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1. Untitled #8

Description: A painting featuring a small black vase containing numerous white flowers. The vase sits upon a gray/blue sheet. The sheet hangs off each side making a triangular-shaped creasing which protrudes in two perpendicular lines like a window pane., Lin Xia Jiang; Untitled #8; 1994; oil on canvas; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

2. History of Air

Description: A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

3. Red Leaf

Description: An abstract painting of a cup-shaped bordered in black with a dark red heart-shaped leaf above the cup. There is also a dark shape to the left of the leaf, round on one side with curves on the other side., Marlene Bauer; Red Leaf; acrylic on paper; 19x21 inches; 1993; BauM000005, http://www.laurarusso.com/artists/bauer.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

4. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

5. Three, Three and Two

Three, Three and Two

Description: A mostly green background supports three irregularly shaped black objects that are stacked one on top of the other in the center of this piece. Additional irregular shapes in blues and oranges float around the three main shapes along with several squiggly lines. The number two occupies the left-hand side of the picture plane in dark green.Variations between duplicate images directly relate to original source materials., Oil on canvas; 72 x 48 inches, http://www.blackfish.com/Artist-Detail.cfm?ArtistsID=24, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

6. Hawthorne/Book

Description: A long beige hat-shaped piece of wood with an orange rectangle on the right side, with an open book in the middle. The right side of the orange rectangle is a shape painted in black., Judy Cooke; Hawthorne/Book; 1994; Alkyd, wax, oil, wood; 10x31x2 inches; Elizabeth Leach Gallery; 207 S.W. Pine Street Portland Oregon 97204; 503-224-0521, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

7. Personal Letter

Personal Letter

Description: An abstract mixed media art piece of different shapes and patterns in a collage set on a white background., Margot voorhies Thompson; Personal Letter; drawing, print collage; 35 1/2x46 inches; 1993; ThoM93110108, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

8. Butterfly World and Gates

Butterfly World and Gates

Description: A concrete and ceramic plaque that presents a bee surrounded by several other insect forms and the sun., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

9. Opalescence

Description: An oil painting featuring a flower pot viewed from above. The flowers are white with a little bit of red in the middle. The flower pot is sitting on a beige table, with shadows from the flowers and green leaves to the left of the painting., Susan Lindsey; Opalescene; #6; oil; 23x30x3/4 inches; 7/93, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

10. Six Bug Benches

Six Bug Benches

Description: This view presents a detail of one of six bug benches. This particular bench is inlaid with blocks of letters., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

11. After the Rain

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., Ruza Erceg In 1961, Ruza Erceg said to her daughter, Helen, "If I have paint brush, I start to make painting." Helen relayed this message to her brother Joseph, a graphic designer, who, that same day, bought her watercolors, brushes and paper. She immediately began to produce delightful, colorful images. Ruza was born in the fanning village of Imotski, Yugoslavia in 1898 and came to this country in 1922. She and her husband first settled in Pennsylvania then moved to Oregon. Ruza Erceg paints images of her past in Yugoslavia. They are soft and colorful images of rural scenes (farms, fields and farm houses), villages, white buildings with red tile roofs and an occasional painting of a sailboat or of a larger city. Her images are of no particular site but rather of a collective spirit of the land she left so long ago. Numerous paintings are surrounded with delightful painted borders which suggest a painted frame to contain the image., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

12. Jetty II

Description: A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; jetty II; psu school of bus., http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

13. Antique Market #1

Antique Market #1

Description: A watercolor painting featuring a vast array of kitchenware and silverware laid out on a white table. All the handles of the silverware seem to either be wooden or yellow plastic...or perhaps ivory or bone., Sherrie Wolf, SWo 178; Antique Market I, 1994; watercolor; 24x30 inches; Elizabeth Leach Gallery; 207 S.W. Pine Street Portland Oregon 97204; 503-224-0521, A native of Portland, OR, Sherrie Wolf received her BFA in 1974 from Pacific Northwest College of Art in printmaking and then furthered her studies at the Chelsea College of Art in London where she received her MA degree. During her time at PNCA she studied etching and worked in this medium through the 80's. She had a brief tenure of teaching at PNCA through 1986. Since the late 80"s, the focus of Sherrie Wolf's art has been painting and drawing. Many local and national corporations as well as many private collectors have collected her rich, elegant superrealistic works on canvas and paper. (Oregon Arts Commission, 1995), info@sherriewolfstudio.com, http://www.sherriewolfstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

