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1. NASA's Deception

NASA's Deception

Description: A close-up color photograph of the paint-chipped surface of an old Ford truck., All Rights Reserved By Allan Bruce Zee © Nasa's Deception, photo #1381, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985), Allan Bruce Zee Photography 2240 S. E. 24th Avenue Portland Oregon 97214, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

2. Grey Willamette, View from Mt. Pisgah

Grey Willamette, View from Mt. Pisgah

Description: A painting depicting a view of the southern Willamete valley from atop Mount Pisgah near Eugene, Oregon., Grey Willamete, oil, 1984/85, Liepe, 41 x 55 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

3. Chronicle: Tuscan Light

Chronicle: Tuscan Light

Description: This tapestry piece is organized in a tight grid pattern rendered in light neutral tones that are interrupted by randomly placed gray and white rectangles. The neutral tones are subltely inflected with light aqua tones near the top right of the piece., Tapestry; linen& cotton; 17.5 x 20 inches; 1980, bpickett@uoregon.edu, http://www.wlotus.com/BookArts/WLG/Pickett.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

4. Salmon (Gargoyle)

Salmon (Gargoyle)

Description: This piece depicts a partial body of a spawning salmon with a Kwakiutt Indian representation of salmon on its sides (OAC documentation; 1989)., Wayne Chabre; Natural History, U of O, waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

5. Changing Huts

Description: A color photograph depicting a grouping of huts with a row of seagulls in the foreground and backed with a bleak sky that obscures the ridgeline of a mountain., F.P. Biggs, Changing Huts, cibachrome print, 29 x 32 inches, framed, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

6. The Six Directions

The Six Directions

Description: This photographic construction creates the illusion of a rootless tree viewed from below., Ron Paul Finne; The Six Directions; copyright 1988; cibachrome print; 15 x 17 inches; for Science Complex, UO, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

7. Duckweed Goldfish Brocade

Duckweed Goldfish Brocade

Description: This photographic collage presents a gridded combination of what appears to be goldfish swimming beneath the surface of water and plant forms., Ron Paul Finne; Duckweed Goldfish Brocade; copyright 1988; cibachrome print; 15 x 17 inches; for Science Complex, UO, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

8. Physics Wall

Description: On the ground floor the bases of the columns are clad with steel plates. Inside there are lights and holes in the steel to suggest fragments of an atomic pattern and represent solid-state physics, the foundation of the physical sciences. The silvery steel light standards on the second floor are shaped to look like two molecules merging and are there to represent the molecular science fields. The staircase leading to the upper floors is faced with the frieze painted with a design like the spiraling "double-helix" of DNA- the molecular chain on which living matter is based. On the top floor, suspended from the ceiling, is a stainless steel sculpture of 1,800 laser-cut stars, representing the field of astrophysics (Bloomer, 1989)., K. Bloomer; Physics Wall; 6-89, kent.bloomer@yale.edu, http://www.bloomerstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

9. Raven (Gargoyle)

Raven (Gargoyle)

Description: This piece depicts the head of a raven with a Kwakiutt Indian mask of a raven on top (OAC documentation, 1989)., Wayne Chabre; Raven Gargoyle; Raven Gate; copper/patina; 48 x 48 x 30 inches; Museum of Natural History; 1987, waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

10. Peg's Rabbit

Description: A black-and-white line drawing of a long-eared rabbit sitting on its haunches and hiding its snout behind its front leg., Cody Bustamante; Peg's Rabbit; '88; charcoal, pastel; 30 x 22 inches; U of O Science Complex, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

11. Marie Curie Gargoyle

Marie Curie Gargoyle

Description: This sculpture presents a bust of Marie Curie., Wayne Chabre; Marie Curie Gargoyle; U of O Physics Bld.; 36 x 30 x 18 inches; copper/patina; 1989, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

12. Dropleaf Table

Description: A still-life painting of a collection of books, fruit, flowers, and a bowl of goldfish sitting on a table covered in brown and white cloths against a dark background., Oil on Canvas; 16 x 20 inches, rgraff@uoregon.edu, http://art-uo.uoregon.edu/index.cfm?mode=faculty&page=rgraff, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

13. Einstein Gargoyle

Einstein Gargoyle

Description: This sculpture presents a bust of a light-hearted Albert Einstein with his tongue sticking out., www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

