding either bareback or using a blanket for a saddle. He is holding the horse's bridle in both hands. The horse has a spotted coat. Across the river, on the opposite bank, are two cottonwood trees. In the background are rolling hills.
An outside photograph of a Native American man, who has been identified as Uma-Som-Kin. He is dressed in full native regalia, and sitting on a horse that is standing next to a river's edge. For his headdress, the man is wearing a bonnet with a single trail of eagle feathers. He is wearing a coat made out of a Pendleton blanket. He is wearing leggings that exhibit a geometrical design on the cuff--perhaps beaded--and beaded moccasins. Because no stirrups can be seen, it would appear that he is riding either bareback or using a blanket for his saddle. He is holding the horse's bridle in his left hand. The horse or pony has a spotted coat. The river disappears around a bend, blending into the hillside in the background. The terrain around the river shows rocks, grass, dirt and brush. On the river's opposite bank is a fence line that runs along the river's path. In the far background is an expanse of rolling hills.
An outside photograph of a Native American man who has been identified as Uma-Som-Kin. He is standing with a horse and dog to his left, and a tipi behind him. His hair is in braids with hair ornaments or ties attached to their ends and he is wearing a cowboy hat. He is dressed in a shirt, and over that a coat made out of a Pendleton Blanket. In his right hand he is holding a rifle, and in his left hand both a hand drum and horse reins. He is wearing either calf-high boots or moccasins. The horse or pony has a spotted coat; it is bareback with what appears to be a leather halter. The dog is between the horse and man. It also has a mottled or spotted coat, with uncropped ears and unknown breed heritage. The tipi is made of canvas layers. There is a cloth or canvas doorway directly behind the man; on the back of the tipi leans a broken tule mat. There are small wooden poles and various pieces of wood also leaning against the tipi's exterior. In the background are bushes and deciduous trees, perhaps cottonwood trees, leading to the hillside.
Group of men dressed in suits are standing in a field looking at a rock cairn. A farmhouse, barn, and other farm buildings can be seen in the background. There are two dogs in the field with the men. Telegraph poles are visible along the side of the road in the background.
A Native American man, identified as Dr. Whirl-wind (Charley Whirlwind, Sr.) of the Cayuse Tribe, is mounted on a horse. The man is wearing buckskin pants and shirt and moccasins. The shirt is decorated with feathers and beadwork on the front and sleeves. He is wearing a headdress with a full crown of feathers and strips of fur hanging down around his shoulders. He has a large beaded choker. The horse is solid brown in color and has a saddle, saddle blanket and bridle. On the ground in front of the horse is a dog with long, fluffy white hair. The man, horse, and dog are on a slope on the side of a mountain. Around them are some other slopes and some stands of pine trees. The top of the mountain is in the background.
An outdoor view of flat, rocky ground near the Columbia River. In the background of the image is the far side of the riverbank. The expanse of land on the other side of the river is flat and open, with some low bluffs near the bank, and with no sign of trees or vegetation. On the closest shore are three tipis, made of mats or canvas or both. In the center of the photo are two people in western garb, seated on horses. The figure on the left faces the camera, wears dark clothing or a suit, and is riding a white horse. The person appears to be holding a staff or pole in the right hand. The horse has a dark saddle blanket. The man and horse on the right are in profile to the camera. The horse is dark, and the man's lighter trousers and coat stand out. Both people wear broad-brimmed hats.
A tipi standing in a small clearing. Shrubs, a stump and small trees surround it, and in the distance a hillside is visible. The title Evening appears under the tipi, and visible in the shrub on the right hand side is the title Sunrise.
A black and white half-length studio portrait of a Native American man identified as "Fish Hawk". He gazes off to the left of the photograph, his shoulder-length dark hair swept back from his face in loose waves. He has a geometrically-patterned wool blanket wrapped around his arms and torso; his chest is bare and he wears no visible ornaments.
A Native American man, identified as Francis Lincoln of the Cayuse Tribe, is sitting in front of a tipi, dressed in full regalia. He is wearing a headdress with feathers, cloth pants made from a blanket, and a plaid, fringed breechcloth. He has beaded moccasins, leather straps with bells wrapped around his calves and ankles, and fur arm bands with feathers and tassles. He has a beaded belt around his waist and a fur bandoleer with beaded decorations. He is wearing a beaded choker and his hair is tied into two long plaits. He is holding a stick or rod covered with fur and adorned with feathers. His chair and the ground around it are covered by two Pendleton blankets. There are a couple of objects placed on the blankets near his feet. The tipi fills up most of the background in this image.