14. Two Lizards

Description: A concrete lizard inlaid with ceramic mosaic pieces that occupies the underside of a metal stairway., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

15. Pisagna

Description: A brightly colored and ornately patterned painting that calls attention to color and form. Red, yellow, blue, and black combined with neutral brown tones define a matrix of circles, squares, and squiggles., Jack Portland; psu school of bus. ad; pisagna, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

16. Super Lunar

Description: An oil painting of half a moon, against a light colored background. The moon is in shades of yellow and brown, with the curved end facing down., Pam Baker; Super Lunar; oil on canvas; 28x48 inches; 9-94, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

17. Mother and Baby

Mother and Baby

Description: A watercolor painting of a mother holding her child. The mother is looking at her child, while the child looks at the viewer. The child is wearing a blue and green sleeveless top., Westerman; Mother and Baby; Feb. 24 1994, arne2@arnewesterman.com, http://www.arnewesterman.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

18. Mountain Arabesque

Mountain Arabesque

Description: A long rectangle art piece set in neutral colors. There is a dark brown triangle in the middle and two spirals on each side, along with two zig-zag lines. There is a dark border bordering all of the sides except for the right side, which is bordered with an orange/brown color., Margot Voorhies Thompson; Mountain Arabesque; drawing, print collage; 28x84 inches; 1993; ThoM93120701, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

19. White Cup

Description: A watercolor painting of a translucent white cup featuring stems of green leaves with a white flower, white buds, blue flowers, and red berries. The background is a mottled brown with two horizontal lines at the red base of the cup., Rene Rickabaugh; White-Cup; watercolor on paper; 26 3/4x21 3/4 inches; 1992; RicR94040413, Rene Rickabaugh, a Portland painter, studied at the Pacific Northwest College of Art and has taught watercolor there as well as at the University of Oregon. His work is noteworthy for meticulous execution and details, and an almost surrealistic personal vision., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

20. School of the Dance

School of the Dance

Description: A whimsical watercolor painting depicting five woman and three men dancing., Jerry Fenter; School of the Dance; watercolor; 29x28x1 inches; Dec. 1994, http://www.jerryfenter.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

21. Cook's Break

Description: A watercolor painting of a cook dressed in a white shirt, white hat and dark pants. He is reading a newspaper. The cook is sitting outside a restaurant at a white square table. He is surrounded by three other green chairs., Westerman; Cook's Break; Feb. 24 1994, arne2@arnewesterman.com, http://www.arnewesterman.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

22. Malheur Snow II

Malheur Snow II

Description: A landscape rendering of snow-covered hills composed in periwinkle-tinted white shades. The green of the hills pokes through the blanket of snow, overseen by a purple sky. Variations between duplicate images directly relate to original source materials., Acrylic; 36 x 48 inches, http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

23. Jetty II

Description: A geometric compostion containing triangular and rectangular shapes rendered in reddish-brown, orange, and yellow., Scott Sonnikson; Jetty II; Professional Schools Building-PSU, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=388, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

24. Drywash

Description: A mixed media art piece of an abstract landscape, with tufts of grass in greens, blues, and oranges scattered around on a brown and yellow ground., John Early; Drywash; acrylic/paper; 23x28 1/2 inches; 1986, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

25. Outcrop

Description: An oil pastel and acrylic painting of a landscape of rocks surrounded by tufts of green grass. Behind the rocks are dark green trees against a blue sky., John Early; Outcrop; acrylic, oil pastel, paper; 22x30 inches; 1990, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

26. Lowlands #5

Description: This naturalistic landscape painting depicts a view of flatlands, a grove of deciduous trees fronted by a small pond, all under a colorful cloud-filled sky., http://www.victoriaadamsart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

27. Euphro

Description: A large, variegated, light yellow square bordered on the right and on the bottom by strips of a darker yellow and brown, respectively. A thin, white line intersects each edge of the piece and suggests a trapezoidal shape fully defined only outside the picture plane. Variations between duplicate images directly relate to original source materials., Oil, wax on canvas; 6 1/2 x 6', http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