14. For the Scientists

For the Scientists

Description: This stained glass piece spans the entire perimeter of the underground atrium in the Science Library. Variously colored panels present a collection of quotes that pertain to or inform the sciences. A handwritten list of each quote used by the artist can be viewed in the documentation for this piece., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

15. Untitled Head (Yes)

Untitled Head (Yes)

Description: This piece presents a three-dimensional, black head and neck form. A mask of orange, red, and white paint covers the face. Thin, white vertical lines extend down the forhead, but they are contained by a horizontal bisector. Eyebrows are suggested by two rows alternating white dots. Another row of alternating, light orange dots bisects the area extending from the middle of the nose, and thin lines similar to the ones on the forehead extend down over the rest of the face. Two orange circles, bordered with alternating white and red dots and covered in thin white lines. The orange lips are outlined in red., Phyllis Yes; Untitled Head; 1989; mixed media; U of O Science Complex, http://www.lclark.edu/~yes/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

16. Isaac Newton Gargoyle

Isaac Newton Gargoyle

Description: This sculpture presents a relief of Sir Isaac Newton with long, flowing hair., Chabre; Sir Isaac Newton, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

17. Ariel Canyon II

Ariel Canyon II

Description: An abstracted landscape depicted in blue, green, pink, purple, and orange., Laverne Krause, Ariel Canyon II, '85, monoprint, 32 x 20.5 inches, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

18. Yellow Peugeot

Description: An impressionistic rendering of three bikes (one yellow, one blue, and one orange) parked in a bike rack., Oil on Ragboard; 11.5 x11.5 inches; 1987, http://www.sedersgallery.com/Artists/025/ErskineRESf.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

19. Transplanting Rice

Transplanting Rice

Description: A color photograph depicting two girls dressed in pink tending to rice patties in Indonesia., BPD025, photo, Sumatra Indonesia, #3, dupe, Transplanting Rice, © Barbara Gundle, 1980, barbara@smallplanetphoto.com, http://www.smallplanetphoto.com/aboutus.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

20. Steps to the Sea

Steps to the Sea

Description: This oil painting depicts a moody view of what appears to be contained, restless water. The mostly dark blue color palette is interrupted by what appears to be wooden armature on the left side of the painting and cool pastel colored swatches of fabric., Oil on Canvas, http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

21. Rabbit and Tulip

Rabbit and Tulip

Description: This somewhat abstract and thickly rendered painting depicts a mostly gray rabbit holding a long-stemmed, yellow tulip., Cody Bustamante; Rabbit and Tulip; 40 x 36 inches; U of O Science Complex, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

22. Red Lichens, Central Oregon

Red Lichens, Central Oregon

Description: This color photograph details red lichen growing on a bluish-gray rock., Gary Tepfer; Red Lichens, Central Oregon; copyright 1983; U of O Science Complex, http://www.wlotus.com/GaryTepfer/default.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

23. Dolphin Rescued From the Sea Sullied by the Ship of Fools

Dolphin Rescued From the Sea Sullied by the Ship of Fools

Description: This color photograph presents a close-up detail of scratched and rusted paint., Allan Bruce Zee; Dolphin Rescued…; Datsun pickup; Bandon, OR, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a stairc, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

24. Same Old Forest Blues

Same Old Forest Blues

Description: This painted construction employs paint to dimensionally break the confines of a rectangular frame. Thick swirls of blue, white, and pink define an interior, geometric space rendered in gold, dark blue, red, and yellow as well as thin, black lines., George D. Green; Same Old Forest Blues; U of O Science Complex, (1996 press release from Oregon Economic Development Department, Salem, OR) George Green has, for the past twenty years, been a leader in the development of new forms of tromp l'oeil illusionism (painting with photographically realistic detail). Green has had over 50 national and international solo exhibitions and is represented in 44 museum collections including the Guggenheim Museum, the Chicago Art Institute, The Denver Art Museum, the Los Angeles County Museum, and the Detroit Institute of the Arts. He has been represented by the Meyerson Nowinski Gallery in Seattle, and the Louis K. Meisel Gallery in New York City. George Green was born in Portland, Oregon in 1943., http://www.bernarduccimeisel.com/artistImages.php?id_artist=8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