A group of Native Americans, including five men and two women, are posing in two rows in front of a canvas lodge. The men are standing shoulder to shoulder in the back row. The man on the far left is wearing a horned headdress, a necklace, a blanket around his legs, and a buckskin shirt. He is holding a brush and other unidentified items. The second man from the left is wearing a shirt, earrings, bracelets, a necklace, bells on his legs, and a blanket strip around his waist. He is holding a brush in his hands. The man in the middle is wearing a hat, a choker, a Euro-American shirt, and a strip of fur around his neck. The second man from the right is wearing a hat, arm bands, a necklace, a Euro-American shirt, and a blanket around his waist. The man on the far right is wearing a Euro-American shirt, a choker, a necklace, arm bands, a sash, a strip of fur around his waist, a blanket strip around his waist, and bells attached to his ankles. His hair is tied into two braids. Two of the men are identified as Paul Showaway and Francis Lincoln of the Umatilla tribe. The two women are seated on blankets in the front row. The woman on the left is wearing a cornhusk hat, earrings, a necklace, and a shirt with hanging beads. Her hair is tied into two braids. A beaded item lays on the ground in front of her. A feathered headdress is on the ground to the left of her. The woman on the right is wearing earrings, a choker, and a blanket wrapped around her shoulders. A Euro-American dress is visible underneath the blanket. Her hair is tied into two braids. A beaded item with a floral design is on the ground in front of her. A feathered headdress is on the ground to the right of her. A few trees are visible in the background behind the canvas lodge.
A group of men, women, and children, identified as the congregation of the Indian Presbyterian Church of the Umatilla Indian Reservation, are posing in front of a church. The group includes Native American men, Native American women, Native American children, European American men, European American women, and European American children. Everyone is garbed in Euro-American clothing. Some of the men and male children are wearing hats. All but one of the Native American women are wearing shawls around their shoulders and scarves atop their heads. Two European American women are kneeling behind a group of children. Everyone else is standing. A few individuals are standing outside the door of the church. The church, which appears to be of wooden construction, has three windows on one side and one window on the only other visible side. A steeple is above the door of the church. A chimney is on the right front end of the roof. A tipi is in the background.
A view of a Native American encampment on the Umatilla Indian Reservation, taken July 4, 1902. Two rows of tipis, most made of canvas, are set up on a field covered with grass and low bushes. The area around the tipis is enclosed with a fence, which is visible in the foreground. Behind them is a dense wood. Low mountains are in the background. The figures of horses and people can be seen amongst the tipis, along with one or two wagons. There is another group of animals within the enclosure, standing away from the groups of horses, that might be two sheep grazing together. At the extreme left of the photo is a covered shelter or some type of open wooden structure.
A view of a Native American encampment on the Umatilla Indian Reservation, taken July 4, 1902. About 20 tipis are set up in a line along a low rise of ground. There seems to be water in a little wash behind them, and a river in the background, with low bluffs rising up from it. To the right of the photo are some trees, and in the foreground several discarded cans. A small dog or cat ambles in front of the second tipi from the left; a pair of grazing horses and a person can be seen at the right. There appears to be some sort of vehicle or equipment near the small tipi in the center of the image. The ground is covered with grass and low shrubs, and low clouds are scudding across the sky.
Two Native American men, identified as preachers from the Nez Perce Tribe, are standing in front of a large canvas tent. Both men are dressed in dark suits, with cloth pants, jackets, vests, white shirts, and leather shoes. The man on the left is wearing a hat and a bow tie. The man on the right is holding his hat in his hand and is wearing a long tie. The tent is white canvas that is draped around wooden support poles. The canvas for the roof is a separate cloth, that has scalloped edges.
This photograph was identified as 'Jennie Peo, with children, in camp' from Major Moorhouse. From a unidentified tribal member it is 'Mose and Levi' for the two boys and 'Jenny and Eva Van Pelt' both with a question mark next to the names. 2) A Native American woman is seated in front of a cloth backdrop, along with her four children. The woman is wearing a cloth dress, with a fringed shawl around her shoulders. She has long braids, moccasins, and a ring on one hand. She is holding an infant child on her lap. The baby is dressed in a long, white, cloth dress. Two young boys are standing on her right side. The boys are dressed in cloth shirts and overalls. The shorter boy is standing in front of the taller boy; he has a scarf or bandanna around his neck and is wearing leather boots. Both boys have very short hair. A young girl is standing on the left side of her mother. She is wearing a cotton dress with a collar and pockets, socks, and leather boots that lace up above the ankles. She has a white cloth bonnet on her head. Her face is not visible beneath the bonnet; she appears to be looking down and the bonnet is blurry as if she had moved her head as the photograph was taken. The woman's shawl hangs down to the ground and is draped behind her chair or stool and all of the children. The family is posed on top of a striped blanket that is on the ground in front of the backdrop. The cloth backdrop is suspended on the outside wall of a wooden building, with some of the wooden slats visible on the left side of the image., [Jennie Peo with children, in camp, or in Moorhouse yard.]