28. Chippewa River

Description: An abstract painting that is mostly blue, with a white thin tree trunk with branches in the middle. Below the blue paint is mostly black, and next to the blue paint is white and yellow paint., Jef Gunn; Chippewa River; 1993; 53 1/4x48 3/4; encaustic on wood, Jef Gunn is a painter, printmaker and sometimes sculptor, who has worked in Portland, Oregon. Gunn attends to the relationship between consciousness and the phenomenal world, expressed in simple large forms of Nature drawn from memory of experience in wilderness and urban environs, concentrated into shapes, text, pattern and signs. 'I don't know if I care much about self expression. In relation to the wilderness or the city, what is a self? Art is mind revealing mind.', info@jefgunn.com, http://www.jefgunn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

29. E. C.

Description: Blues, purples, greens, and oranges comprise this abstract composition of roughly geometric shapes. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.laurarusso.com/artists/bauer.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

30. Madeline at Eight

Madeline at Eight

Description: An oil painting of a girl laying halfway on a rug and the wood of her bedroom floor. The view is premised from the ceiling. Around her are toys and balls on the floor. There is an unmade bed to her right, a dresser with a drawer open to her left, and a window behind her., Margaret Puckette; Madeline at Eight; oil on panel; march 1993; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

31. Quilt of Cuttings

Quilt of Cuttings

Description: A ten panelled art piece, all layered together. Each panel has a different plant or leaf material in different shades of green on it, set against a neutral background., Deborah Mersky; Quilt of Cuttings; 49x30 inches; clayprint and gouache; 1994; sold ohsu, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

32. Cat Tails & Pussy Willows

Cat Tails & Pussy Willows

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

33. Butterfly World and Gates

Butterfly World and Gates

Description: A green gate, inlaid with ceramic mosaic pieces that present two flowers and an insect form., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

34. Butterfly World and Gates

Butterfly World and Gates

Description: This view details one of the inlaid butterflies on the courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

35. Sunflowers with Visitiors

Sunflowers with Visitiors

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

36. Nubian

Description: Several black shapes on a variegated white background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 60 x 48 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

37. Onion Moon Song

Onion Moon Song

Description: An acrylic painting featuring two spiraled round forms, mixing together in the middle of the piece., Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.laurarusso.com/artists/parker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

38. Stripes #31

Description: An abstract acrylic painting of what may be newspapers or papers of some sort spread out on a stairwell., William Park; 1993; Stripes #3; 58x50x1 inches; acrylic on canvas, bill@williampark.net, http://www.williampark.net, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

39. Two Lips F-89

Description: This long, rectangular painting, horizontally oriented, presents a succession of rectangular color blocks, including black, blue, and red. Several color blocks also present what appear to be floral arrangements. The blue section farthest to the right contains an inset of alternating blue and green stripes., Cody Bustamante; F-89 Two Lips; 1989; oil on plywood; 15x92 3/4 inches; ohsu movable, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

40. Two Kiln Gates

Description: A red, metal gate that linearly defines a butterfly around a central axis point, which doubles as the fulcrum for the gate., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

41. Still Life with Window

Still Life with Window

Description: A waterfront view from a vantage point that appears to be from a porch or a window at a beachside house. Flowers and trees separate the viewer's vantage point from the water in the distance. This is one of three views of this artwork. Variations between duplicate images relate directly to original source materials., detail, http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

42. A Day in Eugene

A Day in Eugene

Description: This abstract piece presents a conglomeration of predominantly blue, white, green, and orange forms that suggest mood and location., Robert E. Dozono; A Day in Eugene, October 23; oil,collage/canvas; 48 x 48 inches, http://www.blackfish.com/Artist-Detail.cfm?ArtistsID=10, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

43. Dark Half

Description: This abstarct painting presents roughly geometric shapes rendered in varying shades of bluish-green with thin outlines. Snippets of yellow, orange, and red highlight areas around a large section of dark blue., Ralph Baker; Dark Half; acrylic on paper; 22 x 30 inches; State Emp. Office, Ptld., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

44. Elements I

Description: This abstract piece combines layers of color, texture, and geometric shapes that appear to address systems of chaos and order., Karen Guzak; Elements I; watercolor and crayon; 30 x 32 inches; 1989; State Office Building- Portland (Geology Dept.), http://www.angelarmsworks.com/karen/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