25. Wintering Goldfish

Wintering Goldfish

Description: Internal dye, diffusion process (Polaroid SX-70) prints mounted as five vertical pairs with poem written in pencil on the mat. Text: Wintering goldfish breathe slowly below tiny frozen spheres of icy air while overhead/ basalt bridges that also swam red once through the deep pool of the earth now have cooled into the sky as bones of trees flesh of sun/ nerves of light (Finne, 1989)., Ron Paul Finne; Wintering Goldfish; copyright 1989; collage of internal dye (Polaroid SX70) prints;, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

26. Thomas Condon Medallion

Thomas Condon Medallion

Description: This sculpture presents a relief of Thomas Condon, enclosed in a riveted circle., www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

27. Physics Wall

Description: On the ground floor the bases of the columns are clad with steel plates. Inside there are lights and holes in the steel to suggest fragments of an atomic pattern and represent solid-state physics, the foundation of the physical sciences. The silvery steel light standards on the second floor are shaped to look like two molecules merging and are there to represent the molecular science fields. The staircase leading to the upper floors is faced with the frieze painted with a design like the spiraling "double-helix" of DNA- the molecular chain on which living matter is based. On the top floor, suspended from the ceiling, is a stainless steel sculpture of 1,800 laser-cut stars, representing the field of astrophysics (Bloomer, 1989)., Kent Bloomer; Physics Wall; U of O Science Complex II, kent.bloomer@yale.edu, http://www.bloomerstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

28. The Wine Glass for Sidney

The Wine Glass for Sidney

Description: This photographic collage presents a wine glass with a bit of liquid sitting in the bottom of it that refracts light and shadow., Ron Paul Finne; The Wine Glass for Sidney; copyright 1988; photo-print collage; 19 x 29 inches; for Science Complex, UO, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

29. Ebeltoft

Description: This pen-and-ink drawing depicts a view through an arched doorway that reveals the interior of a villa contianing the entrance to a dwelling with a car parked in front. Areas of the drawing are highlighted iwth brown and red prismacolor., ink, prismacolor pencils; 1986, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

30. Salmon (Gargoyle)

Salmon (Gargoyle)

Description: This piece depicts a partial body of a spawning salmon with a Kwakiutt Indian representation of salmon on its sides (OAC documentation; 1989)., Wayne Chabre; U of O Museum of Nat. History, waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

31. Raven (Gargoyle)

Raven (Gargoyle)

Description: This piece depicts the head of a raven with a Kwakiutt Indian mask of a raven on top (OAC documentation, 1989)., Wayne Chabre; U of O Museum of Natural History, waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

32. Fishing for Flies

Fishing for Flies

Description: An abstract painting that uses blue, green, red, orange, black, and white in sketchy blocks to create the image., Lloyd Blakely, Title: Fishing for Flies, acrylic on paper, 25.5 x 31.5 inches, 1985, info@lloydblakley.com, http://www.lloydblakley.com/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

33. Bear (Gargoyle)

Bear (Gargoyle)

Description: This piece depicts the head of a grizzly bear with a Kwakiutt Indian mask of a bear on top (OAC documentation, 1989)., Wayne Chabre; Bear Gargoyle; copper/patina; 5.5 x 5 x 4 feet; U of O Museum of Natural History; 1988, waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

34. All Six Drawings together

All Six Drawings together

Description: An installation view of Mike Pease's six drawings. Clockwise from the top left: Ebeltoft; Korcula; Willamete Valley Farm; Aegina; Land's End; and Arhus., http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

35. Drosophilia Fly Head

Drosophilia Fly Head

Description: This sculpture depicts a drosophilia (fruit) fly's head., Wayne Chabre; Fruit Fly; U of O Science Complex, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

36. Fall Bouquet

Description: This drawing is comprised of geometric divisions of space and color that provide a blue and yellow atmosphere for two vases: a patterned, purple one that holds a collection of twigs and a fluted, white one that holds what appear to be seed pods., K.C. Joyce; Fall Bouquet; U of O Science Complex, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

37. John Von Neumann

John Von Neumann

Description: This sculpture presents a bust of John von Neumann with his tie curled upward and tethered by a tie clip., www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

38. Fan Palms

Description: A black and white charcoal drawing of plant forms, particularly fan palms., 30 x 37 inches, Fan Palms, Charcoal, D.C. Smith, 1983, artshomebend@hotmail.com, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