Native American Jim Guyer seated and wearing regalia. He is wearing a feathered headdress with trailor with feather decorations; ankle bells; beaded and feathered armband; decorated European-styled vest and wool leggings; a hairbone bandoleer, and decorated moccasins. He holds a feathered dance stick. Blankets are scattered on the floor.
A Native American man identified as Jim Guyer sits on a blanket-covered object. He wears a feather headress with a wide, decorated cloth band. Attached to the headress is a trailor that is decorated with feathers. He wears a decorated cloth vest, wool leggings, a breechcloth with geometric decorations, ankle bells, and decorated moccasins. He holds a feathered dance stick in his hands.
Young Native American man, identified as Joe Bennet of the Walla Walla tribe, poses, standing, on a Pendleton-style blanket, his left hand raised to his brow, amid grass and trees. He wears a hat that appears to be handmade, with a long ponytail flowing out from it on one side, and two braids intertwined with pieces of cloth on the other. He is bare-chested and wears a long, multi-tiered beaded necklace. Various pieces of cloth and a long strip of fur are wrapped diagonally about his hips, and he wears wool leggings and plain moccasins.
An outside photograph of a Native American man posing in regalia in front of a tule mat tipi. The man has been identified as Joe Bennett. His hair is braided and he is wearing a headband of bear claws with a single eagle feather on the right side of his head. He wears a choker around his neck and a loop necklace that hangs over his shirt. He is dressed in a buckskin coat with decorative fringe around his shoulders, collar and side seams. He is carrying two coyote pelts over his right arm, and in his left hand is a hatchet-style pipe that has feathers attached to the stem. At his waist is a belt that may be made of fur or animal hide; on the belt is a beaded scabbard with a square, wooden knife handle visible from the scabbard opening. Under his jacket is a Pendleton blanket that covers his legs down to his moccasins. In the background is a tule mat tipi; there is a cloth or canvas doorway behind the man. There are two poles--one on each side of the doorway--leaning against the tipi to hold down the mats. A large pole or wood log is lying on the ground against the tipi.
A Native American man, identified as Joe Craig of the Umatilla tribe, stands facing left. He is holding a bow and arrow in his right hand. The bow is decorated with geometric designs. Joe Craig is wearing a feathered headdress with dangling silver ornaments at the ears. He is wearing a fringed leather shirt decorated down the front with fur. He has a short fringed plaid breechcloth.. He is wearing leather fringed leggings. The shin of the left leg has a geometric design. He is wearing moccasins decorated with a geometric design. , [Joe Craig, Umatilla Indian, with war bonnet, bow and arrow.]
An outside photograph of a Native American man identified as Julius Williams. He is standing on a Pendleton blanket near another folded Pendleton blanket. Behind him, animal hides are hung on bare brush branches. The man is wearing a multi-layered loop necklace over a long-sleeved cloth shirt. The shirt extends below his waist. On his right arm is an armband. He is wearing a bandoleer across his chest and under his right arm is a beaded pouch or bag. In his left hand he is holding an eagle tail fan. In his right hand he is holding a rifle. He is wearing leggings with a geometrical design that matches his moccasins. There is a banded hat with feather plume on the blanket in the lower right corner. Visible in the background are a tipi, a number of deciduous trees, some pine trees, and a hillside., Julius Williams [Julius Williams, Cayuse Indian, in regalia. Standing in campground with leopard pelt.]
A Native American woman, identified as Lacy Luton of the Cayuse tribe, stands in front of a backdrop in costume. She wears a hat with a geometric motif, a beaded cloth dress, a wide belt with a striped design, a sash with a geometric motif, leggings with a geometric motif, and moccasins. She wears her hair in braids and wears jewelry, including a choker and a bracelet. In her right hand she holds a beaded bag or handbag with a geometric motif. In her left hand she holds a bow and an arrow. She stands on a round mat on a blanket with a geometric motif.
A Native American man, identified as Lazy Dog of the Umatilla tribe, is seated outside on a white horse. The man is wearing a cowboy hat with feathers tucked into the hat band. He is wearing Euro-American clothing. He is grasping the reins with his right hand. His feet are resting in the stirrups. A saddle blanket and sattle bags are on the horse. A tipi is behind and to the right of the man. A dog is near its entrance. A row of cottonwood trees is behind the man and the tipi. A treeless prairie with softly rolling hills is in the background.
A Native American child, identified as Lee Coyote of the Cayuse tribe, is on an upright cradleboard, in front of a lattice fence or wall. The cradleboard is beaded in a floral design. The child is bundled in a buckskin dress, with decorative fringe and beadwork on the front. At the base of the cradleboard are two blankets, folded, and a a beaded bag with two people on the bag.