45. Short Cuts

Description: This abstract, geometric painting presents an ordered compilation of forms that range from linear to curvilinear. The mostly pastel color scheme is broken up by dark shades near the bottom and top portions of the image., Hausser; Short Cuts; 1984; wc; 20.5 x 13.5 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

46. The Condor Steps Out

The Condor Steps Out

Description: A grid of squares in gray on top of a black square on a white background., Carolyn Cole; the condor steps out; psu prof. Schools, (1986) Carolyn Cole is a painter and sculptor originally from Portland, Oregon. She worked extensively on handmade, cast paper paintings from 1978 to 1985., carolyncole@comcast.net, http://data.fineartstudioonline.com/dataviewer.asp?keyvalue=3384, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

47. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay. This view presents a detail of the butterflies on the left of the main courtyard wall., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

48. Butterfly World and Gates

Butterfly World and Gates

Description: A green gate, inlaid with ceramic mosaic pieces that present plant forms and an insect form., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

49. Six Bug Benches

Six Bug Benches

Description: Three of six bug benches, each decorated with unique colorful, geometric patterns., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

50. P.S.

Description: This piece consists of three sections that present a total of eight black human figures amongst green vegetation, against a blue background. The top of the piece is bordered with a blue and red candy-stripe pattern that presents the following inscription: "P.S. We found the Cuban natives delightfully entertaining, naturally...", Juan Alonso; P.S.; acrylic on canvas; Ptld State Office Bldg.; Francine Seders Gallery; Seattle; 206-782-0355, http://www.juanalonso.info/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

51. Fear Not

Description: An oil painting of three different panels. The left manel is blue with stars made out of gold leaf. The right upper panel is a lion red lion on top of a gold leaf sun, with the words "be just and fear not" at the top and two houses at the bottom of the panel. The lower panel is completely black., Anne Connell; Fear Not; 1995; OHSU; oil & gold leaf on wood panel; 28 1/2x28 1/2 inches framed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

52. Six Bug Benches

Six Bug Benches

Description: Three of six bug benches, each decorated with unique colorful, geometric patterns., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

53. We All Held Hands

We All Held Hands

Description: A watercolor painting of a group of woman, all wearing different colored patterned dresses. The woman are all holding hands and smiling with red cheeks. Behind them are houses in black, white and shades of blue., Jerry Fenter; We All Held Hands; watercolor; 29x36x1 inches; Dec. 1994, http://www.jerryfenter.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

54. tripditch hand shadow

tripditch hand shadow

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., http://www.lorindaknight.com/artist_resume.asp?id=106, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

55. orange hair figure

orange hair figure

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., http://www.lorindaknight.com/artist_resume.asp?id=106, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

56. Malheur Snow II

Malheur Snow II

Description: A landscape rendering of snow-covered hills composed in periwinkle-tinted white shades. The green of the hills pokes through the blanket of snow, overseen by a purple sky. Variations between duplicate images directly relate to original source materials., Acrylic; 36 x 48 inches, http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

57. The Potato Farm

The Potato Farm

Description: A watercolor painting of what may be a potato farm. There is a multi-windowed dwelling in the middle of geometrical shapes (planting patches) surrounded by a black picket fence. At the painting's top is a light brown hill with red and orange bushes lining the hill. Each geometrical shape is a different color., Ruza Erceg; Potato Farm #287; watercolor; 1986; unframed 8x10 1/2 inches; framed 17x21 inches; ohsu movable, Ruza Erceg In 1961, Ruza Erceg said to her daughter, Helen, "If I have paint brush, I start to make painting." Helen relayed this message to her brother Joseph, a graphic designer, who, that same day, bought her watercolors, brushes and paper. She immediately began to produce delightful, colorful images. Ruza was born in the fanning village of Imotski, Yugoslavia in 1898 and came to this country in 1922. She and her husband first settled in Pennsylvania then moved to Oregon. Ruza Erceg paints images of her past in Yugoslavia. They are soft and colorful images of rural scenes (farms, fields and farm houses), villages, white buildings with red tile roofs and an occasional painting of a sailboat or of a larger city. Her images are of no particular site but rather of a collective spirit of the land she left so long ago. Numerous paintings are surrounded with delightful painted borders which suggest a painted frame to contain the image., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