39. Aegina

Description: This drawing highlighted with watercolors depicts a panoramic view of a densely packed section of light-colored, flat-topped builidngs. Some of the buildings have awnings in red or mauve, and green foliage breaks up the architecture., graphite pencil, watercolor; 1987, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

40. Breccia

Description: This ceramic wall relief consists of three columns hung side-by-side and decorated with relief texture and Raku-fired glazes., Geoffrey Pagen; Breccia; 53 x 26 x 2 inches; wall relief; U of O Science Complex, http://www.laurarusso.com/artists/pagen.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

41. Ford Pickup, Jacksonville, Oregon

Ford Pickup, Jacksonville, Oregon

Description: A color photograph depicting an old Ford truck with chipped blue and red paint parked under a tree., All Rights Reserved By Allan Bruce Zee © Ford Pickup Jacksonville, OR, photo #1470, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985), Allan Bruce Zee Photography 2240 S. E. 24th Avenue Portland Oregon 97214, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

42. View from the Gates

View from the Gates

Description: A close-up color photograph of the paint-chipped surface of an old Ford truck., All Rights Reserved By Allan Bruce Zee © View From the Gates, photo #1380, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985), Allan Bruce Zee Photography 2240 S. E. 24th Avenue Portland Oregon 97214, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

43. Owyhee Canyon

Description: This color landscape photograph depicts a view of Owyhee Canyon in Eastern Oregon. Green sage covers the river basin below scraggy bluffs and blue sky with large white clouds that cast distinct shadows on the ground., Gary Tepfer; Owyhee Canyon; copyright 1981; U of O Science Complex, http://www.wlotus.com/GaryTepfer/default.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

44. Alan Turing

Description: This sculpture presents a bust of Alan Turing., Wayne Chabre; Alan Turing Gargoyle; Computer Sciences U of O, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

45. Cut Hay

Description: A landscape painting in bright colors. The cloud-covered blue sky comprises most of the picture plane over the oranish-yellow rendering of what appears to be agricultural land., Janette K. Hopper, Cut Hay 1984, Oil on Canvas, 3 x 4 feet, janette.hopper@uncp.edu, http://www.uncp.edu/art/hopper/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

46. Beach Grass

Description: A color photograph of bright yellow beach grass set off by a very dark blue sky., Beach Grass, 1985, color photograph, 16 x 16 inches, Ryan Bond, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

47. Fanfare

Description: A paper relief sculpture that utilizes paper in blue, gray, and neutral tones. Small squares presented in a grid format comprise the piece, and different modes of origami create visual interest. Colored bits of what appear to be confetti-like material add color. The lower right-hand quadrant includes squares of silver grid pieces., Paper Relief Sculpture, 30 x 29 inches, Fanfare, Nexus © 1985, Nexus is a design group specializing in textile collaboration, including works in paper. 1986 group members include Susanna Campbell Kuo, Marie Lyman and Alice Van Leunen.<br>The paper relief sculptures are based on traditional Japanese origami., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

48. Passengers

Description: A very bold and colorfol acrylic painting of people walking down a street with shops on the left side, and a street with cars on the right side. The people seem to be all grouped together, sort of in the middle of the art piece as if they are waiting to cross the street., Acrylic on canvas; 20 x 27 inches; replacement for stolen piece, http://www.juliaoreilly.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

49. Sand Dune #3, Baja

Sand Dune #3, Baja

Description: This color photograph details prominent, uniform ridges in sand., Gary Tepfer; Sand Dune #3, Baja; copyright 1986; U of O Science Complex, http://www.wlotus.com/GaryTepfer/default.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

50. Nun's Garden

Description: This black-and-white drawing presents minimal information about the subject matter. Two, harshly lit areas break up the absoluteness of the black, but they do not reveal any recognizable forms., Martha Wehrle; Nun's Garden; charcoal and graphite; 22 x 44 inches, http://www.highlands-gallery.com/About__The_Artists_About_Martha_Wehrle2.cfm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

51. Sandstone and Petroglyph, Monument Valley

Sandstone and Petroglyph, Monument Valley

Description: This color photograph details a section of sandstone in Monument Valley, Utah., Gary Tepfer; Sandstone and Petroglyph, Monument Valley; copyright 1987; U of O Science Complex, http://www.wlotus.com/GaryTepfer/default.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

52. Garden Cart II

Description: This black-and-white drawing depicts several gardening tools, including a watering can, a pitchfork, and a cart amongst outdoor furniture in a garden., Margaret V.J. Via; 1935 Sylvan St. Eugene, OR 97403; Garden Cart II; '87; india ink wash; 22.5 x 29 inches; U of O Science Complex; in '89 minor changes made in SE quadrant, Via's work... ranges from simple pencil or ink sketches to finished oil paintings and includes landscapes, cityscapes, human figures and pure abstraction. (Data provided by Bob Keefer at http://www.bkpix.com.), http://www.bkpix.com/writing/via.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

53. Salmon (Gargoyle)

Salmon (Gargoyle)

Description: This piece depicts a partial body of a spawning salmon with a Kwakiutt Indian representation of salmon on its sides (OAC documentation; 1989)., Wayne Chabre; Salmon Gargoyle; copper/patina; 102 x 66 x 36 inches; 1987; Museum of Natural History, U of Ore., waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

54. Salmon (Gargoyle)

Salmon (Gargoyle)

Description: This piece depicts a partial body of a spawning salmon with a Kwakiutt Indian representation of salmon on its sides (OAC documentation; 1989)., Wayne Chabre; Salmon Gargoyle; U of O Museum of Natural History, waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

55. The Road Less Travelled

The Road Less Travelled

Description: This color photograph presents a close-up detail of scratched and rusted paint., Allan Bruce Zee; The Road Less Travelled, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a stairc, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

56. Dragonflies

Description: This black-and-white photograph presents a finely detailed collection of eight dragon flies on a white ground., Dianne Kornberg; Dragonflies; split-toned silver photo; 1986; 14 x 18 inches, In 1989, Dianne Kornberg became a faculty member at the Pacific Northwest College of Art teaching the junior year photography curriculum while also mentoring seniors on their thesis projects. “Many of my students have become lifelong friends,” she says. “It has been a joy to watch their work develop, to celebrate their professional successes, to remain in touch over the years.” (See biography at http://www.pnca.edu/exposure/stories/22/dianne-kornberg), http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=123; http://www.pnca.edu/exposure/stories/22/dianne-kornberg, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

57. Streamside

Description: These two prints, when viewed side by side, present a panoramic view of calm waters among boulders with a densely vegetated bank in a slightly pastel color palette., Mike Pease; Streamside; litho; 1989; U of O Science Complex, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

58. Zebra Fish

Description: This sculpture presents a densely packed school of zebra fish., www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

59. Something to Say

Something to Say

Description: This painting depicts two geometrically composed human figures with white, faceless heads. The figures also appear to wear large, white boots. The figure on the left extends one arm and kicks on leg behind while the figure on the right appears to be striding in the same direction as the other figure. The background is split in half, white on top and gray on the bottom., Michele Russo; Something to Say; U of O Science Complex, Michele Russo was born in Waterbury, Connecticut in 1909. In 1930, he enrolled at Yale University and received a B.F.A. degree in painting in 1934. During the depression years he was employed at a muralist through a Works Progress Administration project and in this capacity executed murals in several Connecticut schools. In 1937, Russo left Connecticut to accept a fellowship to study with Boardman Robinson and George Biddle at the Colorado Springs Fine Arts Center in Colorado Springs, Colorado for one year. During the next ten years he was a social activist and worked for the Federal Education project in Connecticut. In the fall of 1947, Russo moved to Portland and was hired by the Museum Art School the following year to teach painting and art history, remaining on the staff until he retired in 1974. During his tenure at the Museum Art School he became known as Portland's most articulate voice of artists' political, social and artistic rights. In the 1950's, along with friends, he started a co-op op professional artists called Artists Equity. In recent years Russo has been active in various organizations to make art a more visible part of the cultural life in the Northwest; he was one of the original founders of the Portland Center for the Visual Arts. In 1975, he was Chairman of the Oregon Committee for Art in Public Places. In 1977, he was appointed to the Metropolitan Arts Commission; the first artists so honored. (Unknown, 1995), http://www.aaa.si.edu/collections/oralhistories/transcripts/russo83.htm; http://www.laurarusso.com/artists/russo.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