58. Horizons

Description: This painting presents a nude human figure with longish black hair in profile. The figure stands against a backdrop of three bands of color: white at the top, light blue in the middle, and dark blue at the bottom., Michele Russo; Horizon; oil on canvas; 69 x 60.5 inches; 1991, Michele Russo was born in Waterbury, Connecticut in 1909. In 1930, he enrolled at Yale University and received a B.F.A. degree in painting in 1934. During the depression years he was employed at a muralist through a Works Progress Administration project and in this capacity executed murals in several Connecticut schools. In 1937, Russo left Connecticut to accept a fellowship to study with Boardman Robinson and George Biddle at the Colorado Springs Fine Arts Center in Colorado Springs, Colorado for one year. During the next ten years he was a social activist and worked for the Federal Education project in Connecticut. In the fall of 1947, Russo moved to Portland and was hired by the Museum Art School the following year to teach painting and art history, remaining on the staff until he retired in 1974. During his tenure at the Museum Art School he became known as Portland's most articulate voice of artists' political, social and artistic rights. In the 1950's, along with friends, he started a co-op op professional artists called Artists Equity. In recent years Russo has been active in various organizations to make art a more visible part of the cultural life in the Northwest; he was one of the original founders of the Portland Center for the Visual Arts. In 1975, he was Chairman of the Oregon Committee for Art in Public Places. In 1977, he was appointed to the Metropolitan Arts Commission; the first artists so honored. (Unknown, 1995), http://www.aaa.si.edu/collections/oralhistories/transcripts/russo83.htm; http://www.laurarusso.com/artists/russo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

59. Four Games

Description: An abstract painting rendered mostly in dots of varying shades of green, blue, pink, and brown. Dominant shapes in the piece include a vertical horn form; linear, rectuangular forms intersected by decorative swatches of color; and circular shapes., Jack Portland; 1989; Four Games; oil on canvas; 27x21 inches; ohsu movable, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, For more images by this artist, please visit: http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

60. View #2

Description: Monochromatic tonal variation in the warm color range define rectangular sections in this painting. The middle rectangle contains further tonal gradation through what appears to be a stippling technique. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 54 x40 inches; 1972, http://www.artcyclopedia.com/artists/bunce_louis.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

61. Woman From Cincinatti

Woman From Cincinatti

Description: A nearly profile portrait of a young woman with short, dark hair wearing a short-sleeved, light yellow, plaid button front shirt. The woman slouches on her right forearm while her left arm supports her head, and she gazes to the left of picture plane. Variations between duplicate images directly relate to original source materials., Watercolor on paper; 27 x 29 inches; 1980 color, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

62. Sturgeon Lake

Description: An acrylic emulsion of a blue lake blocked by black slender twigs and branches., Hugh Webb; Savvie Island Sturgeon Lake; 22x30 inches; 1994; acrylic over gold leaf on paper, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

63. Untitled (Yes)

Description: This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom sections are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic; detail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

64. Spring Poetic

Description: An impressionistic landscape rendering composed in greens, purples, and blues arranged in an organized chaos. The ground plane is separated from the clouded skyline by a solid, thick blue line across the horizon. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 44x48; 1979, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

65. Spring Poetic

Description: An impressionistic landscape rendering composed in greens, purples, and blues arranged in an organized chaos. The ground plane is separated from the clouded skyline by a solid, thick blue line across the horizon. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 44x48; 1979, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

66. Little Italy

Description: A geometric composition of rectangular blocks of color. A horizontally oriented, green rectangle covers the bottom fourth of the picture plane. A vertically oriented, black rectangle occupies the left third of the picture plane. A yellow and green line separates the black rectangle from the remaining three sections, which consist of a vertically oriented, purple rectangle as well as a purple-pink rectangle. These two sections are capped off by a horizontally oriented, blue rectangle. Variations between duplicate images directly relate to original source materials., Oil on canvas; 70x60; 1979, http://www.alysiaducklergallery.com/Artist-Detail.cfm?ArtistsID=374; http://www.searspeyton.com/html/artistresults.asp?artist=364&testing=true, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