60. Untitled (Carpenter)

Untitled (Carpenter)

Description: This handblown glass piece adorns the areas above the doorways to a small vestibule. A half-moon pattern is repeated within rectangular blocks of glass, with alternating blue and orange detailing., Ed Carpenter; stained glass; U of O Science Complex, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

61. Same Old Forest Blues

Same Old Forest Blues

Description: This view presents context for George Green's painted construction that employs paint to dimensionally break the confines of a rectangular frame. Thick swirls of blue, white, and pink define an interior, geometric space rendered in gold, dark blue, red, and yellow as well as thin, black lines., George Green; Some Old Forest Blues; U. of OR Sci. Complex II, http://www.bernarduccimeisel.com/artistImages.php?id_artist=8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

62. Temple Waterslide and Marina

Temple Waterslide and Marina

Description: This tapestry piece, rendered in blues, greens, and earthtones, depicts what appear to be architectural elevations in relationship to water., J. Poxson Fawkes; Temple Waterslide and Marina; 50 x 72 inches; 1989; linen tapestry, Judith Poxson Fawkes, a resident of Portland, Oregon, is a graduate of Cranbrook Academy of Art. She taught weaving at four institutions of higher education, most recently at Lewis and Clark College, Portland. Her fifty-six commissions hang in such diverse locations as a Federal courthouse, hospitals, university and school buildings, corporations and businesses, a Royal Caribbean Cruise ship, residences in Saudi Arabia and Paris, and in a jail lobby. Sixty-three tapestries are in public collections. She is a recipient of a WESTAF/NEA Regional Fellowship for Visual Artists, an Individual Artists' Fellowship from the Oregon Art Commission and a Crafts Fellowship from the National Endowment of the Arts. She has written a book entitled "Weaving a Chronicle," described as a visual and written catalog by a working tapestry weaver. Forty-six tapestries, pictured in color, are accompanied by adjacent text describing the reasons for each work's creation. Stories of the tapestries revisit commissions and exhibitions. Each tapestry represents seminal ideas in one of six series. The tapestries contribute to the chronicle of how ideas are conceived and executed-- adding to the history of American art and craft, and to the definition of contemporary tapestry. (details provided by artist, 2008), jpfawkes@earthlink.net, http://www.laurarusso.com/artists/fawkes_jp.html <br>For additional information about the artist, see http://www.lindahodgesgallery.com/artists/poxson_fawkes.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

63. Lanterns

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., kent.bloomer@yale.edu, http://www.bloomerstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

64. Columbia River Near Portland

Columbia River Near Portland

Description: An oil painting of a wide, infinite landscape of grass and trees. A small lake is painted adjacent to a long river that flows through the middle of the green landscape. The top half of the painting is a sky full of various colored clouds. This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material., Oil on canvas 3 x 4 feet, 1988, janette.hopper@uncp.edu, http://www.uncp.edu/art/hopper/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

65. Maxwell and Demon

Maxwell and Demon

Description: James Clerk Maxwell is depicted here and the 'demon' is a self-portrait of the artist Wayne Chabre (Teague, 2004)., www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

66. Korcula

Description: A black-and-white rendering of what appears to be densely packed, European architecture. The steeple and dome of a what appears to be a church is visible in the background above the rooftops of the other buildings., Black prismacolor pencil; 1985, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

67. North Rock

Description: This impressionistic painting presents a large, dark rock against a deep blue, tumultuous sky., Cie Goulet; North Rock; monotype; 30 x 40 inches; U of O Science Complex, Cie Goulet is well known for her energetic paintings of the Oregon landscape. Her dramatic color and light is further enhanced by the use of black as a base color (monotypes on black paper). Cie Goulet attended San Francisco Art Institute, Parsons School of Design and graduated from the University of Oregon in 1965, where she studied under the late Jack Wilkinson. In the last twenty years the artist has exhibited in various areas of the U.S. including: Tamasulo Gallery, Cranford, NJ; Louis Meisel Gallery, NY; Artists Space, NY as well as one person exhibitions at Lynn McAllister Gallery, Seattle, WA; Salishan Lodge, Gen Eden, OR; River Run Gallery, Ketchum, ID and the Laura Russo Gallery, Portland, OR. Cie Goulet exhibited her work in the exhibition "First Impressions: Northwest Monotypes" at the Seattle Art Museum, WA which then traveled to the Marylhurst College, Art Gym Gallery. (Unknown, 1991), http://www.laurarusso.com/artists/goulet.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