67. The Fault Line

Description: A mixed media art piece of exhibiting triangles and rectangles in different sizes and colors, collaged onto each other. The primary colors utilized are reds, pinks, oranges, and blues., James B. Thompson; 22x30 inches; mixed media on paper; The Fault Line; 1990, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

68. Still Life with Window

Still Life with Window

Description: A waterfront view from a vantage point that appears to be from a porch or a window at beachside house. Flowers and trees separate the viewer's vantage point from the water in the distance. This is one of three views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

69. Near Wolf Creek

Near Wolf Creek

Description: An impressionistic landscape piece rendered mainly in a yellowish-tan, deep green, and deep blue shades. Agricultural land with a stream running through it creates the foreground for a mountain range in the background.Variations between duplicate images directly relate to original source materials., Oil on canvas; 1980, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

70. Fruit Ghost

Description: A watercolor painting of a red apple sliced in half. The inside core of the apple is visable. Behind the apple, as well as lining it, are blue and white flowers and brown leaves with white outlines., Rene Rickabaugh; Fruit Ghost; watercolor on paper; 18x16 1/2 inches; 1994; RicR94040424, Rene Rickabaugh, a Portland painter, studied at the Pacific Northwest College of Art and has taught watercolor there as well as at the University of Oregon. His work is noteworthy for meticulous execution and details, and an almost surrealistic personal vision., http://www.gailseverngallery.com/artists_details.cfm?ID=110, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

71. Taste Test

Description: Watercolor piece featuring a hummingbird "tasting" the nectar from a blue flower., Rene Rickabaugh, a Portland painter, studied at the Pacific Northwest College of Art and has taught watercolor there as well as at the University of Oregon. His work is noteworthy for meticulous execution and details, and an almost surrealistic personal vision., http://www.gailseverngallery.com/artists_details.cfm?ID=110, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

72. Untitled (Yes)

Description: This painting is comprised of lace patterning presented in three sections of alternating colors. The top and bottom portions are rendered in white with yellow accenting, while the middle section is rendered in green and dark blue., Phyllis Yes; professional schools building; psu; acrylic, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

73. Butterfly World and Gates

Butterfly World and Gates

Description: A contextual view of inlaid butterflies and gate in the courtyard at the Helen Gordon Child Center., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

74. E. C.

Description: Blues, purples, greens, and oranges comprise this abstract composition of roughly geometric shapes. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.laurarusso.com/artists/bauer.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

75. Woman From Cincinatti

Woman From Cincinatti

Description: A nearly profile portrait of a young woman with short, dark hair wearing a short-sleeved, light yellow, plaid button front shirt. The woman slouches on her right forearm while her left arm supports her head, and she gazes to the left of picture plane. Variations between duplicate images directly relate to original source materials., http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

76. Daniel's Tree

Description: This abstracted scene presents a green human form dressed in a maroon hat, an orange shirt and light blue tie, and dark blue pants. The figures stands before a strange tree that emits black-and-white striped vines. The figure holds onto one of the vines. The context of the scene is rendered mostly in blue and green patterns with a varigated yellow sky., Dick Ibach; Daniel's Tree; acrylic on canvas; 36 x 48 inches, http://www.lorindaknight.com/artist_resume.asp?id=106, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

77. Oregon Tapestry

Oregon Tapestry

Description: Symmetrical rectangular shapes with various wildlife animals on it using mixed media. On the bottom of the piece are fish and sealife animals, the middle of the piece features land animals, and the top has flying and gliding animals., jeanne fingerhut; 1990; fish and wildlife; oregon tapestry; mm/canvas; 5x6 feet, "I see Life as a journey, an adventure, a mystery to unravel. The challenge is to reconnect with my essential Self, my true Nature and then to express that Nature freely and joyfully as a contribution to Life. The process is a perfect circle. When I make art, I feel happy, truly alive and in touch with a sense of higher mind and higher purpose. I desire that my work be a mirror touching the uniqueness of each viewer and encouraging that Self to emerge." JEANNE FINGERHUT Jeanne Fingerhut was born in New York City, received her B.A. from Barnard College and her M.A. from the University of Paris - Sorbonne where she studied as a Fulbright Scholar. Although she painted and drew from early childhood, she did not pursue the study of art. Instead she became a teacher of foreign language specializing in phonetics and academic research. Life's events, however, led her into many artistic professions...textile design, illustration, hand-painted fashion...reminding her that painting and drawing were her greatest source of pleasure and expression. And so, while raising three sons and working in the fields of art, music and language, she painted consistently and showed her work in New York during the 1970's. In 1983 she relocated to the Pacific Northwest to devote full energies to art. Her work has expanded to include all varieties of mixed media, cut-out collage paintings and, most recently, hand colored etchings which reveal her interest in strong composition, juxtaposed pattern and design craftsmanship. Her art is included in private, corporate and public collections in the United States and abroad. Ms. Fingerhut died in 2002. (excerpt taken from artist's biography), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