68. Valley Light

Description: "Valley Light" was inspired by the landscape of the Willamette Valley. The horizontal lines at the top represent the horizon lines. These break apart and fall to the bottom in the form of short vertical lines, symbolic of the fields and grasses. I was very interested in capturing the special light created when the sun comes through the dark clouds and illuminates the colors in the valley and hills. This piece is made from silk and cotton, dyed with procion (fiber reactive) dyes. The background is machine pieced and appliqued cotton. The strips are pieced from silk which are sewn into tubes, these are then turned inside out and ironed flat into strips. The strips are attached to the piece only at the top and hang freely in front of the back. They are held out from the back with a wooden bar which slips into a sleeve at the top. (description by artist, 1986), Valley Light, Detail, Dyed Pieced Textile, Ann Williamson Hyman, © 86, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

69. Einstein Gargoyle

Einstein Gargoyle

Description: This sculpture presents a bust of a light-hearted Albert Einstein with his tongue sticking out., Wayne Chabre; Einstein Gargoyle; U. of O. Physics Bld.; copper/patina; 30 x 18 x 18 inches; 1986, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

70. The Consequence of Rift

The Consequence of Rift

Description: This color photograph presents a close-up detail of scratched and rusted paint., Allan Bruce Zee; The Consequence of Rift; 1986; cibachrome; Datsun pickup; Bandon, OR, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a stairc, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

71. Willamette Valley Farm

Willamette Valley Farm

Description: This watercolor painting depicts a scene from a shaded driveway that approaches a group of outbuildings., watercolor; 1991, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

72. Land's End

Description: A prismacolor pencil drawing of a landscape. Six dark trees sit in a grassy meadow in front of bluish-gray mountains in the background., prismacolor pencils; 1984, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

73. Lemons

Description: Mixed media, still life piece of two lemons on a plate, a blue and yellow vase with leaves coming out of it, and part of an architectural structure on the left side. The plate of lemons appears to be set on a black and white striped tablecloth., Monotype; 24x31; 1989, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

74. Northern Lights

Northern Lights

Description: A close-up color photograph of the paint-chipped surface of an old Ford truck., All Rights Reserved By Allan Bruce Zee © Northern Lights, photo #1376, Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985), Allan Bruce Zee Photography 2240 S. E. 24th Avenue Portland Oregon 97214, http://www.allanbrucezee.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

75. American Holiday

American Holiday

Description: A painting of a man wading in water with a red, white, and blue boat tucked beneath his arm contained within the upper portion of the picture plane. Indications of moving water make up the rest of the picture plane., Artist: Nelson Sandgren, Title: American Holiday, Med: Oil on Masonite, Size: 43 x 63 inches framed, Nelson Sandgren (1918-2006) was born in Manitoba, Canada. Sandgren moved to Portland with his parents during the Great Depression, and taught art/painting at Oregon State College for thirty-nine years., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

76. Oregon Beach #2

Oregon Beach #2

Description: A painting of the coastline in inclement weather. The viewer enters the picture plane from what appears to be a perspective from the brush line before reaching the sand or water., Mark Clarke, Oregon Beach #2, Oil/Canvas, 40 x 46 inches, http://www.karinclarkegallery.com/clarke.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

77. LaVerne Krause

Description: A black and white portrait of LaVerne Krause. Krause has her hair up in a bun, with bangs across her forehead, and thick-rimmed oval glasses atop her nose., black & white photo; 16 x 20 inches, 1981, paulneevel@poetworld.net, http://www.paulneevel.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

78. Reflex Action

Description: In this piece, orange human forms with white, linear body art and black halos occupy a red background. Additional red, white, and blue geomtric shapes as well as white hand prints are overlaid on top of the human figures., Angelita Surmon; Relex Action; 30 x 44 inches; acrylic on handmade paper, Angelita Surmon is an Oregon artist who received her B.S. in 1972 and her BFA in 1977, from Oregon State University. She has continued her education at Vermont Studio School, the Sitka Center, and in Papua, New Guinea. (Oregon Arts Commission, 1995), http://www.angelitasurmon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