78. Aspen Grove

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts & Culture. You may view their website at http://www.racc.org/

79. Slough Creek

Description: An acrylic emulsion of a creek surrounded by tall trees. The trees and lake are in different shades of green. The mountains in the background are blue and purple., Hugh Webb; Slough Creek; 22x30 inches; 1994; acrylic over gold leaf on paper, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

80. Jill Feeding Natasha

Jill Feeding Natasha

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

81. History of Air

Description: A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

82. Reap

Description: A portrait of a woman with red hair and blue eyes holding what appears to be a clump of grass or other green foliage., Laura Ross-Paul; Reap; 1988; watercolor pastel; 24x18 inches; ohsu movable, For more images by this artist, please visit: http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=221, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

83. Porta Giardino dei Semplici

Porta Giardino dei Semplici

Description: A photorealistic acrylic painting on wood of an open white door with open green shutters set against a bright yellow wall. There are two steps that ascend to the doorway from a cobblestone walkway., Tom Fawkes; porta giardino dei simplici; acrylic on wood; 49x70x3 inches; ohsu movable, A well-known Portland artist, Tom Fawkes, renders beautifully detailed photorealist landscape paintings and constructions in acrylic., watercolor and pastel. Through the use of Trompe L'Oeil painted shadows and constructed elements, Fawkes is able to translate the light, space and atmosphere of an environment in a way that is immediate and involving. Fawkes shows his work regularly in Seattle and Portland as well as numerous invitational exhibitions nationally. Public collections include: Safeco Corp., Seattle, Kaiser Foundation, Portland, Western Bank Corporation, Los Angeles, Seattle Art Museum, Portland Art Museum and the Phillip Morris Collection at Oregon Freeze Dry, Albany, Oregon. Tom Fawke's most recent work will reflect his continuing fascination with the Italian landscape and gardens. This interest was fostered after receiving the Rockefeller Foundation Grant in 1987 in which Fawkes was artist-in-residence at the Foundation Center in Bellagio, Italy. (Unknown, 1991), For more images from this artist, please visit: http://www.laurarusso.com/artists/fawkes_t.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

84. Butterfly World and Gates

Butterfly World and Gates

Description: Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

85. Two Lizards

Description: A concrete lizard inlaid with ceramic mosaic pieces that occupies the underside of a metal stairway., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

86. Six Bug Benches

Six Bug Benches

Description: Three of six bug benches, each decorated with unique colorful, geometric patterns., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

87. Euphro

Description: A large, variegated, light yellow square bordered on the right and on the bottom by strips of a darker yellow and brown, respectively. A thin, white line intersects each edge of the piece and suggests a trapezoidal shape fully defined only outside the picture plane. Variations between duplicate images directly relate to original source materials., Oil, wax on canvas; 6 1/2 x 6', http://www.laurarusso.com/artists/pitkin.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

88. Butterfly World and Gates

Butterfly World and Gates

Description: A green gate, inlaid with ceramic mosaic pieces that imply plant forms., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

89. Sea Change

Description: An acrylic painting of a green and blue seascape, below a sky in various shades of brown., Kay French; Sea Change; acrylic on wood; 14x27 inches, Kay French grew up in the Midwest which perhaps explains her fascination with storms and flat land. She moved to Portland in 1977. Kay has a degree in art history from Kent State University and a degree in painting from the Pacific Northwest College of Art. Her work has been exhibited in various shows in regional galleries and museums. She was awarded a WESTAF/NEA Regional Fellowship for Visual Artists in Painting in 1994. She has also been represented by the Pulliam Deffenbaugh Gallery in Portland, OR. (Oregon Arts Commission), http://pulliamdeffenbaugh.com/Artist-Detail.cfm?ArtistsID=162, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