79. Arhus

Description: A black-and-white pen- and-ink drawing of residential street scene, with a partially envisioned car on the left side. On the right of the drawing sits a leafless, deciduous tree., pen, black ink, 1986, http://www.alderart.com/mike%20pease/html/mike%20pease%20art.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

80. Isaac Newton Gargoyle

Isaac Newton Gargoyle

Description: This sculpture presents a relief of Sir Isaac Newton with long, flowing hair., Wayne Chabre; Sir Isaac Newton Gargoyle; Tower U. of O. Physics Bld.; copper/patina; 40 x 30 x 18 inches; 1987, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

81. Marie Curie Gargoyle

Marie Curie Gargoyle

Description: This sculpture presents a bust of Marie Curie., Wayne Chabre; Marie Curie Gargoyle; U of O Physics Bld.; 36 x 30 x 18 inches; copper/patina; 1989, www.waynechabre.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

82. Columbia River Near Portland

Columbia River Near Portland

Description: An oil painting of a wide, infinite landscape of grass and trees. A small lake is painted adjacent to a long river that flows through the middle of the green landscape. The top half of the painting is a sky full of variously colored clouds. This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material., Oil on canvas 3 x 4 feet, 1988, janette.hopper@uncp.edu, http://www.uncp.edu/art/hopper/index.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

83. Apple Bunting

Description: A brightly colored rendering of a bird perched on a branch. Several pink flowers surround the bird on a background comprised of a blue and purple fern motif. The piece is executed with layers of color through stenciling and the reduction method of relief printing, M.L. McCorkle, linoleum cut 1985, Apple Bunting, http://www.zerodegreesart.com/zeroArtists.php?artist=mmccorkle, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org

84. Raven, Salmon and Bear

Raven, Salmon and Bear

Description: This view depicts context at the Museum of Natural and Cultural History for Chabre's three animal gargoyles., Wayne Chabre; Gargoyles; U of O Museum Nat. H., waynechabre@charter.net; 704 Catherine Street, Walla Walla, Washington, (509) 301-3596, http://www.waynechabre.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

85. How Sweet It Tasted

How Sweet It Tasted

Description: This piece depicts a voyeuristic young woman with black hair who peers through a window onto a scene of a family sitting in front of a television with poor reception. One child stares, wide-eyed, at the television set, while the parents sit in front of it passed out with a baby crawling at their feet on the floor. The voyeuristic girl wears a strange collection of charms and bracelets made from animals while biting into a large, red strawberry., Claudia Cave; How Sweet It Tasted; U of O Science Complex, Claudia Cave, a Salem painter, studied art at Western Oregon State University and University of Idaho and has participated in many regional exhibitions. Ms. Cave's mixed media paintings are carefully rendered excursions into the world of psychological archetypes. In 'How Sweet It Tasted' Ms. Cave explores memory and the recesses of the mind in a meticulous, albeit cartoon-like, mixed media painting. (Information provided by OAC documentation.), http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=80, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

86. The Never Say No Man

The Never Say No Man

Description: This piece depicts a strange man with a thick brow dressed in a white Oxford shirt with a pocket protector. His legs are cork-screwed around one another, and he has six arms that move in different directions and interact with the other smaller, peripheral figures that surround him., Claudia Cave; The Never Say No Man; U of O Science Complex, Claudia Cave, a Salem painter, studied art at Western Oregon State University and University of Idaho and has participated in many regional exhibitions. Ms. Cave's mixed media paintings are carefully rendered excursions into the world of psychological archetypes. 'The Never Say No Man' resonates with symbols and tensions and his dilemma activates the composition. (Information obtained via OAC documentation.), http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=80, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

87. Face

Description: A screenprint of a face rendered from the buildup of tiny triangular pieces. The shades of the triangular pieces vary in tonality from white to aqua to black. The lighter pieces highlight the features of the face while the darker ones recede into the background., Screenprint; 18 x 18 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/

88. Merced River, Yosemite, California

Merced River, Yosemite, California

Description: A black and white photographic image of a river rock in a forested area., Merced River, Yosemite, CA 1984, ©1984 Goodwin Harding, platinum/palladium print: 7 x 9 inches, http://www.okartinst.org/gallery/quartzmountain/index.cfm?a_id=17&im_id=40&imx=1, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org