90. Malheur Snow II

Malheur Snow II

Description: A landscape rendering of snow-covered hills composed in periwinkle-tinted white shades. The green of the hills pokes through the blanket of snow, overseen by a purple sky. Variations between duplicate images directly relate to original source materials., Acrylic on linen; 36x48; $500, http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

91. Held Over

Description: A geometric abstraction depicting a reddish-brown rectangle extending upward from the bottom of the picture plane. Contained within this rectangle are two black rectangles with two skinnier yellow rectangles intersecting them and extending upward beyond the reddish-brown rectangle. The background is comprised of gradated earthtones that move from light to dark, top to bottom., Ann G. Johnson; Held Over; acrylic on screen; PSU-Smith Center, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

92. Two Kiln Gates

Description: A red, metal gate inlaid with ceramic mosaic pieces that combines the image of a caterillar and a butterfly., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

93. Moorish Aires

Description: An abstract rendering with a blue background and loosely representational forms rendered in brown, gray, blue, and green., http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

94. Some of My Best Friends #2

Some of My Best Friends #2

Description: This painting depicts a row of six, variously shaped vases and bottles and one, purple teapot sitting on a white ground against a variegated, dark blue backdrop., Barry Pelzner; Some of My Best Friends #2; watercolor; 1985; 12.5 x 22.75 inches, http://pnca.edu/programs/bfa/faculty.php, bpelzner@pnca.edu, http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=248, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

95. Held Over

Description: A geometric abstraction depicting a reddish-brown rectangle extending upward from the bottom of the picture plane. Contained within this rectangle are two black rectangles with two skinnier yellow rectangles intersecting them and extending upward beyond the reddish-brown rectangle. The background is comprised of gradated earthtones that move from light to dark, top to bottom., Ann G. Johnson; held over; psu smith center; acrylic on screen, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

96. Nubian

Description: Several black shapes on a variegated white background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Oil on canvas; 60 x 48 inches; July 1978, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

97. Farm Village

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., Ruza Erceg In 1961, Ruza Erceg said to her daughter, Helen, "If I have paint brush, I start to make painting." Helen relayed this message to her brother Joseph, a graphic designer, who, that same day, bought her watercolors, brushes and paper. She immediately began to produce delightful, colorful images. Ruza was born in the fanning village of Imotski, Yugoslavia in 1898 and came to this country in 1922. She and her husband first settled in Pennsylvania then moved to Oregon. Ruza Erceg paints images of her past in Yugoslavia. They are soft and colorful images of rural scenes (farms, fields and farm houses), villages, white buildings with red tile roofs and an occasional painting of a sailboat or of a larger city. Her images are of no particular site but rather of a collective spirit of the land she left so long ago. Numerous paintings are surrounded with delightful painted borders which suggest a painted frame to contain the image., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

98. Rocks at Taft

Description: A coastal scene that depicts a view of a clustering of buildings at the shoreline from a vantage point behind an outcropping of rocks, some distance down the shore. The surface of the water separates the rocks from the settlement, and the sky above is blue with some suggestion of clouds. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

99. Umatilla Landscape II

Umatilla Landscape II

Description: A stylized landscape rendering depicting rolling agriculutral land, presented in yellow, brown, and green under a blue sky dotted with white clouds., Shull 80 sold; acrylic on linen; 4feet6inches x 5 feet; unmatilla II, http://ghc.ctc.edu/library/archives/2007Winter/shullstatement.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

100. Blue-Violet Log Cabin

Blue-Violet Log Cabin

Description: This painting consists of a 4 x 4 grid pattern rendered mostly in cool tones and accented with a peachy color. The sections of the grid contain repetative, concentric elements of squares. When viewed as a whole, the grid also conveys an additional blue, diagonal pattern., C.J. Cole; Blue-violet Log Cabin Pattern; 28x28 inches; acrylic on paper; ohsu medical records, (1986) Carolyn Cole is a painter and sculptor originally from Portland, Oregon, now residing in New yrok City. She worked extensively on handmade, cast paper paintings from 1978 to 1985. This painting, from 1984, is from her American Quilt series., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/